Urgent Please Don’t Scroll!! It’s Black History Month..

Stampede and Maximum Spoilers!

Look this is kinda a negative (not totally but I wanna be polite and warn! ) look at Stampede and it's handling of the queer content in the source marital, if ur not in the mood for that, block me or scroll past plz 👌don't wanna be a downer for anyone so ye, thought I'd slap this uptop lol

Gonna be real, idk how I feel abt the last ep... Some of my fears are definitely coming true. The big one being that Wolfwood's role in the manga seems to be played by Meryl in Stampede.

The manga is so important to me because it lacks the typical anime/manga hetrosexual tropes.

They put these tropes back in when they made the 98 anime, and it feels like they're putting them back into Stampede.

Wolfwood is the one who saves Vash in the manga, he is Vash's reason to fight. I know Stampede is pretty much an AU of the manga, but they're hitting the major plot points in their own unique way. Not everything is in order, and it's different, which I don't mind.

What I do mind is the fact that they've cut out all the queer parts of Maximum.

From changing Elendira, the cannon trans woman (who wasn't perfect rep, but goddamn it a cannon transwoman who wasnt a joke at that time?! I fucking love her), to a lab grown loli (before you come at me, I know this is a prequel and that she'll age, but that's not the point, because it doesn't negate the fact that she is no longer trans. They could have updated her rep from the manga, but no.) To subbing in Meryl for Wolfwood in narrative moments he occupied in the manga, like saving Vash from Knives.

Narrative moments that would have been occupied by a female love interest in most manga were occupied by Wolfwood in TriMax, and intentional or not, TriMax is queer coded as shit. By switching him with Meryl in Stampede, that is gone.

This is what happens in the manga, in the Stampede Vash is saved by, and saves, Meryl instead. (Also black coat Vash is a reference to Vash from this fight in Maximum. It is the result of him fighting Legato and killing him to preserve Wolfwood's memory, ((he is taking on Wolfwood's color pallet in this fight, the layers in Maximum are insane)):

This isn't a ship post, not really, it's about stripping the queer aspects from TriMax, which are an integral part of TriMax's narrative, a major part what makes the work unique, especially for it's time, and straight-washing it in Stampede (which is taking a lot from Trimax... just not the queer stuff, hum). However, I'll entertain some ship talk.

People have been calling Vashwood the "yaoi flavor of the season" and in all honesty, to me, that's what Stampede Vashwood feels like. I KNOW it's the first season and this could change, but damn it, I feel like I'm allowed to be a little frustrated and worried about the direction they're going.

Vashwood in the manga is a queer relationship supported by COUNTLESS examples in the text, read as romantic or not,(personally, I think it should be read as romantic based on manga framing ((Wolfwood playing the role narratively reserved for the female love interest in most manga)) and textually (("I wanted to spend my tomorrows with him," just one of many examples of Vash's feeling about Wolfwood)) it is undeniable that they are integral to each other in a bone deep way. To the point where the only person as, or more, important as Wolfwood to Vash is Rem, his mother and guiding light.

This is absent in Stampede.

I'm trying not to be uncharitable, but I have a sinking suspicion that Meryl is going to be the one to find Vash after the timeskip, a role given to Wolfwood in TriMax. I wanna be proven wrong tho!

I DO like how Meryl and Wolfwood are getting more interactions in Stampede! They didn't get many in the manga and I love their dynamic. Honestly him grabbing her like a sack of potatoes and booking it outta there was the best part for me lol, I'm glad Milly is coming back too! Vash getting his spikes back also was rad af!!

I feel like I should also say, this isn't a ship hate post or anything. This isn't a Meryl hate post either, I don't kin characters myself but she's as close as they come for me, so I love the little lady. Plus, I've really been enjoying her Stampede design and character development, it's one of the best parts of the show imo!!

It's just the fact that the queer content from the original didn't make it in, while so many other things from TriMax did, that rubs me the wrong way.

I think I'm mostly just frustrated, I'm enjoying Stampede for what it is, but I'm a queer woman, and I can't help but feel cheated out of the faithful Maximum adaptation I've always dreamed of. How come every other manga gets a one for one adaptation, but Maximum, with all it's queer text, doesn't?! I'm frustrated. They always try to make Trigun more appealing, mass marketable, but damnit that's not why I love it. Idk, I just feel sad. With this new adaptation, idk if I'll ever see a faithful Maximum adaptation, which is a depressing thought for me.

Anyway, this became a vent post, sorry. I'm a longtime TriMax shill and I was really (and to be fair, still am to a degree) enjoying Stampede up until these last few eps. In some ways it feels like I'm watching watered down, more marketable Maximum and that just frustrates me.

I'm still holding out hope for season 2 though, I can't help it, even with the things I'm not personally into in Stampedes it's still Trigun, and if I'm not going to bat for Trigun, am I even me?

One of the funniest failures of US school system is the fact they are legally obligated to teach us all the states but they never actually show how big Alaska is like I have actually had teachers tell me that Texas is the biggest state. We have all just convinced ourselves that Alaska is that small shrunken down thing on most US maps and the people that know it's the largest state can almost never accurately describe how large it is.

For context here is a picture

reblog if your name isn't Amanda.

2,121,566 people are not Amanda and counting!

We’ll find you Amanda.

I just remembered one time in like sixth or seventh grade (we had the same teachers and class both years so hard to remember which) somehow we got into a debate of “who is better, boys or girls?” and instead of stepping in to stop it our teacher formalized it and egged us on by providing thoughtful prompts and counters to each side and by the end each group had built a barricade of desks on either side of the classroom and we were throwing balls of paper at each other and screaming about personal hygiene while our teacher just watched and enjoyed a Baby Ruth candy bar.

Pls reblog if u vote :)

the title of the last song you listened to is the epitaph on your tombstone

Fandom still characterizes Chara as a stabby, mean, out-of-control child even in life...

...but the fact is, Chara made monsters lose their fear of humans after thousands of years.

What kind of child could do that?

What kind of child could give the Underground hope it didn't have for millennia?

When Chara fell into the Underground, monsters still lived in the Ruins.

Monsters were so afraid of humans that they lived on the far side of the cavern from the barrier.

That's why Asriel has a chair and room in the Ruins.

That's why there's concept art of Chara and Asriel playing in the leaves under the tree in the Ruins.

Chara fell in the Ruins while monsters still lived there, too afraid of humans to venture closer to the barrier.

That's why Asriel heard them call for help.

And why one of their flower drawings is in Asriel's room.

Asgore was convinced there was no hope of leaving, since humans would kill them anyway.

...until one human child changed his mind.

There's a missing history book between these two passages:

The reason monsters stopped fearing the other side of the Underground was Chara.

This book is book 4:

The reason Asgore changed his mind about humans being remorseless killers is because of Chara.

During their life, monsters saw Chara as a beacon of hope and a part of the royal family.

Asgore in particular adored Chara and put his hopes into them.

If Chara were violent or mean, the Underground wouldn't have lost their fear of humans.

The Underground saw Chara as a playful, loving, hopeful child.

And to some extent, they were.

Chara wanted things to work out, too.

But I think they suffered some severe imposter syndrome, likely due to their hatred of humanity.

Hatred that would, naturally, include Chara themself.

I think after nearly killing their adoptive father, Chara decided humans were all evil and the only way they could be redeemed...

...was to shatter the barrier at the cost of their own life.

Chara lost hope. But the Dreemurrs still remember the person they were.

Asgore and Toriel remember their glass-filling habit fondly.

Asgore and Toriel take care of Chara's flowers.

And Asriel, who knew them best, and now understands they weren't really the greatest person in the world...

...still spends his last moments as himself at their grave.

He still fills the water in the glass the same way they did.

At the end of Pacifist, he talks to Chara and assures them everyone will be okay.

I think that says a lot about the kind of person Chara was when they were alive.

Chara was not the Underground's demon.

Is ranboo a...

truly some people have no genre savviness whatsoever. A girl came back from the dead the other day and fresh out of the grave she laughed and laughed and lay down on the grass nearby to watch the sky, dirt still under her nails. I asked her if she’s sad about anything and she asked me why she should be. I asked her if she’s perhaps worried she’s a shadow of who she used to be and she said that if she is a shadow she is a joyous one, and anyway whoever she was she is her, now, and that’s enough. I inquired about revenge, about unfinished business, about what had filled her with the incessant need to claw her way out from beneath but she just said she’s here to live. I told her about ghosts, about zombies, tried to explain to her how her options lie between horror and tragedy but she just said if those are the stories meant for her then she’ll make another one. I said “isn’t it terribly lonely how in your triumph over death nobody was here to greet you?” and she just looked at me funny and said “what do you mean? The whole world was here, waiting”. Some people, I tell you.