Angelique by Léopold Burthe (1852)
i got asked for affirmations that guarantee results in your manifestations after posting this in-depth post on why sometimes your persistence seems faulty or glitchy. low&behold :
it's already done.
this is already mine.
this is my baseline.
this is my normal.
i don't need to make it happen. it's already happening.
i'm not waiting for this. i'm in it.
i don't have to convince myself. this is already true.
nothing needs to change. i already have it.
this is already locked in.
it's not arriving. it's here.
i don't need proof. i am the proof.
i don't need to do more. it's already done.
this is where i live now.
this is my current state.
i already shifted.
i have everything i desire.
nothing to chase. nothing to fix.
this is my reality now.
this is what i experience.
it's not coming to me. it's reflecting me.
i don't have to perform belief. i am belief.
i've already crossed the line.
this isn't a goal. it's a given.
it doesn't need to feel dramatic. it's just true.
this is just how it works for me.
i've already adjusted. now reality catches up.
hi angels! i honestly love to write and really reflect through my journal but sometimes an emotionally charged journal sesh requires a bit more energy than i have. but i know journalling always makes me feel so much better so here are some cute prompts or ideas for those lower energy, more creative days where writing doesn’t quite feel like enough.
list of your favourite things (for example artists, musicians, writers, flowers)
lyrics that feel relevant in the moment
your ‘fig tree’
a kiss from every time you’ve worn lipstick
an about you page
tea bags saved from every tea you’ve tried recently - maybe with a review also!
pressed flowers
a collage page with a theme
you right now
recipes you’ve found or want to try
doodles of what’s in your bag
weekly positives
‘junk’ pages full of any odd pieces of paper you save or think are interesting
quotes that feel important
comfort films
ideal partner
words to use more
a mini gallery (print outs of any of your favourite pieces of art)
your wish list
special poems
current obsessions/fixations
brain dumps on intriguing topics
old photos
your to be read list
things on your mind recently
your dream home
thank you for reading angels! have fun journalling and getting creative. there’s a quote by emily dickinson that’s always struck me, ‘i am out with lanterns looking for myself’. to me this quote is really reminiscent of when i journal, im attempting to piece my self together slowly. id really love to hear how journalling feels to you! love, m.
𝙇𝙞𝙣𝙚𝙨 💔
The fact that fictional characters are actually fictional… hurts.
The fact that a guy like them doesn't exist… hurts.
The fact that someone so perfect was born only from ink and imagination… hurts.
The fact that I memorized the way he smiles, even when he never really did… hurts.
The fact that he made me feel seen, when he was never even real… hurts.
The fact that I fell asleep with his name in my mind, knowing he doesn’t exist in this world… hurts.
The fact that no heartbeat will ever echo like the ones I heard in those pages… hurts.
The fact that the safest place I’ve ever known is between two lines of fiction… hurts.
The fact that magic exists—but only in books… hurts.
The fact that I believed in a love written for someone else, hoping it’d find me too… hurts.
The fact that I ache for someone I’ll never meet, in a world I’ll never touch… hurts.
The fact that the only place I was ever truly loved was in a story… hurts.
The fact that I keep falling for shadows made of words and stardust… hurts.
The fact that no one in reality will ever match the way he made my soul glow… hurts.
The fact that I keep waiting for a door to open into that universe… hurts.
The fact that I loved him like he was real… and he never will be…
Hurts.
_______________
~𝘤𝘦𝘭𝘦𝘴𝘵𝘪𝘢 𝘳𝘰𝘴𝘢𝘣𝘦𝘭𝘭𝘦.
_______________
Tagging:
ɪғ ʏᴏᴜ ʀᴇʟᴀᴛᴇ, ʀᴇʙʟᴏɢ. ❤🩹✨
@elysianwayy77 @inkstainsonmysheets @xin241 @we-were-born-to-be-free @aaronwarner0424 @biblophile-beauty @b-00-kl-0-v-3-r @crenna @cocoakisss @catmoonflower @daphloveskitties @elsbooks @ellawarner4 @emmal1nesommers @fairywriter-oracle @fantixaaronsversion @favataraxia @foxxydisfunction @gracie-221 @hhopeitneverends @hannahmarie71 @here4smalltalk @itsgraceeliz @idkmyusernamesucks @jackssprincess @jess240811 @koresflowers @livreadz @letmeliveinelfhame @myhyperfixationisbooks @moony-musings @n0t-an-en3my @okaytrashpanda @roonwarner @reebslibrary @swast1s @soldiergray-blog @sheisntyouspam @wish-i-were-heather @zozosnothere @ant-thebooknerd @anxious-alyssia @merlinsleftit @momhwa1117 @marinaslibrary @thiefofthecrowns @satori333 @sweetreveriee @sweetprfct @thebirdhivemind + all the others who I missed, I'm so sorry! Feel free to join. 🌸🦋
Ancient Greek and Roman Statues Were Not Only Beautiful But Also Smelled Nice
New research suggests that sculptures were perfumed with sweet-smelling fragrances such as rose and beeswax. In ancient Greece and Rome, statues not only looked beautiful—they smelled good, too.
That’s the conclusion of a new study published this month in the Oxford Journal of Archaeology. Cecilie Brøns, who authored the study and works as an archaeologist and curator at the Glyptotek art museum in Copenhagen, finds that Greco-Roman statues were often perfumed with enticing scents like rose, olive oil and beeswax.
These fragrances were “not merely decorative but symbolic, enhancing the religious and cultural significance of these sculptures,” writes Bill Giannopoulos for the Greek City Times. In some instances, the scents were also applied in ways that helped preserve the statues.
While reading ancient Greco-Roman texts, Brøns noticed a handful of references to sweet-smelling statues. She was intrigued, so she decided to go looking for even more mentions of scented sculptures.
Brøns was surprised to find lots of evidence in texts by Cicero, Callimachus, Vitruvius, Pliny the Elder and Pausanias, among other writers. Several of these texts mentioned anointing statues of Greek and Roman deities—including one depicting Artemis, the Greek goddess of wild animals, in Sicily. Statues of rulers, such as Egypt’s Berenice II, were also perfumed, Brøns finds.
The statues were anointed in different ways. In some instances, they were covered in a mixture of waxes and oils through a process known as “ganosis.” In others, they were coated in olive oil as part of a process called “kosmesis,” which was meant to help protect the sculptures from the elements.
The fragrances would have made viewing the statues not only a visual experience, “but also an olfactory one,” Brøns writes in the paper.
Ancient Greeks and Romans often decorated sculptures with colorful paint, as well as jewelry, fabrics, flowers, garlands and ribbons.
Today, ancient Greco-Roman statues housed in museums are typically stark white and devoid of decoration. But research by Brøns and others suggests that wasn’t always the case.
By the time people in Italy began excavating ancient artworks during the Renaissance, the vibrant pigments had mostly faded away—and any color that had managed to survive quickly disappeared once the statues were exposed to the air and sunlight; cleaning procedures also erased many lingering traces of color.
“Taking their cue from these seemingly unpainted marbles, artists like Michelangelo left their Renaissance sculptures similarly unadorned,” wrote Meilan Solly for Smithsonian magazine in 2022.
The myth of the all-white Greco-Roman sculpture persisted after Johann Winckelmann, an 18th-century art historian and archaeologist, wrote that “the whiter the body is, the more beautiful it is as well. Color contributes to beauty, but it is not beauty. Color should have a minor part in the consideration of beauty, because it is not [color] but structure that constitutes its essence."
But, in reality, ancient Greeks and Romans embraced bold colors, which archaeologists call “polychromy.” Brightly hued paints and embellishments would have created the illusion that statues were alive—and scents would have added to that illusion, Brøns tells All That’s Interesting’s Kaleena Fraga.
“For example, a cult statue of a god or goddess with such decoration placed in a temple, would have given the visitor to the temple the impression that the divinity was somehow present in the temple,” she adds.
By Sarah Kuta!.
Follow here for more.
(Instagram: sarentries)