The Concept Of The Secret History Classics Class Over Zoom Continues To Occupy All My Thoughts But Unfortunately

Alchemical substances

Cadmia, which was also called Tuttia or Tutty, was probably zinc carbonate. Philosophers’ Wool, or nix alba (white snow). Zinc oxide made by burning zinc in air. Called Zinc White and used as a pigment. White vitriol. Zinc Sulphate. Described by Basil Valentine. Made by lixiviating roasted zinc blende (zinc sulphide). Calamine. Zinc carbonate. Corrosive sublimate. Mercuric chloride. first mentioned by Geber, who prepared it  by subliming mercury, calcined green vitriol, common salt and nitre. Calomel. Mercurous chloride. Purgative, made by subliming a mixture of mercuric chloride and metallic mercury, triturated in a mortar. This was heated in a iron pot and the crust of calomel formed on the lid was ground to powder and boiled with water to remove the very poisonous mercuric chloride. Cinnabar. Mercuric sulphide. Turpeth mineral. A hydrolysed form of mercuric sulphate. Yellow crystalline powder, described by Basil Valentine. Mercurius praecipitatus. Red mercuric oxide. Described by Geber. Cinnabar or Vermillion. Mercuric sulphide. Mosaic gold. Golden-yellow glistening scales of crystalline stannic sulphide, made by heating a mixture of tin filings, sulphur and salammoniac. Tin salt. Hydrated stannous chloride. Spiritus fumans. Stannic chloride, discovered by Libavius in 1605, through distilling tin with corrosive sublimate. Butter of tin. Hydrated stannic chloride. Galena. Plumbic sulphide. Chief ore of lead. Lead fume. Lead oxide obtained from the flues at lead smelters. Massicot. Yellow powder form of lead monoxide. Litharge. Reddish-yellow crystalline form of lead monoxide, formed by fusing and powdering massicot. Minium or Red Lead. Triplumbic tetroxide. Formed by roasting litharge in air. Scarlet crystalline powder. Naples yellow, or Cassel yellow. An oxychloride of lead, made by heating litharge with sal ammoniac. Chrome yellow. Lead chromate. Sugar of Lead. Lead acetate, Made by dissolving lead oxide in vinegar. White lead. Basic carbonate of lead. Used as a pigment. Venetian White. Mixture of equal parts of white lead and barium sulphate. Dutch White. Mixture of one part of white lead to three of barium sulphate. Antimony. From latin ‘antimonium’ used by Constantinius Africanus (c. 1050) to refer to Stibnite. Glass of Antimony. Impure antimony tetroxide, obtained by roasting stibnite. Used as a yellow pigment for glass and porcelain. Butter of Antimony. White crystalline antimony trichloride. Made by Basil Valentine by distilling roasted stibnite with corrosive sublimate. Glauber later prepared it by dissolving stibnite in hot concentrated hydrochloric acid and distilling. Powder of Algaroth. A white powder of antimonious oxychloride, made by by precipitation when a solution of butter of antimony in spirit of salt is poured into water. Stibnite. Antimony trisulphide. Grey mineral ore of antimony. Wismuth. Bismuth. Pearl white. Basic nitrate of bismuth, used by Lemery as a cosmetic. Chrome green.  Chromic oxide. Chrome yellow. Lead chromate. Chrome red. Basic lead chromate. Chrome orange. Mixture of chrome yellow and chrome red. Green Vitriol. Ferrous sulphate. Rouge, Crocus, Colcothar. Red varieties of ferric oxide are formed by burning green vitriol in air. Marcasite. Mineral form of Iron disulphide. Oxidises in moist air to green vitriol. Pyrites. Mineral form of iron disulphide. Stable in air. Cobalt. Named by the copper miners of the Hartz Mountains after the evil spirits the 'kobolds’ which gave a false copper ore. Zaffre. Impure cobalt arsenate, left after roasting cobalt ore. Nickel. Named by the copper miners of Westphalia the 'kupfer-nickel’ or false copper. Copper glance. Cuprous sulphide ore. Aes cyprium. Cyprian brass or copper. Cuprite. Red cuprous oxide ore. Blue vitriol or bluestone. Cupric sulphate. Verdigris. The green substance formed by the atmospheric weathering of copper. This is a complex basic carbonate of copper. In more recent times the term 'verdigris’ is more correctly applied to copper acetate, made by the action of vinegar on copper. Resin of copper. Cuprous chloride. Made by Robert Boyle in 1664 by heating copper with corrosive sublimate. Lunar caustic, lapis infernalis. Silver nitrate. Fulminating silver. Silver nitride, very explosive when dry. Made by dissolving silver oxide in ammonia. Horn silver, argentum cornu. A glass like ore of silver chloride. Luna cornea. The soft colourless tough mass of silver chloride, made by heating horn silver till it forms a dark yellow liquid and then cooling. Described by Oswald Croll in 1608. Purple of Cassius. Made  by Andreas Cassius in 1685 by precipitating a mixture of gold, stannous and stannic chlorides, with alkali. Used for colouring glass. Fulminating gold. Made by adding ammonia to the auric hydroxide formed by precipitation by potash from metallic gold dissolved in aqua regis. Highly explosive when dry. Quicklime. Calcium oxide. Slaked lime. Calcium hydroxide. Chalk. Calcium carbonate. Gypsum. Calcium sulphate. Natron. Native sodium carbonate. Soda ash. Sodium carbonate formed by burning plants growing on the sea shore. Caustic marine alkali. Caustic soda. Sodium hydroxide. Made by adding lime to natron. Common salt. Sodium chloride. Glauber’s Salt. Sodium sulphate. Wood-ash or potash. Potassium carbonate made from the ashes of burnt wood. Caustic wood alkali. Caustic potash. Potassium hydroxide. Made by adding lime to potash. Liver of sulphur. Complex of polysulphides of potassium, made by fusing potash and sulphur. Sal Ammoniac. Ammonium Chloride. Described by Geber. Sal volatile, Spirit of Hartshorn. Volatile alkali. Ammonium carbonate made from distilling bones, horns, etc. Caustic volatile alkali. Ammonium hydroxide. Nitrum flammans. Ammonium nitrate made by Glauber. Brimstone (from German Brennstein 'burning stone’). Sulphur. Flowers of sulphur. light yellow crystalline powder, made by  distilling sulphur. Thion hudor (Zosimus refers to this as the 'divine water’ or 'the bile of the serpent’). A deep reddish-yellow liquid made by boiling flowers of sulphur with slaked lime. Milk of sulphur (lac sulphuris). White colloidal sulphur.  Geber made this by adding an acid to thion hudor. Oil of Vitriol. Sulphuric acid made by distilling green vitriol. Realgar. red ore of arsenic. Arsenic disulphide. Orpiment. Auri-pigmentum. Yellow ore of arsenic. Arsenic trisulphide. White arsenic. Arsenious oxide. Made from arsenical soot from the roasting ovens, purified by sublimation. Aqua tofani. Arsenious oxide. Extremely poisonous. Used by Paracelsus. King’s Yellow. A mixture of orpiment with white arsenic.

meanwhile reading this whole thing, i was so happy to refresh my mind on mostly greek myths and for sure i’m going to read more about the ones that i have no idea about, but also one idea stroke my mind, our today’s religions might be more “mindful” for our centuary and development, but weren’t those myths part of actual religions lots of years back then? the answer is that they totally were, and for people and their time all of those things, were a sacred truth that wasn’t questioned by most people, it made sense, and belief took first place in their hearts

this reminds me of modern religions, and funny thought of the fact that in few years, if humanity wont die out, there are going to be completely new religions, and with our names totally wiped out from the earth, people are going to read our holy books as ancient myths, and probability of this actually happening is so high is makes me amazed. History is repiting and this world is so wonderful and interesting in all means, i’m just glad i happen to be, and have those thoughts.

Using Myths to Create a Campaign Setting...

So while researching for this Mega-Post (which will probably become one part of many), I’ve found that myths, legends and folklore as a whole is really just a cool thing to read about.

There’s so much creativity and wonder in every myth, and it’s been super fun to find story elements that have persisted all the way to the modern day.

With that said, and wait for it: Making a D&D Setting can be really really tiring.

So, after rediscovering my love of mythology, I thought I’d take a new approach to all this: Using “Comparative Mythology”.

“Wait! What’s Comparative Mythology?” I hear you ask. Well Comparative Mythology is when you compare myths from different cultures and identify all the things they share.

So let’s start this Mega-Post by ending this long-winded intro and getting to the whole point of this: The Common Myths!

The Creation of Mankind from Clay

The creation of man from clay is a thing that recurs throughout a bunch of world religions and mythologies. In this Myth, Mankind is created from dust, clay or earth by a single deity.

In Greek Mythology, Prometheus molded men out of water and earth.

In Egyptian Mythology, one of the several ‘Creator Gods’, called Ptah, is a Potter who fashions the bodies of humans (and some Gods) from clay.

The Theft of Fire

The theft of fire for humanity is another that recurs in many world mythologies. Where a deity, sometimes the deity of earth, the forge, or the deity that actually created Mankind, steals a portion of the Sun or a Magical Heavenly Flame and gives it to humanity so they don’t freeze to death or starve because they can’t cook their food.

Probably the most famous version of this Myth comes from Greek Mythology, where the Titan Prometheus stole the heavenly fire of the gods and gave it to humanity, the thing he created from clay, so they could build their first civilisation.

The Great Flood

Cultures around the world tell stories about a great flood that leaves only one survivor or a group of survivors. Sometimes the Flood is meant to restart the world, defeat a great evil, or as a punishment to Mankind for some known or unknown thing.

In the Hebrew Bible, probably the most famous example of this, God sends down a global flood that wipes out humanity, with only one man surviving and saving the world’s species by taking them aboard a giant boat.

In Greek Mythology, a Myth says that Zeus, Head of the Gods, sent down a great storm to flood the world after people started trying to sacrifice humans to him, which was completely against the Greek Laws of Hospitality and a big ol’ no-no in the eyes of Zeus.

The Dying-And-Rising God

Many Myths feature a God or Goddess who dies somehow and returns to life thanks to the help of the other Gods.

In Egyptian Mythology, Osiris, who was slain by his brother Seth, was brought back to life by his sisters Isis and Nephtys. Osiris eventually became the ‘King of the Dead’ while his Son became ‘King of the Living’, which may have something to do with a Father-like Figure giving power to their Son, which is another theme that pops up in a few cultures…

In Greek Mythology, it’s Adonis, a beautiful man born from his Mother that just so happened to be turned into a tree. But after being left in a Forest by Aphrodite and told to avoid any wild Boars (also known as Ares in disguise), Adonis immediately decided to do the opposite and hunt down the wild Boar (also known as Ares, the God of War). The fight didn’t really go in Adonis’ favour, and after Aphrodite found out, she stormed into the Underworld and demanded her Boyfriend back, and eventually Zeus got involved, deciding to split the Year in two, the warmer months (summer and spring) where Adonis would be with Aphrodite, and the colder months (autumn and winter) where Adonis would go back into the Underworld. This is why Adonis is associated so much with spring, renewal and rebirth.

The Creative Sacrifice

Many cultures have stories about divine figures whose death creates a certain part of reality. 

These myths seem especially common among cultures that are farmers or have agriculture as a major part of their society.

In Norse Mythology, the First Giant, known as Ymir or ‘The Cosmic Giant’ was killed to create the World of Norse Myth.

In Aztec Myth, after Huitzilopochtli kills his sister Coyolxauhqui and his 400 brothers, Coyolxauhqui’s severed head becomes the moon, and her 400 dead brothers become the stars in the night sky.

In Greek Mythology, when the many-eyed Giant Argus was slain by Hermes, Argus’ eyes were transferred by Hera to the tail of the peacock, hence the beautiful tail feathers of a peacock!

The Seat of the World

The seat of the world is usually noted as a place that sits at the centre of the world and acts as a point of contact between different levels of the universe: Usually Heaven, Earth and the Underworld.

And as a small Sidenote, there’s a LOT of mythologies and world religions that use a giant ‘Cosmic Tree’ to represent the seat of the world, and they usually describe it as “a great tree joining heaven, earth, and the underworld”, with branches that reach the Heavens and whose roots that reach the Underworld.

In Hindu, Jain, and Buddhist Mythology, Mount Meru (also recognised as Sumeru, Sineru or Mahāmeru), is a sacred five-peaked mountain, and is considered to be the centre of all universes, both physical and spiritual.

In Norse Mythology, Yggdrasil is an immense mythical cosmic tree that connects the Nine Worlds of Norse Cosmology.

In Greek Mythology, the “Seat of the World” was the City of Delphi, the literal centre of the Greek Mythological World. Delphi was almost always seen as “the belly-button of the world”, with many tales surrounding the famous Oracle of Delphi. You could also consider Mount Olympus to be a sort-of “Seat of the World” too, since that’s the famous place where only the Gods lived…

The Ideal God

This is usually referring to a King, Queen or some kind of Head of a Pantheon, a God to rule the Gods.

Even actual Official D&D Settings do this by having an ‘Overgod’.

In Norse Mythology, Odin is the Leader of the Gods.

In Greek Mythology, Zeus is Head of the Gods, though Hera (his Wife) also has some influence on the Pantheon.

In Roman Mythology, which is extremely similar to Greek Mythology, they have Jupiter as the Head of the Pantheon and King of the Gods.

In Egyptian Mythology, Ra is Head of the Pantheon, though some interpretations vary on his actual name.

And as a side-note, it seems most ‘Head of the Pantheon’ Gods are male with some sort of connection to the Sky, the Sun, or Storms, and are often extremely wise or extremely powerful, usually depicted as extremely ripped and wielding big ol’ stabby weapons…

And weirdly enough, most have some sort of connection to birds, I can’t really find out where that comes from, but it’s cool nonetheless.

The War with the Titans

This is usually the Myth that creates the “Official Pantheon” for a Place’s Religion. The Titans (or sometimes called Primordials, beings that represent chaotic and destructive elements like Fire and Lightning) fight the Gods, sometimes a few Gods die, but the Gods always win.

Again, the most famous version of this Myths is In Greek Mythology, where the Titanomachy was a ten-year series of battles consisting mostly of the Titans fighting the Olympian Gods and their allies. This event is also known as the War of the Titans, Battle of the Titans, Battle of the Gods, or just The Titan War, which is just a cool name in general…

Gargantuan Giants

By “Gargantuan Giants”, I mean Gargantuan compared to Humans, who in most cultures were less than 6 Feet Tall, so sometimes Giants were as short of 8 Feet, and others they are quite literally the size of the Universe…

In Greek Mythology, there’s the myth of Ourion (or more commonly known as ‘Orion’) the Giant, a Huntsman famous for being placed among the stars as the constellation of Orion. There’s also the Hecatonchires, also known as the Hundred-Handed Giants, as well as the Myth of the Cyclopes and a bunch of other Gods and Demigods who are described as “Giant” in size.

In Norse Mythology, there’s dozens of famous giants, also known as Jotuun in some texts. From Surtur, the fire giant that leads his kin into battle during Ragnarok, to the trickster giant Utgard-Loki, famous for annoying the Hel out of Thor and thoroughly embarrassing him in front of all the other giants.

Mythical Dragons and Serpents

Sometimes just large snakes and other times gigantic snakes, legendary snakes and serpent-like creatures appear in the folklore of a bunch of different cultures around the world. And speaking of Dragons, while they vary from region to region, they’re almost always depicted as gargantuan serpentine creatures with four-legs.

Mythical Serpents in Mythology

In Egyptian Mythology, Atum shaped the world thanks to four mythical serpents. Also in Egyptian Mythology is Apophis, a gargantuan mythical serpent that symbolises chaos, who tries to eat the sun every day as part of the Journey of Ra and his Sun-Barge/Sun-Boat.

In Greek Mythology, there’s the Lernaean Hydra, more often known simply as the Hydra, a multi-headed snake monster killed by Heracles as part of his Twelve Labours. There’s also Python, a big ol’ sea snake with the gift of prophecy, that was then promptly killed by a Baby Apollo…

In Aztec Mythology, there’s Quetzalcoatl, a giant feathered serpent (and sometimes a dragon!) characterised as the God of Wind, the Dawn, the Planet Venus, Arts and Crafts, Wisdom and Knowledge.

And another thing, it seems some Myths depict these giant snakes as pets or living weapons used by Kings, Queens or even the Gods to keep their subjects in check.

Dragons in Mythology

In Eastern Cultures and Mythologies, Dragons are usually depicted as wingless, four-legged, serpentine creatures with above-average intelligence and the ability to control rivers, the ocean, the wind and the weather.

In Western Cultures and Mythologies, Dragons are often depicted as savage, winged, horned, four-legged, and capable of breathing fire.

The Myth that founds a Custom

This myth is way more varied than the rest. Many cultures have myths describing the origin of their customs, with most societies often justifying their customs by claiming that the Gods or the Mythical Heroes of their Culture established those customs.

The Curse of Cannibalism 

Human cannibalism features in the myths, folklore, and legends of many cultures and is most often attributed to evil characters, with the idea that consuming human flesh is an evil act that usually transforms the person into a monster of some kind.

In Greek Mythology, there exists the Lamia, a woman who became a child-eating monster after her children were destroyed by Hera after Hera learnt of her husband Zeus’ little “escapades”.

In Native American Myth, there’s the famous Wendigo, a creature (or sometimes depicted as an evil spirit) from folklore, with some sources saying Wendigos are created when a human resorts to cannibalism to survive.

The Hero’s Adventure to save their Lover

This is usually a story of three parts: Hero gains a Lover, Lover dies through unforeseen circumstances, and finally the Hero goes on an Adventure (most commonly going to the Underworld) to meet/save/resurrect their Lover.

This Myth can also be known as the “Hero goes to the Underworld to save their Lover” Myth, which is also super common when you look at all the different world cultures.

In an old Babylonian Myth, the Babylonian Goddess Ishtar (Goddess of Love, War and Fertility) gets trapped in the Underworld with the Queen of the Dead after trying to save her husband from the Underworld. But then Asushunamir, a gender-ambiguous individual constructed by Enki (a Babylonian Ocean God), is sent to the Underworld to save Ishtar, so I guess that’s two stories in one?

In Japanese Mythology, Japan has two Creator Deities: Izanagi and Izanami. But after the Birth of Kagi-Tsuchi (the Fire God), Izanami dies. So Izanagi decides to just go on down to the Underworld to get her back. But after lighting a torch in the Underworld when he’s specifically told not to, Izanami is understandably peeved and sends a bunch of monsters after Izanagi to chase him down until Izanagi decides to block the entrance to the Underworld with a giant rock so no monsters get out. Yay?

In Greek Mythology, Orpheus (one of Apollo’s kids) walks on down to the Greek Underworld to chat with Hades and maybe get his dead lover Eurydice back. Hades says “Yeah, sure bro! Just don’t look at her before you two get back to the World of the Living again, okay?” But Orpheus, like an idiot, decides to immediately do the opposite after thinking Hades is tricking him, and Eurydice is dragged back down in the Underworld to stay there forever…

The Sun gets eaten by a Giant Beast

This is usually what Cultures and World Religions use to explain celestial events such as an Eclipse.

In Aztec Mythology, they had a God called Huitzilopochtli (Yay! I spelt it right!) who was their Sun God and God of War and Human Sacrifice.  Huitzilopochtli also had 400 Brothers and one Sister: Coyolxauhqui. After murdering his sister, Coyolxauhqui’s severed head becomes the moon and several of Huitzilopochtli’s brothers become the stars. And now the sun is constantly at risk of being devoured by the night sky and to put this all short: Huitzilopochtli is constantly fighting off the severed head of his sister (The Moon) to stop her eating/murdering the sun and the earth. FUN!

In Norse Mythology, at some point during Ragnarok (the Norse “End of the World” Myth), the sun and moon are eaten, possibly by Fenrir, but definitely by Mythical Wolf of some variety, sources differ.

In Egyptian Mythology, the Egyptians would pray against Apophis (the giant snake in the Underworld) to squash his nightly attempts to eat the sun as it passed through the Underworld.

And as a side-note, this one doesn’t have to be a Beast, sometimes the sun is stolen by a thief, or something happens and it’s sealed away or just straight up nopes out and disappears for a few days…

Gods named after Planets

It’s right in the name, a lot of Gods are named after Planets, Stars, Constellations and other Celestial Objects.

In Egyptian Mythology, the Gods are actually named after the various Stars and Constellations that can be seen in Egypt’s night sky.

In Roman Mythology, examples include Jupiter, Head of the Pantheon, as well as Mars the God of War, Mercury the God of Merchants, and Venus the Goddess of Love and Beauty, as well as Neptune, Saturn and More!

The Beast to be Released and Kill the World

This is usually a Wolf, Snake, or other Giant Beast that, when the Apocalypse comes, is released from whatever bindings they have and wreak havoc on the Mortal World. Sometimes the Beast is chained away or trapped in the Underworld, but other times they’re just sleeping until the Apocalypse comes knocking…

In Egyptian Mythology, this Beast is known as Apophis, a Giant Snake trapped in the Underworld that tries every day to eat the Sun (and sometimes eat Ra too!) before Apophis is defeated by the powers of Gods and the apocalypse is stopped for another day.

In Norse Mythology, this Beast is Fenrir, a Giant Wolf and Son of the Trickster God Loki. Fenrir is bound by a series of heavy chains, and when Ragnarok (the Norse version of the Apocalypse) comes, Fenrir will break his chains and go on a big ol’ god-killin’ spree!

Keep reading

oh my god this is something out of life experience

For my wife, after a near-death experience on the eve of our anniversary

When I tell you I believe in love at first at sight, I mean that every time I look you are a different person. I mean that looking’s not the same as seeing—we’re not static. It’s an hypothesis the sun will rise tomorrow. Every day I see it, and worry is the thief of so much joy, but not of this— that I don’t take it for granted. And when I say “I love you” every time you take the car, I mean not only that we almost hit a moose the other day. I mean it’s easier to write a sex scene than a make-out session. I mean I can’t describe your breath into another mouth, it’s so familiar— and the passion that could make it last forever came from novelty or desperation. So I think about meteors when we kiss. I think of supernovas, blackholes, gamma ray bursts and all the things in space that could vaporize us— every mass extinction event except the Anthropocene because that’s too depressing. I think about there being no god and no heaven and no higher purpose when I look into your eyes and I don’t need them, I just need time to slow down. I’m sorry I haven’t written you more poems, my love, they’re not marketable I think. People like to read themselves into these things and, well you know I like to write them there. But it’s not for me to say— this ‘you’ is only yours. I’ve put nothing on a pedestal that wasn’t my own. And when I ask if you can take a sick day while the kid’s at school, I mean not only that I want to ravish you in every room; I mean it doesn’t matter if we hit those moose or not— I mean that I don’t want us to grow old together, I want to be there when that meteor hits, stopping time forever— I won’t go into that light without you. And when I say “I love you” and “sleep well”, I mean I hope to see you in the morning for the first time. I mean that I would walk a thousand miles in the night to toss a pebble at your bedroom window, lift a boombox and shout: I’ve known you for a century; let me in your life. * * * Written Novemeber 2020.

Let’s talk about cleansing! 💨 ⁣

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Sage. Rosemary. Frankincense.⁣

These are my go-to cleansing tools. In terms of magic & the craft, I personally favor anything that involves fire or burning, as it seems to be most effective for me. Sage & rosemary I use for cleansing bigger areas, with a deeper impact. The Frankincense incense I use whenever I just have to do one room, cleanse myself, or when the “vibe just feels off.” Most of the time, I light these up, open my windows, and walk around like the crazy witch I am holding a smoking plant or stick above my head. ⁣

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Sage🌱 all cleansing! This not only gets rid of bad energies, but also the good! Sage cleansing creates an open space for any and everything, so I NEVER just use sage and call it a day. When using sage, always replace whatever you just clearned with good energies. This can be done by burning incense right after(that’s what I do), spraying a mist for whatever intention you want, visualizing white light, etc. I sage with the windows open, and incense fill the space with the windows closed. *** SAGE CLEANSING IS NOT SMUDGING. Smudging is a deeply sacred CLOSED practice specific to First Nation people… So the next time I see a Becky at Coachella burning sage to cover up the smell of her own sweat, if she says she’s smudging, I’m going OFF😂⁣

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Rosemary 🌿 has a ton of magical uses; however, for cleansing it’s super effective. I like to use it specifically for spaces I do any spell work in, or read cards in. It helps enhance psychic abilities, purifies negative energies, and improves mental clarity.⁣

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Frankincense🔥 as incense is my preferred method of every day cleansing, and also offerings to both my Kemetic and Norse gods. It corresponds with protection, prosperity, and specifically when burned helps relieve anxiety + stress. I find it works really well when I feel something off during a reading or when I don’t want to sage my whole house.⁣

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These are my methods of cleansing, but there’s tons of others! The next time you just want to reset the vibes, or clear out some unwanted energies, here’s some ways you can do it! ✨Witch frens, how do you cleanse???

🦋girlfriend aesthetic🦋

when we drive i will sit next to you and dance to all kinds of songs, meanwhile singing even when i don’t know lyrics

cook you food and bring it for our dates

creating playlists just for you so you will remember about me when you listen to it

hand-made presents with main concept to maintain memories

call you by cute nick names

write you love letters and big text messages about how much i appreciate your existence

hug you from behind and kiss you in the forehead

facetime you at night to fall asleep, but only after you to admire your cute sleepy face

From Apollo to Commercial Crew: Get To Know Historic Launch Pad 39A

Originally built for the massive Saturn V rockets that sent astronauts on Apollo missions to the Moon, Launch Complex 39A also served as one of the two launch pads used by the space shuttle. Between Apollo, Skylab, Apollo-Soyuz and the space shuttle, this launch pad has been the starting point for many of the nation’s most challenging and inspiring missions.

In 2014, SpaceX signed a property agreement with NASA for use and operation of the launch complex for 20 years, and the company modified the facility to prepare for the processing and launch of its Falcon 9 and Falcon Heavy rockets.

The SpaceX Falcon 9 rocket carrying the company’s Crew Dragon on its Demo-2 flight test to the International Space Station with NASA astronauts Robert Behnken and Douglas Hurley will lift off from the same historic site where astronauts first launched to the moon. Launch Complex 39A at NASA’s Kennedy Space Center in Florida is also the site of dozens of space shuttle launches that helped build the orbital laboratory.

Launch Complexes 39A and B were constructed in the 1960s. Both launch pads have a long history of supporting launches for the Apollo and Space Shuttle Programs. Launch Pad 39A was the launch site for 11 Saturn V Apollo missions, including Apollo 11, the first Moon landing. The pad also was the launch site for 82 space shuttle missions, including STS-1, the first shuttle launch, the STS-125 final servicing mission for the Hubble Space Telescope, and STS-135, the final shuttle mission.

After the space shuttle was retired in 2011, we began the process to transform Kennedy Space Center from a historically government-only launch facility into a multi-user spaceport for both government and commercial use. On April 14, 2014, the agency signed a property agreement with SpaceX for use of the launch site for the next 20 years.

SpaceX upgraded and modified the launch pad to support its Falcon 9 and Falcon Heavy rockets. The company also built a horizontal processing hangar at the base of the pad to perform final vehicle integration prior to flight. The first SpaceX launch from the pad was the company’s 10th commercial resupply services (CRS-10) mission for us. A SpaceX Falcon 9 launched a Dragon cargo spacecraft on CRS-10 on Feb. 19, 2017. The Dragon delivered about 5,500 pounds of supplies to the space station, including the Stratospheric Aerosol and Gas Experiment (SAGE) III instrument to further study ozone in the Earth’s atmosphere. Combined with SpaceX, we’ve launched more than 100 missions from Pad 39A.

Because of our partnership with SpaceX within our agency’s Commercial Crew Program, Launch Complex 39A will once again be the site of crewed missions to the space station.

🚀 TUNE IN starting at 12:15 p.m. EDT on Wednesday, May 27 as NASA and SpaceX launch astronauts Robert Behnken and Douglas Hurley to the International Space Station aboard the Crew Dragon spacecraft: www.nasa.gov.live.

Make sure to follow us on Tumblr for your regular dose of space: http://nasa.tumblr.com

tag yourself: school subjects

english: cozy borrowed hoodies, rustling papers, “i can’t read”, thermos filled with tea, illegible notes in the margins, sleeping with shakespeare covering your face, daily journaling, doodling through lectures

math: shaky hands during tests, the familiar feel of a calculator in your palm, dead silence when you work, flipping through the textbook, easing through problem sets, swapping pens for pencils, wistfully looks out the window

history: summaries of bills and acts on chart paper, the scratch of sharpies, eternal group projects, granola bars hidden under desks, hand cramps from writing, squinting at the board, being told off for talking to your friends

art: paint stained jeans, braiding your friends’ hair, lightning-quick gesture drawings, rivers of sunlight in the classroom, headphones in, snacks strewn around you, snapping charcoal (accidentally!!), wet clay on your fingers

foreign languages: hours of conjugating charts, subtitled films, loopy gel pens, mumbled presentations, repeated listening exercises, forgetting vocabulary immediately, the sound of someone writing with chalk, late breakfasts

gym/health: rewatching mean girls for the 100th time, iced coffee, morning runs under the gentle sun, oversized t-shirts, squeaky floors under sneakers, gossip on the bleachers, avoiding the school pool, rolling up your shorts

science: high ponytails, rapid memorization that fades after the test, frowning while you work, old classroom TVs with dated science programs, whispers and giggles between powerpoint slides, searching for not-gross lab goggles (and not finding them)

Masterlist

Vocab Lists

Korean Culture & History

Grammar

Political and Social

Ddok’s Corner

Beginner’s Course

Series

FAQs and Useful Questions

Translations

BTS Tear Notes- Jin

BTS Tear Notes- Suga

BTS Tear Notes- Namjoon

BTS Tear Notes- Hoseok

BTS Tear Notes- Jimin

BTS Tear Notes- Taehyung

Social Media!

Discord

Instagram

Authors Notes

Disclaimer

~the author~

10k!!