i can't explain why but "i love you" / "it'll pass" is genuinely one of the most comforting pieces of dialogue i've ever come across. the context is deliberately sad, the hot priest is walking away from fleabag, choosing religion over love ["oh i don't know what this feeling is" / "is it god or is it me?"] and it's SICK because he loves her too [ "i can't have sex with you because i'll fall in love with you and if i fall in love with you, i won't burst into flames, but my life will be fucked"] but like. it's not a "sad ending" for the sake of being sad and realistic or an unreasonably happy ending preaching love and forever ever-afters. it doesn't villainize or glorify the concept of love or people. it's simply speaking the truth in the simplest of words. you're in love with me and it's going to make you miserable but it'll pass. the pain will lessen and that ache in your chest will fade till it's tolerable. you'll laugh more often. soon it'll be easier to get up in the mornings. this is a law, a rule, a fact. no matter how precious that pain is, how inescapable- it'll pass. even though he's the hot priest and she's fleabag and they're so obviously made to be happily in love w each other- it'll still pass. it's how we're built-to persevere, to survive, to break and be okay again.
“This guy has found love fina… Well, I think love finally.”
The love word now being dropped for BuckTommy, my heart is so full.
This relationship has me down bad
(JLH interview X)
comprehensive list of reasons bobby could be alive
he has magic blood (see: season 1)
he dressed up as dracula, a vampire for the s8 halloween episode. ya know, a very famously undead character
the funeral was quite literally livestreamed on tiktok for HOURS because they had shut down a busy street in the middle dtla and yet tim was "crossing fingers that it wouldnt get leaked"??? after the buddie rain hug got leaked already this season???
bobby "died" on good friday (or the day before for the americans) and with religion being a super important part to bobbys character...
we met bobbys mother in an episode called "holy mother of god" clearly referring to his mother. the mother of god was mary. marys (ann) son (bobby) rose from the dead
chimney taking the rat home after it was infected and healed by the same virus that "killed" bobby
said virus has only a 30% mortality rate (according to the episode) and moira only sped up the incubation time of the virus, not the strength
we didnt see his body
the script leak from both oliver and jlh with bobby saying "im being buried alive" was the same day the cast and crew were filming at a graveyard
the silly cast photos in front of bobbys casket
the name on the turnout coat under the casket on the back of the truck changed from giarusso to nash during the procession livestream
NO GRAVE CAN HOLD MY BODY DOWN, ILL CRAWL HOME TO HER
buck never got to say "i love you" back to bobby
eddie wasnt there
we are 8 seasons in and there hasnt been any mcd before now
the casts reactions to bobby/peters departure, especially compared to when calum left after a couple of episodes
mans has already survived so much and we are expected to believe that a virus took him out???
fujo!bobby hasnt gotten to watch his ship (his son and said sons best friend) get married yet
it was supposed to be ravi??? but then it changed???
"you cant kill off captain banner. hes what keeps 119 fire family together" and then banner literally coming back to life by a doctor played by chimney (who was also infected with the virus but ultimately survived after getting the antidote)
he hasnt finished building his and athenas house for them to live in
the shot of bobbys helmet on the ground mirroring bucks during the lightning strike
peter being on set for filming eps 16-18
NO GRAVE CAN HOLD MY BODY DOWN
ILL CRAWL HOME TO HER
I saw someone point out that Captain Gerard is at this ceremony and will watch watch a black lesbian woman, an asian man, a hispanic man and two queer men getting medals for being firefighters and I think that’s called divine retribution or something and I love it
So many people seem to think YA and NA are the same thing, or NA is YA but with the sex. Have a bullet list from someone who’s tired of seeing them lumped into the same category.
Young Adult
the target audience is 12 to 18 years old
the protagonists are usually kiddos that still live at home and need their parents’ signatures on official documents
themes commonly work with personal relationships on an emotional level, and do a lot of coming-of-age/coming-into-ones-own-identity
sex, swearing, and violence are all watered down for a younger audience
New Adult
the target audience is 18 to 30 years old
the protagonists are of the moving-out age and can start making the big decisions on their own
themes commonly encompass the overall lifestyle shift of taking on adult responsibilities, moving away from home, and dealing with the consequences of the aforementioned big decisions
there is potential the sex, and the swearing, and the violence
These are incomplete lists, but the point is please, please, please stop equating these two different, but equally valuable, genres.
“If you remain idle, you will lose that brilliant light.
That aforementioned darkness is stalking your light.”
The death is a major plot point
It reveals some shocking plot twist
It supports your themes/what you’re trying to say with your book
Your novel explores the afterlife
You are George R.R Martin and the selling point of your work is that everybody dies
It suits the genre/mood of your novel
The character isn’t serving any purpose (this isn’t the Sims)
You want your readers to be shocked for the sake of being shocked
You want to be edgy
You think your MG story needs more gore
You want to romanticise grieving/loss
This really depends on your genre and target audience
If you’re writing something that isn’t intended to be graphic/traumatic, you can stick to the impact the death has on the other characters. If your novel explores illness, focus on that rather than on the disturbing death scene itself. Perhaps you’re writing a drama/tragic romance - you might want to ease up on the gore here. For these genres, I would suggest focusing on the emotional aspect of the death - the sobbing, the last words, the bright white lights (whatever floats your boat). Think of Mufasa in The Lion King - the actions are suspenseful, but we don’t see him being trampled with his guts spilling everywhere. But it’s still one of the most impactful deaths in fictional history.
If you’re writing in a more mature and gritty genre (like thriller, dark fantasy or crime), you can go all out. If there’s blood and guts, you readers probably want to see it in vivid detail to get their violence fix for the day.
Whichever genre your novel falls into, you should also go with what feels comfortable to you. Even if you’re writing adult dark fantasy, you don’t have to write graphic violence to make a character death impactful.
Please don’t let your character have a three-pages-long monologue after they’ve been stabbed in the throat. It’s not realistic and it’s often very boring. Yes, a few well-written last words can have a great impact. Just make sure that your character would realistically be able to speak at that point and that it doesn’t become a cheese fest.
Unless you’re aiming for very dark/nihilistic humour, afford your characters some dignity in the way they kick the bucket. (e.g. don’t use the phrase “kick the bucket”). Having someone slip on a banana peel and then choke on a pretzel is a little ridiculous and will make the entire story seem silly. Once again, this really depends on what you’re going for. If your genre is serious and your character is important and beloved, try for emotion rather than whimsy.
Don’t let your characters die only to be resurrected again and again and again. Look, I love Supernatural (long may they reign), but even I have to admit that the Winchester brothers’ luck with death has become a bit ridiculous. Doing this takes away from the impact of the death - it removes the fear and suspense, and will leave your readers emotionally stunted.
Your only female character in a bid to make the male hero feel something and become a better person
Your only LGBTQIA+ character, who is just too pure to live in this terrible world
Your only character of colour, who dies to save the white hero
Your only disabled character, who can now finally find release from life with disability
The one character who has never experienced a sliver of joy and bears the brunt of the tragedy, right when happiness is finally within their reach
The main character in the middle of the story - unless you have a REALLY good plan for what happens next
*main character becomes a villain* oh my GOD… oh MY GOd do that again
finally, it's completely canon
gifs by @alexisrosemullens