MXTX Interview

there's something to be said of flint's anger in the scene he beats singleton to death.

but.

i think we should recognize that part of it stems from strategy as well.

the conversation with billy at guthrie's house-

"but now it seems they feel i'm..." "too weak." "i was gonna say unlucky. so that's the thinking. we've been attacking ships with lighter loads because i'm too weak to do otherwise."

up until this moment flint didn't know that's how he was perceived. but now he does, and that he needs to prove to the crew that that's not true. and what better way to prove your strength than beating a man to death with your bare fists?

of course the anger played a huge role in it, i'm not going to deny it. but it didn't have to.

the puzzle pieces fit neatly together to set the scene. flint came into that fight with the full intent of unleashing that rage, not merely because he needed an outlet, but also because he knew it would help his image.

this, plus going after a ship like the urca...

afterwards, the crew could think what they wanted about flit's mental faculties. they could think what they wanted about his arrogance, his pride, his lies and schemes.

but not one of them would think him weak again.

So glad of having joined this year too!

Thank you so much for making this beautiful event possible every year!

Long live SwanQueen!

Here is our fourth of four reveals today! 

Title: It Was Always 'Emma Comes To Town As Savior & Meets Mayor Regina'- a SwanQueen playlist 

Artist: EleonoraParker 

Link: https://archiveofourown.org/works/60719227 

Please go check it out and drop a review for the artist!

Check back tomorrow at 12:00 PM EST for our first reveal of the day!

Just thinking about how Rio fell in love with Agatha despite literally being death and knowing that eventually Agatha would die and she would have to collect her. Thinking about how she let Agatha be the exception to the rule, how she let their child live even though it directly went against all laws of nature. How she still loves her after so long, even though Agatha hates her with all she has. How she stopped at nothing to get to her. How she must have felt knowing that she played a part in the death of the only person she ever loved.

That's what's so special about him!

That he is not the kind of character (for his role, in fact) one would expect to have this deep, actually introvert kind of personality. And it clashes so much with his 'shouting order-self' we get to see while he is on action, but I think that EXACTLY because he has actually that kind of personality there wouldn't have probably been any other ways than that for him to relate with people around him.

Also, it's such a great depiction of how in the end everyone has to morph their own selves -even painfully- in the shape more fitted to survive in the enviroment they have to be. Which is sad but it's exactly how his character came to be and it's what makes him special because it makes him not only a vengeful warrior but also a broken neurodivergent human who has to face a world that has not enough space for people like him.

A dragon in the darkness, indeed.

thinking about flint's awkwardness around people, one of my favourite acting choices made by toby stephens (who truly never misses) is in the scene where thomas goes to kiss flint. he cups his face, holds his gaze and flint looks at him trapped. but when he comes closer flint just. flinches. his face jerks slightly back as if to avoid a blow. his are eyes pained like he's already been hit. it's such a panicked little twitch, instinctive and quickly tamed, that i hesitate to put it to rational considerations about the consequences of kissing a man. i always felt it was a moment of profound shyness and unease in the face of tenderness. again, i find it really endearing and i am forever surprised they went for this complex mix of sweetness, vulnerability and strength and competence in a male protagonist of a show covering the role of a warrior leader.

That last gaze between them...the complicity, the understanding, the solace, the love between the romantic kind and the friendship and way above both of them...one of the best couple ever❤

I found it, Miranda. Parrish’s ship? You found the schedule?

for @ellelan

We, that have made of subtext our belief🔝😍

Title: Between reality and dreams, where the memories lie (art) Link: Click Here To View and Comment Artist: RegalDucky Find them on: -Twitter: Regal_Ducky -Tumblr: @regalducky Title: Between reality and dreams, where the memories lie Link: Click Here To Read and Comment Author: EleonoraParker Find them on: -Twitter: Eleonor68940003 -Tumblr: Rating: Mature Warning(s): No Archive Warnings Apply Words: 112k Summary: After the deflection of Pan’s curse, Emma is living a happy life in New York with Henry.

Until, one day, she run across an old photo album. It holds pictures from when she lived in Phoenix with Henry; he was just a baby and someone helped Emma raise him, a woman, Regina Mills.

Since that moment, Emma’s past starts a fight against her present, in which a weird man crushes into her life, claiming she is someone else, and against Emma’s dreams, which show her memories from a different past, in a different town called Storybrooke.

What is reality? What is just a dream? Which are Emma’s true feelings?

Will she succeed in finding herself again, coming back where the memories lie?

Remember - writers and artists spent months creating the fics and art you enjoy, so it would mean the world to them if you commented to tell them what you liked! A creator who feels appreciated is a creator who is more likely to write or create art again in the future!

It took me almost a whole afternoon to write this so I'm glad someone liked it😂 actually, it has been my way of getting over the rewatch of the finale. It's a trauma everytime, even if I already know what's coming (just like ep.XIII)

"But I hear other voices. A chorus of voices. Multitudes. They reach back centuries. Men and women and children who lost their lives to men like you. Man and women and children forced to wear your chains. I must answer to them.

And this war, Flint’s war, my war, it will not be bargained away to avoid a fight. To save John Silver’s life, or his men’s, or mine.”

I’d like to start from this beautiful speech from Madi to explain why I think Madi is the war itself. Why she was exactly what Flint needed to start fighting it and why she couldn’t be further away from Silver as a person.

Just because I rewatched the final ep. today and I feel the need to honor the one who lost part of herself in this and to reason about the dynamics among the two persons who might have changed the world and the one who kicked that hope back into the dark corner of the untold.

As always, Flint and Silver’s conversation at the end of ep.XXXVIII made me think A LOT. First time I guess I was overwhelmed by emotions, but this time, between the bitterness of the betrayal and the desperation of Flint's loss, I think I started to see exactly what Silver couldn’t get about the war. Which basically is its meaning.

But let me begin with Flint, because is the character I think I know better by now and because I need to start from a warrior who is not the war itself.

Flint started by fighting a war, another one, an easier one, alongside Thomas. He found himself in that period of time, but he lost that war and the one he loved the most with it. Then he started to fight another kind of war, twisted himself in order to fit into its lines. That war was never about liberation, even if that was what he had been telling himself all along and maybe what he hoped he could eventually accomplish by fighting it: it was just about revenge and something to grab in order to stay afloat. It took him to lost every hope of happiness he had left (Miranda), the last possible meaning of his life and of the person he felt he really was deep inside to see the chance for yet another kind of war. A wider one, a harder one, a most fundamental one. It took him to meet Madi. Knowing her, someone completely different from anyone he had known and fought along in the past, someone who was somehow closer to him as a person than anyone he had ever known (except maybe Eleonor, I’m talking mainly about the pirates. Thomas and Miranda were close to him but not very similar in character I’d say and maybe this is why they got along together so well), he finally had the chance to understand that he was not alone in his misery. She had the courage to be what Flint didn’t even know he could become, the fight not for the fight’s sake but for the outcome, as much as he reputed himself already excluded from it, because however he couldn’t ever be part of anything again, not in the way he had been with Thomas and Miranda. But there’s a difference between fighting just to kill and fighting to save who the one you are killing would have been willing to kill, and Madi represented that change for him.

And the war represented the only meaning he was still able to give to his life.

He is defined by his past, absolutely and mainly, and this makes him both someone with valid reasons to fight and someone with reasons to stop fighting.

In the previous episode we see how Silver instead refuses to be defined by his past, which could be a good or a bad thing, depending on how one let that past influence themselves, but that in this specific situation is basically what makes him unable (just my point of view of course) to get the general meaning of that war.

He chooses to erase his experience in favor of the moment, of the future maybe, and this makes him unable (as much as he likes to affirm the contrary, which I had never agreed upon) to understand the minds of the ones who let that experience shape them. And even more, it makes him unable to understand the minds of the ones who don’t need to have cruel experiences behind them in order to feel the fight. That is, Madi.

To link with my previous post ( https://www.tumblr.com/dragonsinthedarkness/758840316125216768/from-the-moment-he-started-speaking-i-couldnt?source=share ), in that infamous conversation in the last ep. Silver confesses he felt the war only (or especially, but I’d say only) when he lost Madi, because he felt the need to honor her sacrifice, avenge her lost and everything Flint had been doing for years, and the point is that that war was EXACTLY that. It was answering to the multitudes of voices who had undergone all that suffering and that demanded justice for it. It was trying to accomplish that as few others as possible could undergo that same fate.

And the point I want to make is that Madi was not only a warrior but the war itself because she felt those voices and the need to answer to them EVEN IF she had never personally experienced such tragedies. She was raised with the Guthries, then in the camp, she had probably even had the chance to be happy in her childhood, but this didn’t prevent her from developing the knowledge of that evil or the responsibility to fight it as leader of her community and as sisters of all the ones who had suffered before and may suffer again.

She wasn’t defined by her own past, but she brought on her shoulders the most painful and important legacy and decided to honor it.

And one may ask for justice for what happened in their own lifetime with a single chance of succeeding, that can make a great warrior of them, but those voices REACHED BACK CENTURIES, as she said. Her justice, their justice, would have been hopeless as long as something bigger as that war started to change things, and this is exactly what Silver couldn’t understand.

Now of course I know changes don’t happen overnight because “the world is too strong for that”, but I’m talking about their reality in that age right now and I think that as much as a war couldn’t have probably changed things, it would have been a beginning at least. A scream echoing in the night of their existences who would have maybe be heard, and as long as even a single person was able to gain goodness from it, it wouldn’t have been in vain.

As I believe all their efforts had not been in vain, despite the outcome.

For one hour, a month or a year (to improperly quote Silver) of freedom.

For one single moment of victory, of light in the dark.

😏😏

"The sustained heat of an intense fire"

...and it's just Lestat's gaze.