Latest Posts by acaciaa - Page 2

THE BEAR (2022-) + IMDb trivia

John 'Bucky' Egan and his bikes

that smitten little smile is everything 💕

AUSTIN BUTLER as BENNY

The Bikeriders (2024) dir. Jeff Nichols

Austin Butler and Tom Hardy The Bikeriders (2024) dir. Jeff Nichols

“Where’s the pathetic element?” Exactly Tom Hardy. Exactly.

(x)

AYO EDEBIRI wins for Best Performance in a Television Series – Musical or Comedy for The Bear (FX / Hulu) as Sydney Adamu

#Thank you and congrats on dental insurance Ayo

Ayo Edebiri wearing MIU MIU – The Today Show (2022)

Forever thinking about the short story “The Husband Stitch” from Carmen Maria Machado’s Her Body and Other Parties.

Thinking about bodily autonomy in romantic and sexual relationships, especially with men. Thinking about the expectation of martyrdom in womanhood. How complete servitude is the status quo. How women give and give until we’re empty and that’s considered a job well done. How much it hurts that women have to fight to keep the scraps of humanity we’re able to acquire.

Thinking about:

“A wife,” he says, “should have no secrets from her husband.”

“I don't have any secrets,” I tell him.

“The ribbon.”

“The ribbon is not a secret; it's just mine.”

Thinking about:

Resolve runs out of me. I touch the ribbon. I look at the face of my husband, the beginning and end of his desires all etched there. He is not a bad man, and that, I realize suddenly, is the root of my hurt. He is not a bad man at all. To describe him as evil or wicked or corrupted would do a deep disservice to him. And yet—

“Do you want to untie the ribbon?” I ask him. “After these many years, is that what you want of me?”

His face flashes gaily, and then greedily, and he runs his hand up my bare breast and to my bow.

“Yes,” he says. “Yes.”

“Then,” I say, “do what you want.”

“my mother & i” - lucy dacus // “eight bites” - carmen maria machado, her body & other parties

harrow the ninth tamsyn muir / her body and other parties carmen maria machado / mabel podcast / tomorrow and tomorrow and tomorrow gabrielle zevin / harrow the ninth tamsyn muir / much ado about nothing william shakespeare

WRITERS + DIRECTORS ON THE POWER OF HORROR

Catriona Ward, interview for The Guardian Mark Gatiss, in A History of Horror (2010) Pascal Laugier, for Electric Sheep Candyman (1992), dir. Bernard Rose Colin Dickey, Ghostland Carmen Maria Machado, for Paris Review Kier-La Janisse, House of Psychotic Women Possession (1981), dir. Andrzej Żuławski Mariana Enríquez, ‘Notes on Craft’, Granta Guillermo del Toro, Haunted Castles, Dark Mirrors

Somewhere inside you is the free person I'm talking about. Locate her and let her do some good in the world.

Toni Morrison, Home (2012)

anne boyer “the harm will come: it never doesn’t” / julia armfield “to watch a horror movie is to know that something bad is going to happen. to have a body is really the same thing” / hilary mantel “we don’t have to invite pain in, it’s waiting for us: sooner rather than later” / marie howe “you know how we’ve been waiting for the big pain to come? I think it’s here. I think this is it. I think it’s been here all along” / gregory orr “I want to go back to the beginning. we all do. I think: hurt won’t be there. but I’m wrong” / toni morrison “the hurt was always there” / torrey peters “pain that had to be endured, withstood, pain that was the same as being alive, and so without end”

Solitude had made her secretive—self-manipulated. Years of haunting had dulled her in ways you wouldn't believe and sharpened her in ways you wouldn't believe either.

Toni Morrison, excerpt from Beloved

[id: a photo of Toni Morison, with her quote across it, which reads “it’s not possible to constantly hold onto crisis. You have to have the love and you have to have the magic. That’s also life.” End id]

They wouldn’t be trying so hard to keep us from our joy if joy were not liberation.

Arcana by Miguel Cruz

Sorrow

Source: †

Albert Bierstadt (American, 1830–1902), "A Storm in the Rocky Mountains, Mt. Rosalie" (detail), 1866

The Awakening Of The Poet, Gabriel Ferrier (1899)

strawberries | raspberries | currants | cherries

— by Virginia Granberry (1831-1921)

Maggie Gyllenhaal in Mona Lisa Smile (2003) dir. Mike Newell

Pride and Prejudice characters + being a mood

Bride of Frankenstein

1935 | dir. James Whale

BARBENHEIMER (2023)

Reading Mockingjay as an adult is extra devastating because. Of course the plucky teenager and her ragtag friends aren't going to sneak into a government building to kill the president with a bow and arrow. That's absolutely ridiculous. It's the kind of thing that's only possible in the kind of propaganda that Coin developed. But she's so good at it that in some ways she tricks the reader into thinking that's the kind of story this is, too--even after 3 books reminding us that pretty much everything that Katniss does the second she volunteers is manipulated by adults pulling strings to make propaganda in some form or another.

Katniss is such an unreliable narrator. She says "Then something unexpected happens. At least, I don't expect it because I don't think of District 12 as a place that cares about me" girl you deliver strawberries to the Mayor, you hunt and trade for the district, when you fell at Prim being chosen someone caught you, when you went to Prim people parted for you, when you volunteered EVERYONE stopped. Idk how to tell you but I think you're a pillar of the community.

oh my favorite trope? two people who go through something so unique and agonizing and entirely beyond words that they have no choice but to create a bond that transcends all other types of love, thus acting as the sole point of understanding for the other person in a world that cannot fathom what they’ve been through