This Lyric From Clean Is So Jean Coded :(

thinking about the time I named my cat jean moreau in minecraft and then my friend accidentally hung him.

the year is 2006. you’re an avid fan of collegiate exy. kevin day recently transferred from the best team in the league to the worst after breaking his hand in a skiing accident. before the season starts, janie smalls attempts suicide. she’s a fox, so absolutely no one is surprised by this. however, this means that david wymack has to find a new striker. he picks up a neglected, unremarkable kid from millport. for some reason, this mysterious nobody thinks it’s okay to publicly humiliate riko moriyama, king of exy. apparently, neil josten and kevin day talk shit about riko all the time (this confuses you. kevin and riko are supposed to be best friends). not long after, seth gordon dies of an overdose. once again, it’s the foxes, so no one should be surprised, but something is… off. seth was clean, and it didn’t seem likely for him to throw it away. the foxes don’t get anyone to replace him. despite being short a player, they’re performing better than ever before. you don’t want to admit it, but neil josten can probably be credited with a lot of the foxes success. and something is off about that kid, too. he’s a 5’3 brunette with brown eyes, and then suddenly he’s not. he comes back from winter break with red hair and blue eyes, but more interesting than that is the number four tattooed onto his face, marked for the ravens, marked for the perfect court. the normal minyard twin murders someone in cold blood. neil josten is actually nathaniel wesninski. his father, the butcher of baltimore, tortures him and burns his tattoo off. the trojans throw away their shot at winning. kevin covers up his tattoo with a queen chess piece. he’s never been skiing, the theories behind what happened to his hand are endless. jean moreau transfers to the trojans. this isn’t helping with the abuse allegations. despite everything stacked against them, the foxes beat the ravens. for some reason, this is riko’s final straw and he kills himself. some people are blaming kevin and neil, but you personally believe that it’s a tad bit dramatic to commit suicide after losing one game. the rest of the ravens don’t seem to agree, as they’re all suddenly in the most fucked up game of “follow the leader” known to man. jean moreau is spotted being escorted from the foxes dorm room a bloody mess, but that’s only the beginning. one of the ravens stabs himself with a letter opener, another steps onto the subway tracks, and a third overdoses. it’s 2007, and you started saying that the ravens were in a cult as a joke, but you don’t know if it’s a joke anymore. you’re seriously starting to consider that your favorite sport was created solely as a front for the mafia

andrew has only ever hurt aaron once.

it was when they were both still in high school, the first year andrew was on his medication. he took a dose and fell asleep during a movie, out cold. aaron and nicky both let him sleep, and then nicky went to go start dinner while aaron woke andrew. he woke him by touching his shoulder, and andrew had him up and pinned against the wall before he fully registered it was aaron. hand around his brother's throat, nicky comes back in and freaks out (one of the first times this has happened, more than just a hit). andrew releases aaron and nicky asks him what the hell that was. andrew doesn't say anything before aaron interrupts him– nicky, it was my fault, he was asleep, i shouldn't've touched him, he didn't mean to do anything, it didn't even hurt, i promise. and andrew stops. stares at his brother because he has heard him say those exact words before, in a different house, bruised by a different hand– andrew, seriously, it's not a big deal, it didn't even hurt. it was my fault anyway, and she's drunk, she didn't mean it.

andrew doesn't say anything, but he hears it. he remembers. he never touches aaron again.

i did that TV Girl tiktok trend thing with Neil

Mizu, femininity, and fallen sparrows

In my last post about Mizu and Akemi, I feel like I came across as overly critical of Mizu given that Mizu is a woman who - in her own words - has to live as a man in order to go down the path of revenge.

If she is ever discovered to be female by the wrong person, she will not only be unable to complete her quest, but there's a good chance that she'll be arrested or killed.

So it makes complete sense for Mizu to distance herself as much as possible from any behavior that she feels like would make someone question her sex.

I felt so indignant toward Mizu on my first couple watchthroughs for this moment. Why couldn't Mizu bribe the woman and her child's way into the city too? If Mizu is presenting as a man, couldn't she claim to be the woman's escort?

However, this moment makes things pretty clear. Mizu knows all too well the plight of women in her society. She knows it so well that she cannot risk ever finding herself back in their position again. She helps in what little way she can - without drawing attention to herself.

Mizu is not a hero and she is not one to make of herself a martyr - she will not set herself on fire to keep others warm. There's room to argue that Mizu shouldn't prioritize her quest over people's lives, but given the collateral damage Mizu can live with in almost every episode of season 1, Mizu is simply not operating under that kind of morality at this point. ("You don't know what I've done to reach you," Mizu tells Fowler.)

And while I still feel like Mizu has an obvious and established blind spot when it comes to Akemi because of their differences in station, such that Mizu's judgment of Akemi and actions in episode 5 are the result of prejudice rather than the result of Mizu's caution, I also want to establish that Mizu is just as caged as Akemi is, despite her technically having more freedom while living as a man.

Mizu can hide her mixed race identity some of the time, and she can hide her sex almost all of the time, but being able to operate outside of her society's strict rules for women does not mean she cannot see their plight.

It does not mean she doesn't hurt for them.

Back to Mizu and collateral damage, remember that sparrow?

While Mizu is breaking into Boss Hamata's manse, she gets startled by a bird and kills it on reflex. She then cradles it in her hands - much more tenderly than we've seen Mizu treat almost anything up to this point in the season:

She then puts it in its nest, with its unhatched eggs. Almost like she's trying to make the death look natural. Or like an accident.

You see where I'm going with this.

When Mizu kills Kinuyo, Mizu lingers in the moment, holding the body tenderly:

And btw a lot of stuff about this show hit me hard, but this remains the biggest gut punch of them all for me, Mizu holding that poor girl's body close, GOD

When Mizu arranges the "scene of the crime," Kinuyo's body is delicate, birdlike. And Mizu is so shaken afterward that she gets sloppy. She's horrified at this kill to the point that she can't bring herself to take another innocent life - the boy who rats her out.

MIZU'S ONE MOMENT OF SOFTNESS AND MERCY, COMING ON THE HEELS OF HER NEEDING TO KILL A GIRL TO SPARE HER THE WORST FATE THAT THIS RIGID SOCIETY HAS TO OFFER WOMEN, AND TO SPARE A BROTHEL FULL OF INNOCENT WOMEN WHO ARE THE CASTOFFS OF SOCIETY, NEARLY RESULTS IN ALL OF THEIR DEATHS

No wonder Mizu is as stoic and cold as she is.

And no wonder Mizu has no patience for Akemi whatsoever right before the terrible reveal and the fight breaks out:

Speaking of Akemi - guess who else is compared to a bird!

The plumage is more colorful, a bit flashier. But a bird is a bird.

And, uh

Yeah.

I like to think that Mizu killing the sparrow is not only foreshadowing for what she must do to Kinuyo, but is also a representation of the choice she makes on Akemi's behalf. She decides to cage the bird because she believes the bird is "better off." Better off caged than... dead.

But because Mizu doesn't know Akemi or her situation, she of course doesn't realize that the bird is fated to die if it is caged and sent back home.

Mizu is clearly not happy, or pleased, or satisfied by allowing Akemi to be dragged back to her father:

But softness and mercy haven't gotten Mizu anywhere good, recently.

There is so much tragedy layered into Mizu's character, and it includes the things she has to witness and the choices she makes - or believes she has to make - involving women, when she herself can skirt around a lot of what her society throws at women. Although, I do believe that it comes at the cost of a part of Mizu's soul.

After all, I'm gonna be haunted for the rest of this show by Mizu's very first prayer in episode 1:

"LET" her die. Because as Ringo points out, she doesn't "know how" to die.

Kind of like another bird in this show:

the reveal that mizu is not only the ronin but also the bride is so well executed. the way she walks the line between man and woman, white and japanese, victor and victim... it's good fucking writing.

me enjoying an aftg fic but then andrew says “please”: 🤨😟

when you read aftg from neil’s perspective you sort of get used to his fucked up logic but the moment you see him from jeans pov you’re like oh . he’s literally just a short little freak (affectionate)