Latest Posts by chaotic-scraps - Page 4

love the solid impact and the feeling of weight

I finally figured out how to boop

Beautiful arc and a good sense of weight

jumping fishboy :3

also quality is bad as before womp womp :c

The Monster crawled out from under the bed. "You saw that, right?" He asked in his low, scratchy voice.

He skittered towards the light in the back of the closet, now dim. He felt along the edges of the wall with his claws and growled, "The portal's already closed."

Rainbow Panda stared at the closet, breath caught in his fuzzy throat. "We need to go after him."

The Monster's lip curled. "We? You want to work together with me?"

Panda sighed, world-weary. "I don't agree with your methods, but..."

"But you admit I was right," The Monster finished, a somber edge to his voice. "I tried to make him more afraid, more cautious. Now he's been taken who-knows-where."

"Oh, just admit you like scaring people," Panda scolded. He adjusted his bow-tie, a habit for whenever he was agitated. "If he wasn't so desperate to prove himself, he wouldn't have ignored his gut."

The Monster shook his head and pulled back the clothing in the closet, looking for a seam or crack left over from the portal. He seemed to be lost in concentration, and didn't reply. "We can return to our squabbling after the boy is safely home," The Monster said finally.

Panda bowed his head. "You're right." He slid off the bed and hobbled over to the closet. He picked up a small keychain flashlight from underneath a pair of discarded socks. "What even was that?"

The Monster shook his head. "I have lived in this house for many years," he said. "I have seen all kinds of imaginary creatures manifest into being, but I have never seen one promise a life reborn in a new world. Much less see a human take that promise at face value."

The teddy bear stopped in his tracks. "Isekai. Portal fantasy," Panda explained, voice quivering. "He's been reading webcomics and watching anime."

The Monster stopped to look over his shoulder. "Web... Comics?" He grunted. "How do humans use webbing in comic-making? That sounds made up."

"Do you not-... Wha--... That's not important!" Panda shrieked. "The boy is in grave danger! A key component to most isekai is being reborn into a fantasy world after dying!"

"But... How do we find him? Where did he go?"

They sat in silence, wheels turning.

Quietly, the teddy bear hobbled to the bookshelf. "We need to read," he said. He shook the bookshelf, causing some of the books to fall off.

The Monster groaned. "You read. I'll keep looking for a way to get through."

"These stories always start with a character feeling powerless and inferior in life," Panda said. "Oftentimes isolated."

"We should like such stories, then," The Monster laughed. He crawled under the bed and returned with a box of crayons.

"I need you to take this seriously. He followed that... That charlatan because he didn't see other options," Panda huffed. "What are you doing with those crayons?"

"Drawing a portal," The Monster said. "I know not of these new webbed comics--"

"Stories," Panda corrected. "Just say stories."

"--but I know of the old tomes, and the old tomes drew doors with crayons," The Monster finished.

He gently pulled out a red crayon between thumb and forefinger, and drew shakily over the moulding, an imperfect straight line up to his height. The line sloped angular, then back down. Finally, a doorknob, jaggedly circular.

"Did it work?" Panda asked, uncertain.

The Monster pushed on the door. It pushed in, ever so gently. The doorknob, like a writhing ball of yarn, floated from the wall.

Panda abandoned the book and padded over to the makeshift door. With bated breath he tried the knob, and sure enough, the door opened.

"O-oh," Panda said. "It... It opened."

He seemed to hesitate at the opening. The Monster tilted his head. "Are you afraid?"

Panda nodded, and grabbed his hand. They jumped into the abyss together.

Down, down they fell.

Swirling around them were strange lights and discordant sounds.

Laughter.

Music.

At the end of it, a large field of grass.

The boy was hunched in the center of the field, shaking.

Panda ran to him. "Wait! I'm here! You don't have to be afraid."

The boy turned, tears in his eyes. He was... Laughing? His smile died seeing the small stuffed bear.

"What are you doing here?" The boy said. Annoyed.

A girl and boy around his age emerged from the long grass.

"What is that thing?" The girl said.

The Monster backed into the shadows of a tree and hissed at the sunlight.

"We came to save you!" Panda said proudly, chest puffed out.

The new boy snickered. "Save him? He just destroyed a lich, and you think he needs you?!"

"Maybe the little bear is going to save him from loneliness," The girl said with a snarky smile. "Oh, wait, he doesn't need you for that, either."

Panda, taken aback, looked back at The Monster helplessly. The Monster shook his head.

"This world is dangerous," Panda tried.

The boy huffed a laugh. "So is my old one. At least in this one I have the power to fix it."

Panda wilted. "You... You can change the old world too," He whispered. "We could change."

"I'm not a child," the boy said. "I'm sick of being treated like one."

"But--" Panda grabbed his arm, and he pushed him back.

"I'm not going back," the boy growled, and pulled out a sword. "Back off or I'll run you through."

Panda backed away, tears in his eyes. Then, stupidly, foolishly, he lunged for a hug. "I'm not letting you--"

The boy was true to his word. The Monster watched from the shadows as the sword pierced through the back of the stuffed toy. Panda went limp.

The boy laughed, high-pitched.

"That was a bit dark," the girl said, a little disapprovingly.

"Well, he did warn him," the new boy said snidely. "Besides, he was probably a spy from the Iridescent Wastes. Why else would he look like a rainbow puke bear?"

The boy discarded the teddy bear, and the three left the field towards a path to the edge of a small town. The Monster rushed to the stuffed toy and clutched him tightly.

"My old friend," The Monster moaned.

Panda did not respond. His little bowtie lay crooked, held on by a string.

The Monster sobbed, because how couldn't he? He was alone in this strange world to save a boy who didn't want saving, and lost the closest he had to a companion.

The sun melted into the horizon and cast long shadows over the grassy fields, and The Monster craved his little hideaway under the cozy bed. He crept to the edge of town, skittering across cobblestone streets. He knew well how to camouflage, and that he did when townspeople passed by with their oil lanterns.

A small tailor's shop sat at the corner of a long strip of shops, and The Monster scuttled over to the rich fabrics and glistening buttons in the window. He clutched the teddy bear tightly, and crawled in through the open door. The tailor, done with his long day, closed the shop door and locked it. He blew out the lamps that lit his workstation and proceeded to bed.

The Monster waited until the coast was clear, and searched around for an appropriate needle and thread. He wasn't adept at stitching, having only seen it as a small Monster many years ago, but gently he poked the stuffing back in and jaggedly stitched closed the hole in Panda's chest. He took a small piece of ribbon and wrapped it around his wrist to keep his small friend secure.

The Monster waited for the tailor to retire to bed. He crawled underneath, holding the stuffed bear aloft. He hoped the Under-the-Bed network worked in webbed comics. He felt around with his clawed hands until they grabbed onto the crook in the wooden floorboards. He smiled, sharp and toothy, as a jagged passage revealed itself to him.

--

Panda woke up in a sweat, which was strange because he had never once sweat before. He shifted in bed, and felt strange, like he was much, much too long. His fur was all on top of his scalp, the rest replaced by soft, smooth flesh. His eyes had lashes, and his little bowtie was replaced by a pajamas.

"What am I?" he asked, and even his voice was different, less squeaky and more... Human?

"We await your orders, my Prince," a soldier announced from the door.

"Prince?" Panda repeated. "Prince of what?"

The soldier looked at him with mild concern and embarrassment. "Apologies, it is early still. I will ask your personal attendant to assist you."

Suddenly a whole team of people were poking and prodding Panda, and he remembered idly how he got passed around and brushed and dressed and tossed about during a birthday party once, and wasn't this sort of similar?

He was brought down to breakfast, and that was a little more out of his depth. He didn't quite have a mouth, or teeth, or any sort of involvement with food before. He pushed the food around with a fork, trying to judge what was and was not supposed to be part of the food. The cloth seemed safe enough, but he got strange looks trying to nibble that. Thankfully the attendants assumed he had no appetite, and he was able to skip the whole thing.

In the drawing room, scary-looking men were peppering him with questions. "I believe we are at a disadvantage trying to flank them from the west side," the General said. "I say we sacrifice the new recruits to get them off-guard, then head them off in the mountains. They'll think they're winning and get sloppy."

"S-sacrifice people?" Panda said. "No! Don't do that!"

The General gave him an odd look. "My Prince, are you well? You yourself proposed the idea."

"W-well, it was a bad idea," Panda said, eyes sparkling with tears. "It sounds like we have a lot of big feelings, but we should use our words when we're hurting. Not hurt other people."

The General crinkled his nose. "My Liege, are you mocking me?"

Panda crumpled into tears. "No! No, no no and I don't get what's going on!" He wailed.

The military commanders and lords looked helplessly at the Royal Advisor, who in turn looked upon the Prince with a mixture of morbid fascination and disgust.

"Perhaps you should retire early, my Prince," the Royal Advisor said.

Panda grimaced. He looked over the map before him and whimpered. He tried his best to be brave, but this was far outside his element. The Royal Advisor gently guided him out the door.

"Perhaps he has... Reverted to a more child-like state as a result of the accident?" one of the Lords in attendance murmured.

"The Prince did take quite a fall," another agreed.

The door shut behind them, and the Royal Advisor guided Panda back to the Prince's room.

"Rest now, sire," the Royal Advisor said. Panda nodded uncertainly. The door closed and he dropped to the floor.

"...Monster?" He called from below the bed.

It was silly to half-expect his old friend to be underneath, but-- apparently not silly enough. From the floorboards appeared the telltale fanged creature, long claws climbing up from a set of endless Nightmare stairs.

"Monster!" Panda cried, and threw his arms around the beast, who flailed and hissed at the unexpected embrace. The Monster slipped out of his grasp and fled to a far corner, wild-eyed and heaving. The teddy bear slipped from the ribbon and fell to the floor.

"Who are you," The Monster said, baring fangs, "Who calls upon a wretched creature such as I."

Gently, Panda picked up the teddy bear and tilted his head. "You... You kept me," he said softly. He hugged his old body close. "You do care."

A low, beastly rumble from the back of the beast's throat. The Monster slowly lowered his shoulders, anger and fear replaced by curiosity. "...Panda?" he asked, uncertain, "Is that you?"

"Yes, Monster. I explained isekais to you, right?" Panda explained. "Death in an old world, and rebirth in a new one!"

"But you died in the new world," The Monster said. "Are you trapped here?"

Panda shook his head. "I don't know. What's important is getting the boy to safety. We'll figure the rest out later."

A child goes missing late one night after investigating a light emanating from their closet. The Child's teddy bear and the monster that lives under the bed must put aside their differences and form a truce in order to rescue the child.

hero has a fencing sword. villain has a fencing sword.

hop to it

The swords were real. Not just for practice, even though that was what they were being used for. They could cut skin like paper. Paper like air.

Alive was not the right word they'd use to describe the hero. But alive they looked. Overwhelmingly so. The sweat-matted hair sticking to their face. The warm puffs of air let out with every exhale. The sun burning red into their cheeks. Overwhelmingly alive and there and existing.

(But they were not alive, they were very much dead. Dead and revived and more alive than they'd ever been actually alive.)

So alive was the hero, so painfully alive that they felt like a second sun burning the villain's eyes, that they wondered what would happen if they plunged the fencing sword into the hero's chest.

The villain managed to get the hero down on the practice ground, sword fallen away, staring up at them shadowed.

The hero glared up at them. The blazing sun made their eyes squint into narrow crescents.

The villain tipped the hero's chin up by the end of their sword. "Déjà vu much?"

"Not really," said the hero. Their breath came hotter than the air around them like it was winter. The villain hadn't touched them once, since the resurrection. "I'm rather hurt you're not treating me gently."

"I figured you needed something fresh."

"I do. Believe me, I do. I'm rather sick and tired of everyone treating me like I'll die again with one wrong shove. But I hoped that tough exterior would come apart. It's like you don't care about me after all."

The villain gripped their sword tight, and tipped the hero's chin up further so they could see their throat. Their sword left a red line up, but that was the only mark on their neck, and it was so painfully human and alive that the villain's grip on the sword threatened to go slack.

"How did you do it?" the villain asked, because their throat was as smooth as marble.

They'd found them with their throat slit, already dead. Too late to do anything. Hell-bent on revenge. Then they'd found them again, cleaning up the days-old blood on the same spot. They called it fucking social work.

"Like I'd let you know. Like you won't use the info to try and become immortal. Wreak havoc for ever and ever."

The villain twisted their sword, daring them to keep talking. But they didn't dig it in. Didn't dare push further. All that they were was morbid curiosity and no bite.

The hero grinned and threw sand at them. The villain shouted and dropped their sword, too, and felt hands roughly twist into their shirt, dragging them back and slamming them against the wall so fast and so hard that the villain had the wind knocked out of them.

The villain's eyes flew open as they felt the hero's chuckle inches away from their neck.

The hero leaned back, alive and well and overwhelming on the senses. A playful grin tugged at their lip. "Déjà vu?"

Anything else the hero said got snuffed out by the villain's ears as their gaze landed on the little cut on the hero's neck. They darted forward as if on instinct, pressing their lips against the wound.

(And they were so, so, warm and so, so mortal still. Their blood ran hotter than ever and the villain wanted for it to never go cold.)

The wound healed in seconds, moments. It healed with such force that the hero gasped and shook.

The villain drew back to the hero wide-eyed, breathing hard. They looked so rejuvenated and so shocked that there was no doubt that the villain's power had rippled through their entire body.

The villain tensed up against the wall.

"I see," the hero said breathlessly.

"You see nothing," hissed the villain, then choked on air as the hero darted forward and pressed their lips hard against the villain's neck. Stiffening up like a cat.

The hero held them there for a long moment, impossibly warm, burning hot. Then they let go and shifted to nuzzle at the underside of their jaw kittenishly.

"It's sweet that you care." The villain could hear the grin in their words. They tried not to shiver at the hot breath brushing at all their sensitive nerve endings. "That fear in your eyes was frankly delectable. I still won't tell you how I did it."

"I wish you'd stayed dead," they managed to croak out.

"You love me." The hero leaned back to tuck two fingers underneath the villain's chin and make them look. "It's sweet. Really. But don't let it affect practice, hm? We have a mission to complete, after all." They took the sword, threw it for the villain to catch, and picked up their own. In the heat, they looked like a godsent soldier.

They resumed practice.

The embarrassment never left the villain. Ever.

Villain could feel her mind go blank. God, she really said that out loud.

Hero was close, much too close, and her strong arms gripped her shoulders so, so tightly. She smelled a little like strawberries and musk, and her hair tickled her face a little. No one had ever gotten this close before. Villain twisted her wrists in the cuffs behind her back and tried to ignore the warm feeling in her gut.

"I… Um…" Villain tried, flustered. Her eyes flicked to Hero's lips. They looked soft.

Hero cleared her throat and put an arm's length between them. "Nice try, but you're still going to prison."

Villain's stomach did little somersaults. "You're, uh, going to take me there yourself?"

Hero blinked and seemed to avoid her eyes. "Well, um. Yes."

"And, um, keep a close eye on me?"

Hero flicked a glance at her and grabbed a walkie-talkie with one hand. "Hey, Superhero," Hero squeaked, voice cracking, "When's your ETA?"

Villain could see a little pink in her ears.

Static. Hero muttered a curse. Superhero always took his time answering.

Villain knew she should take the opportunity to try to run. Hero only had one hand on her shoulder. One warm, strong hand.

She pulled her shoulder back and barreled into the Hero. Hero, caught off guard, dropped the walkie-talkie and fell back. Villain made a run for it, jumping off the rooftop onto a fire escape.

"Hey! No, get back here!" Hero roared. She leapt onto the fire escape below Villain, cutting off where she was headed. Villain jumped off the fire escape to the ground, and Hero launched after her.

The full impact hit Villain square in the back, and the resulting fall knocked the wind out of her. Hero straddled her from the back and roughly grabbed her arms.

"Don't think I'll go easy on you just because you're cute," Hero grunted.

Villain's heart fluttered. She turned her head as much as she was able. "You think I'm cute?"

Hero reached for her walkie-talkie and came up empty.

"It's on the rooftop," Villain helpfully reminded her. "Does he normally take this long to respond?"

Hero seemed conflicted in whether to answer. "…Yeah," She conceded.

"With just you, or--"

"I really, really don't want to talk about it," Hero sighed tiredly. "Just… Please."

Villain hummed. "You deserve better," She said.

"So do your victims," Hero said, voice hard.

Villain opened her mouth. Shut it. "This seems personal," she said.

"It is," Hero said. "Superhero saved me from Villains like you. So now, I work for him and pay it forward."

"Funny," Villain said, voice lowering an octave. "Superhero is the reason I'm like this."

Hero was going to ask what she meant, but Superhero came flying from above. A short while later, a prisoner transfer vehicle arrived.

"Thanks for your help as always, Hero," Superhero said. He flashed a wide, toothy grin for the paparazzi as he secured Villain into the back of the vehicle.

"I have something important to take care of, so I'll see you back at the base, Sport," Superhero said, patting Hero's back. Hero slid into the passenger's seat quietly, knuckles white. She watched him laughing with the press as the car rolled away.

"Wow, he can't even help escort me back?" Villain said, smile sardonic. "Also, what was that just now? Is he stealing the credit from you?"

"I don't want the attention," Hero said. She looked down. "Justice is its own reward."

Villain snorted. "Oh, honey... You keep telling yourself that."

The driver flicked his eyes towards the backseat, and pushed a button to lock the car doors.

"Just ignore her," Hero said to the driver, flashing a smile. "Have we met? You don't look familiar."

"He didn't get in the car," The driver gruffed.

Villain sighed. "I know, I know, but proceed with the plan anyways."

"Yes, boss," said the driver.

Hero whirled around. "Hey, wait, what plan--"

There was a sudden sting in her arm as the driver injected her with an unknown substance.

"What th--" Hero ripped the tranquilizer from her arm and tried to grab the wheel.

The car veered and the driver wrenched her arm back. She elbowed him in the eye and grappled for the wheel. He pulled out a gun and aimed it at her.

"Hey, now," Villain said, reaching her arms through the bars. "I like her, so be gentle."

"Yes, boss," The driver said. He kept the gun ready, and glowered at Hero with his good eye. They were speeding down a gravel path. Hero tried the door but her hands felt weak.

"Child lock," Villain said.

Hero bit her tongue to stave off the unnatural woozy feeling in her head. "You'll... Be... S-sorry," she said.

"Don't worry, shh, I'll take care of you," Villain shushed, petting her hair gently. "I just can't let you interfere with my plans. Okay? Okay? Sleep."

Hero's eyes went heavy. She leaned into the soothing hand despite herself. Her vision went black.

Prompt (440)

The hero clicked the handcuffs over the villain’s wrists. “You’re done terrorizing the city. Any last words?”

“I think I’m in love with you,” the villain said.

The hero turned the villain around. “What?”

The Monster of Sentan is an excellent story to be compared to! In my mind this was a continuation of another writing prompt I'd started.

"I knew he was afraid of my conquering army, but I didn't think he would be stupid enough to leave you behind." "Oh, no, you quite misunderstand. Your army's already dead."

What I've read before, I've loved. What I haven't read yet, I'd love to.

Love how tumblr has its own folk stories. Yeah the God of Arepo we’ve all heard the story and we all still cry about it. Yeah that one about the woman locked up for centuries finally getting free. That one about the witch who would marry anyone who could get her house key from her cat and it’s revealed she IS the cat after the narrator befriends the cat.

Axolotls. Incredible little creatures. Effectively immortal if left underwater, and forever youthful. Axolotls regrow their limbs because of their regenerating cells. These same cells were found to be present, but dormant, in humans.

Biochemists determined a groundbreaking method to isolate and reactivate these dormant cells. First practiced on mice, they extracted a small amount of blood, agitated it with chemical stimulants, placed it in a centrifuge, and re-injected it into the mice. The mice for a short time experienced cell regrowth, and through trial and error they refined the process.

They named this formula Formula A18, named after the axolotles that inspired it, and the 18 chemical stimulants that it composed of.

The results were, in essence, incredible. Beyond being a treatment to stop aging, it in effect allowed patients to regrow limbs and organs. It was heralded as a cure-all and a miracle drug.

However, the process of extracting, treating, and re-injecting cells was costly, and treatment locations charged handsomely for the procedure. Likewise, it needed to be re-administered every two years, as the effects depreciated. Some patients had adverse reactions to the treatment, as well as a higher predisposition to malignant cancers. As you were part of the at-risk group, you were deemed ineligible for the treatment.

At first, people in your life refused the treatment. "Who knows what those scientists are putting into our bodies," they scoffed. "Better for you to avoid all that, anyway." You would've given anything to receive the treatment, then. You were paraplegic and in constant pain after an accident, and you would've given your life savings for one dose.

Then a new variant of Formula A18 was introduced, Formula AV23. This one was different-- it was cheaper, worked faster, and only required one administration. Instead of extracting and re-injecting the cells, a virus was developed to target and reactivate the dormant cells, creating a persistent and cascading regeneration of cells. The company who developed it was a rival of the creators of A18.

Again, you were denied the treatment on the grounds that you were part of an at-risk group.

Everyone but you was getting healthier. You got even more stares than you did before on the bus. People scolded you for not getting AV23. Some even accused you of attention-seeking.

Five years went by. You witnessed a friend develop a particularly aggressive cancer attributed to AV23. The creators of A18 went out of business, and the formula was bought up by yet another company.

Though the name didn't change, A18 underwent modifications to become more "cost-effective" and "accessible". The revised name was A24, and the cheapest so far. Much more, you were eligible for it.

By this point, research facilities had cut funding to cancer research and many other life-threatening illnesses. Many believed AV23 and A24 could effectively replace all healthcare, and those who cautioned the repercussions of allowing such research to lose funding became the minority.

You decided not to try A24.

Five more years, and companies continued to add chemicals, change names, and cut more corners. FDA allowed variants to be grandfathered in. Business was booming, and people around you were changing. It was subtle, at first.

You noticed people would wander in circles. Some would stare listlessly at walls. Regulars on the bus struggled to remember how to swipe their card.

Five more years.

Adult daycare centers popped up all over. Hospitals were packed. Companies denied all connection to the rise in cancer patients and mass cognitive decline.

Five more years.

A man in Idaho accidentally cut off his finger. When he arrived at the hospital, the finger was reported to have fully healed and grown a small network of organs.

A woman in Berlin found hair in teeth growing from a wound in her midsection.

Five more years.

Many who took one of the AV23 and A24 variants went sterile, and birthrate was at an all-time low. Children born during the early introduction of AV23 and A24 physically and mentally stagnated, with underdeveloped limbs, poor fine motor control, short attention spans, weak vocal cords, and very limited cognitive retention. They were known as the "Cherub Generation".

The man's pinky from Idaho was kept under close observation. It grew a mouth, lungs, and a digestive system, and was able to crawl and consume nutrients independently.

A social media trend called "pinky pets" is inspired by this phenomenon.

Five more years.

Though you never went for treatment, you are showing the same effects of regeneration as everyone around you. Reports show AV23, A24 and its variants created a virus that can be transmitted airborne. You are finally able to walk, but your wounds heal in strange ways, and your blood feels like it's crawling.

Systems are developed to handle human's shorter retention spans. De-aging products are a largely thing of the past. Swimming becomes an extraordinarily popular activity, and the Cherub Generation seems to swim exceptionally well.

On a cellular level, most humans have changed, yourself included. You notice your skin is tougher, and your eyesight a bit duller. Your hair falls out and webbing grows between your fingers and toes. A strange new organ grows alongside your lungs. You are no longer able to handle extreme cold like you used to.

Asexual reproduction becomes the only way for most people to reproduce.

Biochemists work around the clock to reverse the effects of the AV23/A24 virus.

Five more years. Humans enter the oceans. Amenities from above-land are redesigned for underwater use. Above-ground cities are largely inhabited by the rare few who were resistant to the AV23/A24 virus.

Deep in the lowest reaches of the ocean, where humans used to be unable to travel, you find others like you.

Scholars set to work to communicate with these ancient humans.

They lament the life you gave up, but they welcome you with open arms.

Humanity persists. Humanity stagnates.

Then, slowly, humanity seeks land, and the ability to change, to age, once again.

A drug is discovered that stops all effects of aging. You decide to not take it. 20 years pass and the side effects are discovered.

Even when you suspect what's happening, you are hit by the reveal. Very fun read.

will you write something vampire themed for spooky season?

The coffin was luxurious, as far as coffins went. The protagonist had half-expected just a plain wood box, scratchy and full of splinters. They supposed, if they had to die, they could at least do so in style.

It didn't really make them feel better.

And it didn't make the coffin fit two people any better either.

"Stop squirming," the secret love of their life snapped. "You're just going to get us more stuck."

"I don't think it's possible to get more stuck." Their voice was only a little, reasonably, hysterical. "We're buried alive in a bloody coffin!"

The secret love of their life looked awful beneath them. Pallid, even in the crowded gloom of their shared grave. They felt clammy and cold beneath the protagonist's limbs.

The protagonist swallowed. They tried to stop squirming. There were no comfortable positions.

The love of their life hissed between their teeth with irritation, and if the protagonist could see properly, they were sure that a terrifying and wrathful and gorgeous glare would be pointed in their direction.

"I'm sorry," the protagonist said. For the squirming, sure, but mostly for everything else. For somehow getting them into this mess. For being the last idiot that the love of their short life would ever see. For not knowing how to save either of them.

"You should stop talking and conserve your air."

"You should stop talking and conserve your air," the protagonist mumbled. They closed their eyes. They tried not to panic. The panic closed in on them on every side, just like the too close suffocating padded walls, and the steady weight of six or so feet of packed soil crushing them on all sides.

"Someone's going to rescue us," the love of their life said. "Your friends - someone - will figure out where we are."

"Coffin. My first guess too."

"They'll get us out." The growl in their friend's voice was almost inhuman. Quite impressive.

The protagonist bit down hard on their lip, and the rather unhelpful response of 'before or after we die from the lack of oxygen? Because, you know, I read that people can survive five hours locked in a coffin. Tops. If they're not hyperventilating. But who's hyperventilating! I'm not hyperventilating! Are you?'

Their friend drew a sharp breath. Then they squirmed, hypocritically, before managing to place cool hands on either side of the protagonist's whirling brain.

"Easy," they murmured, abruptly far more gentle. "You're okay. You're going to be okay. I'm not - I won't let anything bad happen to you."

The protagonist felt tears prick the corners of their eyes. Absurd.

One of their friend’s thumbs grazed over their lip, wiping away the bead of blood there.

"Match your breathing to mine," their friend murmured, voice a little hoarse and trying-to-keep-it-together. "Concentrate on me."

The protagonist did their best. Their friend breathed very slowly, admirably calm really, given the circumstances.

"I won't hurt you," their friend said. "I love you. I won't."

"It's not you I'm worried about. Wait - you love me?"

It was impossible to see the love of their life's face, and really, a coffin was the worst place for a confession. Because the protagonist would very much have liked to have seen their face. At least if they were hanging over a lava pit, the protagonist would have been able to see their face, and make a judgment on if they meant that platonically or romantically.

God. They hated their brain.

Their friend didn't say anything and the silence was surely almost as agonising as dying. Almost. They brushed a tear away from the protagonist's cheek, feather-light.

"More than anything," their friend said. "Now shut. up. Please. And please, please, stop moving."

The protagonist shut up. Somehow. They rested their head against their friend's chest, letting the knowledge of that confession fill them with warmth, or try to.

At least they were dying in a coffin with someone they loved. Who loved them back. Someone's whose heart was so...

The protagonist stopped. It was a trick. A mistake. Something. But it felt, beneath their ear, like their friend's heart wasn't beating. Actually, when the protagonist really thought about it, now that their breathing was more or less steady, even in the squashed space they couldn't hear their friend's breathing at all. They couldn't feel it against their cheek and...

They didn't think the love of their life had always been so cold.

"Why." The protagonist resisted the urge to shift again. "Why do you think you're going to hurt me? Worst you're going to do is elbow me in the face?"

Their friend was silent a second time.

"Right?" The protagonist pressed.

"Someone will find us. They'll get us out. It's not a problem. It won't be a problem."

"What...what won't be a problem?" But the protagonist, with a dreadful twist in their stomach, knew. It should have been obvious, maybe, in the last twenty four hours.

The stomach bug. The dark glasses. The cringing from the sunlight.

"I won't hurt you." A mantra. Not a reassurance; a mantra, a plea. "I love you. I won't hurt you. You're going to be fine."

Five hours, suddenly, seemed like a lifetime.

The coffin was luxurious, as far as coffins went. Excellent quality. Top notch.

Nothing else, after all, would keep in a newly turned and starving vampire locked up.

"Shit," the protagonist whispered.

And that about summed up their current predicament.

You don't even have to write responsibly yall, and best of all it's free

writing tip #3639:

did you know that you can write what you want and no one will stop you

You see their name on caller ID. Tears form in your eyes. You collect yourself and pick up, only to hear the line disconnect.

Traditional hand-drawn animation my beloved

I love the warmth of the pencil

Idk why quality is so bad 😔

Gorgeous. I could stare at these all day.

This year has been quite trying, but I'm happy that I discovered a love of making these horse animations in 2023.

"He's been claimed by a Fae Lord, a Witch, a Demon Queen-- we made deals with one too many entities," the Queen explained with a heavy sigh. "Now, he's gone and got himself possessed by a couple ghosts, and apparently has some kind of arrangement with a Siren and a Dragon. I'm a little lost on his social life at the moment."

The Queen plucked out the sacrificial dagger protruding from her son's chest and tossed it aside with a hanky. The wound instantly healed.

"He's immune to just about anything," she continued. "Lightning, arrows, knives, cannonballs, being frozen or burned and... What was it? Oh yes, poison."

The Prince reached for the knife that lay discarded and began giggling and stabbing himself. The wounds gave off little sparks as they zipped the skin back together.

"Oh, my poor son," the Queen lamented. "In any case, is this God of yours powerful? They might need to be in order to claim him."

The Order exchanged glances. "We changed our mind," they said.

The Prince hopped up on the sacrificial altar and grabbed the leader by his robes. "No no NO you can't stop NOW!!" He giggled, "Beyooooond the time it took for set up, how RUDE it is to call a God only halfway, right when it's getting GOOD?!"

The Order grimaced. "The prince speaks the truth. Complete the spell in the honor of God. Only he can determine if this vessel is worthy."

The Prince flopped back with a smarmy grin.

The Order sunk the knife into the Prince once again and commenced with the summoning. The Prince began to float, and he hit the clergy with spitballs from where he was suspended.

The God appeared and looked over the clergy. "You must know this vessel is... Inadequate," he said, gesturing to the giggling prince. "I have never been summoned to a less suitable vessel."

"Suit yourself! You clearly don't know how to PARTY!" The Prince said, dancing around the floating apparition. "Like I want some boring old god taking up space in MYY flesh prison!"

"Dear, that dance is a bit unseemly," the Queen said. "Stop at once."

"YOU stop, MOM." The Prince pointed at the Queen. "Is she? Is she suitable? She's been offering me up this whole time!"

The Queen shook her head. "That's not necessary, Dear."

"Very well. It is done," the God said, and his spirit flowed into the Queen's mouth. The Queen shook briefly, then closed her jaw audibly.

"Goodness. I expected more," the Queen said, dabbing her lips with a hanky. "Truly a boring God. Let's go home, son."

"Wait, what happened?!" The Order cried.

"Oh, we are also a family of God eaters," the Queen said. "I must have forgotten to mention that. Did I? It's how we keep getting all these contracts."

The prince pointed to the sacrificial dagger in his chest. "Hey, can I keep this?"

When the eldest of the royal children was kidnapped and brought to the ritual table to be the new vessel for the cult's god, they seem oddly fine with it. It was in the middle of the ritual that the eldest royal revealed…

The vampire spat out your blood. "God, what have you been eating?!"

The Hero dodged. Too slow, the Dark Lord swung down his battle ax and cleaved a rock in half. The Hero went for his opening, but the Dark Lord parried. The Hero jumped over another swing, then feinted an attack. The Dark Lord anticipated the feint and swung at the Hero's sword's mid-arc, sending it flying. The Hero stumbled back from the blow, then rolled when the ax came down where he fell.

The Hero retrieved his fallen sword and smiled cockily. "I can do this all day."

The Dark Lord froze at that. The Hero launched into another attack. Dark Lord halfheartedly blocked his blow. Another attack. Block. It felt slow and deliberate, like a training exercise.

"What's wrong? Getting tired?" The Hero snarked.

The Dark Lord planted his ax in the ground. The Hero sensed something was different and stepped back. The two foes apprehensively waited for the other to make a move.

That's when the Dark Lord removed his helmet.

"I am," he said simply. He tossed his helmet to the side. "I am getting tired."

"You think it can just end? Like that?!" The Hero shouted. "After everything you did?!"

The Dark Lord's glowing eyes bore into his.

He picked up one of the skulls littering the ground around them, and tossed it to the Hero's feet.

"Whose bodies litter these battle grounds?" The Dark Lord growled. "Did you ever wonder?"

The Hero stared down at the skull.

"Ours," the Hero said lightly. He kicked the skull back. "A millennia of reincarnations made to come here and die over and over."

The Dark Lord stepped on the skull. It cracked, then crumbled into dust. "You're ready to do this for another millennia?"

The Hero faltered then. "As long as it takes," he whispered.

"As long as it takes for what?" The Dark Lord said.

"I... I just want to rest," the Hero admitted. "But time and time again, you razed my village and destroyed everything I love. You've taken everything, and now you get to call it quits and say you're tired? I've been tired this whole time."

"Your village turned away my people when we had nothing," the Dark Lord said. "We took what we needed by force."

"Don't you dare try to come off as the victim--" the Hero started in, but the Dark Lord interjected.

"We were desperate, and turned to forces we never should have trifled with. In turn, so have yours. Neither us have known love and peace since this started."

"Quit trying to act like we're the same," the Hero snarled, but there was a broken edge.

"We need to end the cycle," The Dark Lord said, and started towards him.

The Hero narrowed his eyes and raised his sword. The Dark Lord, undeterred, loomed above him. The Hero shook.

"Run me through, Hero," the Dark Lord said. "Slake your bloodlust. I will come back as many times as it takes."

The Hero held out his sword. The Dark Lord bared his throat and closed his eyes. A bead of blood dripped from where the blade grazed his throat.

The sword clattered to the ground.

The Dark Lord tilted his head.

"I don't want this," the Hero said.

The Dark Lord held out his hand. "It's time to rebuild, then."

The Hero took it. "I'll hold you to that."

You and the Dark Lord are destined to be reincarnated to fight fight one another throughout time. After 1000 years of fighting, the two of you decide to sit down and actually discuss an end to this conflict.

Creation is hard. Please support the unpolished and the unhurried and the tired and burnt out. Quit glorifying the artists who work themselves to death as a metric to strive for. I'd rather an artist live a long and healthy life and update every two years with a 30-second short.

even though its great that indie animation is on the rise, it honestly concerns me that so many people hear "indie animation" and expect 22 minute episodes with smooth animation and expensive/popular VAs.

It kind of reminds me of when Webtoons became popular and then all of a sudden its userbase expected fully colored comics with 50 panels to come out every week. And you couldn't take a break for more than two weeks or else they'd complain.

lovely spin

guess whos gettin back into animatingggg

doin a comm for a friend. havent done this shit in forever but im getting there lmao. forgot how fun it is when you get in the zone

For months, you are haunted by vivid nightmares.

At the center of it is always the same strange, distinctly dressed person wearing a mask. After months of torment, you are terrified of seeing this nightmare entity.

One day you meet with a friend, and you find them dressed like the masked entity from your nightmares.

"Listen," Cara said. "I love you. I care about you. But there comes a time when I feel like I can't reach you." She brushed aside Cup Ramens, soda bottles and chip bags. Bugs skittered out of the way.

"Yeah." Grenda stared at the ceiling.

"Please... Please, for god's sake, go to a phychiatrist. Hell, go to a General Physician. You're not happy, you're not functioning, you're not--"

"Worth it," Grenda said, voice heavy. "I'm not... Worth it. I'm..." She rolled on her side. "God, why am I... Why am I h-here..."

Cara sighed heavily. "Grenda." She tried to grab her arm, but Grenda pulled it away.

"I'm a burden on you," Grenda said. "Aren't you sick of it?"

"No. Grenda..." Cara laid beside her on the floor, touching her head.

"I could just--" Grenda started, but stopped.

"I--... I get tired too," Cara whispered. "I wonder... I wonder why I'm here."

Grenda choked a little. Blew her nose.

"This place is disgusting," Grenda whispered, voice raw. "But looking at it just... I feel like if I keep letting it pile up, maybe I'll drown in it. Just like I deserve."

Cara closed her eyes. "I love you, Grenda. I'm not going to pretend seeing you hurt doesn't hurt me, but... I don't want you to pretend you're fine."

Grenda sobbed. "I... I feel like I drag you down--"

"No." Cara grabbed her hand. "...No. Life... Drags me down. We are keeping each other afloat as best as we can." She kissed her hand.

"Why do you put up with me?" Grenda said. "Don't you hate me?"

"No," Cara whispered. "I just want to help you get better."

Grenda whimpered slightly.

They lay side by side in silence, until something crawled on Cara's arm. She shrieked and bolted upright.

"Grenda... I'm helping you clean your house," Cara said. "Go shower and... I'll start taking out the trash."

"But--" Grenda started.

"If you'll allow me," Cara said.

Grenda took a deep breath. "I... Thank you, Cara. Thanks. But I want-- no, I need to do this myself."

Cara deflated. "But--"

"I don't want this to be our relationship, you constantly having to save me," Grenda said.

Cara nodded gently.

"But you made me feel better," Grenda said. "I'm grateful to have you for a friend."

"Let me help you just this once," Cara said. "And use that energy to see a doctor. Think of it as investing in the future."

Grenda sighed. "You won't let this go, will you?"

"Not when it's about your health," Cara retorted.

Grenda groaned and covered her face. "Yeah. Okay, yeah. Just don't judge what you find."

"As long as you tell me if this is any good," Cara said, holding up a Fantasy novel with a suggestive cover.

Grenda snorted. "It isn't, but all the more reason why you should read it."

"I'm not depressed."

"You haven't showered in three weeks."

"That's just because I'm a terrible, disgusting person whose life is never going to amount to anything so why even bother trying, right? But I'm not depressed."

🦑Inks for a squid kaiju concept I made a while back. Quite proud of these! 🦑

Everyone has a little creative muse that lives off the things we make. They're very hungry, and they will wander away dejected if we ignore them.

You can use anything to feed them.

Five words, five little scribbles on the page, five music notes.

Every little bit helps. Doodle on your math notes. Vent poetry while you're on hold. Hum some made-up tune during a traffic jam.

They don't need much. They don't need you to be passionate or polished.

They want you to come as you are.

Occasionally they'll bring you little gifts. Mostly, though, they'll make you feel a little lighter.

You may say, "I'm not creative," or "I have no time," or, "I'm so burnt out". When you're prioritizing survival, it's hard to prioritize your inner self.

Work within your time and energy, but remind yourself that you and your feelings and where you are right now all matters.

Your little muse will thank you.

small reminder: the world needs your stories, even the ones you’re not sure are “good enough”

Ohhh no, this hit me right in the feels.

"That smell. What is that?"

"I'm not sure."

"I've smelled it before. It's so familiar."

"You're imagining things."

"No, no, it's this tea. You made me this tea before."

"...You should go."

"That smell. What is that?"

"I'm not sure."

"I've smelled it before. It's so familiar."

"You're imagining things."

"No, no, it's this tea. You made me this tea before."

"...You should go."

CW: Death

but this advice lives in my mind rent-free

some of the best writing advice I’ve ever received: always put the punch line at the end of the sentence.

it doesn’t have to be a “punch line” as in the end of a joke. It could be the part that punches you in the gut. The most exciting, juicy, shocking info goes at the end of the sentence. Two different examples that show the difference it makes:

doing it wrong:

She saw her brother’s dead body when she caught the smell of something rotting, thought it was coming from the fridge, and followed it into the kitchen.

doing it right:

Catching the smell of something rotten wafting from the kitchen—probably from the fridge, she thought—she followed the smell into the kitchen, and saw her brother’s dead body.

Periods are where you stop to process the sentence. Put the dead body at the start of the sentence and by the time you reach the end of the sentence, you’ve piled a whole kitchen and a weird fridge smell on top of it, and THEN you have to process the body, and it’s buried so much it barely has an impact. Put the dead body at the end, and it’s like an emotional exclamation point. Everything’s normal and then BAM, her brother’s dead.

This rule doesn’t just apply to sentences: structuring lists or paragraphs like this, by putting the important info at the end, increases their punch too. It’s why in tropes like Arson, Murder, and Jaywalking or Bread, Eggs, Milk, Squick, the odd item out comes at the end of the list.

Subverting this rule can also be used to manipulate reader’s emotional reactions or tell them how shocking they SHOULD find a piece of information in the context of a story. For example, a more conventional sentence that follows this rule:

She opened the pantry door, looking for a jar of grape jelly, but the view of the shelves was blocked by a ghost.

Oh! There’s a ghost! That’s shocking! Probably the character in our sentence doesn’t even care about the jelly anymore because the spirit of a dead person has suddenly appeared inside her pantry, and that’s obviously a much higher priority. But, subvert the rule:

She opened the pantry door, found a ghost blocking her view of the shelves, and couldn’t see past it to where the grape jelly was supposed to be.

Because the ghost is in the middle of the sentence, it’s presented like it’s a mere shelf-blocking pest, and thus less important than the REAL goal of this sentence: the grape jelly. The ghost is diminished, and now you get the impression that the character is probably not too surprised by ghosts in her pantry. Maybe it lives there. Maybe she sees a dozen ghosts a day. In any case, it’s not a big deal. Even though both sentences convey the exact same information, they set up the reader to regard the presence of ghosts very differently in this story.

I love the expression transition and the cute little bounce, and the secondary animation on the ascot is just *chef's kiss*

Absolutely lovely work

Paper test animation I did yesterday!

It's 25 frames, 12 fps, with a few of the frames on twos, and drawn on sticky notes!!!

This is one of my ocs/personas :D

This is also my first time animating/doing frame by frame on paper! I animated this using a mix of pose to pose and straight ahead animation, mainly straight ahead :3 I am entirely self taught when it comes to animation, and if possible I would like some critique on this! However disclaimer that I am aware that my model changes a bit XD I did this within an hour because I was crunching for time between my free block and my first class in the morning. X3

Anyways, hope you folks like it, have a nice day!

Ps: if anyone who knows my characters has any more requests for animations of them, hmu! I actually really enjoyed this and I want to do more when I'm free!!!

It's true

I don't even know how I got here

You should only write in present tense with extreme caution.

not because it's bad or anything but because if you do it even once you're going to be editing the bits where you shifted tenses out of your writing for the rest of your life

Okay but hear me out, this could make a fun prompt:

"You made three mistakes. One more, and it's all over."

There was a reviewer or commenter who said "I always keep track of how many mistakes the protagonist makes and after three, I stop reading the story and never look back".

I think about that person pretty frequently. We read for our own enjoyment, and therefore there's no wrong way to read a book so long as you're enjoying yourself, but ... maybe I don't actually believe that. Maybe there are wrong ways to read a book, and this guy found one.