She's Everything

I've been so fascinated with how the movie pulls off the emotional climax at Ozdust, because I think its not nearly as simple as is seems to a lot of people. Like you can reduce it to "Elphaba did something nice and Glinda felt bad" and then one dance routine later they're friends

I think its a lot more than that though, and I think the movie kinda trickles things in gradually to show it throughout. And that kinda reduces it down to Glinda's guilt motivating the entire friendship, which I don't think is accurate either. Its less "Glinda feels bad" and more "Glinda and Elphaba realized they were playing entirely different games and had entirely skewed their reasons for hating each other" which included making Glinda also realize that she was being a bitch for no damned reason

Like, even their reasons for their rivalry are different from each other and so are their reasons for "maintaining" that rivalry. Their first interaction was them both mutually embarrassing each other, though only Elphaba was trying to embarrass Glinda. Which, to be clear, I'm not saying puts Elphaba in the wrong. Elphaba is very clearly in the right for I'm pretty sure all of this, and even if Glinda wasn't trying to embarrass Elphaba, it doesn't make her promising to degreen Elphaba in front of everyone any better. It's just important to understand their different perspectives on what is going on to understand the different places they're coming from. Glinda was putting on a performance of being a good person, at Elphaba's expense which she didn't even consider. Elphaba was pointing out how stupid that was and embarrassing Glinda to prove she's unbothered and correct.

That is kinda that best summary of how their rivalry goes. Glinda is performing, while Elphaba is responding to that but specifically in ways to piss off Glinda and show she's wrong. But they don't realize what the other one is doing. Glinda is performing to look like a good person and maintain the admiration of her classmates. By putting on this front of suffering by having to be in Elphaba's presence, she gets an easy win with her peers. In What is This Feeling specifically, you see them over and over again validating Glinda for just existing in the presence of Elphaba.

And given the girl sings a whole song about how "its not about aptitude, its the way you're viewed," you can assume that putting on a good appearance to her peers is probably the most important thing to her, period. Literally nothing matters more than that, and Elphaba provides an easy win. But she also has some clear attraction draw toward Elphaba that is strange and unspecified (she's gay), because she doesn't just suffer by being Elphaba's reluctant roommate, but clearly goes out of her way to partner with her, to find her at lunch, to make a scene with her in class repeatedly. Like she almost doesn't even count just having to privately live with her, she needs to bring it out in public too and spend time around her even when she should be happy to finally not have her around.

And making it all the more clear to me that all of this is, in Glinda's eyes, just a performance, we have the "looks like the artichoke is steamed" line, which is definitely one of the meanest things she says to Elphaba, but the way it goes down is fascinating. Because let's look at how that goes down:

Glinda makes a scene because Dr. Dillamond mispronounces her name.

Elphaba defends Dr. Dillamond and tries to embarrass Glinda.

Artichoke comment.

everyone is laughing at Elphaba.

To Glinda, this is what they do. They poke and poke at each other in public until one of them folds and wins, and if its her she gets public approval. But, what makes this clear to me that this is a performance is Glinda's immediate actions after the artichoke comment. When everyone is laughing, she exchanges a look with Elphaba, and the look is not mean at all. She doesn't look like she's gloating or like she just won, she just kinda nods and smiles and it seems like a genuine acknowledgment of...something. It's unclear what, but she doesn't seem like she's overly proud. It's like she's nodding to someone who just played a good game against her, but lost and she wants them to know they played well. It's bizarre the look here and fascinating.

And even more bizarre because Elphaba seems to acknowledge it as well and seems like she understands and almost smiles in response. But I think this also illustrates the disconnect in them for what their rivalry is.

So looking at Elphaba now, her approach to her rivalry began with her embarrassing Glinda, as mentioned before, and continued with her embarrassing Glinda. Most of what she is doing is trying to intentionally embarrass Glinda, which as I said before, isn't really wrong because Glinda is as far as we ever see, the one who is in the wrong and who starts the whole thing by embarrassing Elphaba. But as I said before, embarrassing Elphaba isn't the point of what Glinda is doing, she's trying make herself look better and is just using Elphaba, but literally how would Elphaba know this and why would it matter?

We see that Elphaba has been targeted and mocked her entire life, and that is basically what Glinda is doing to her now. But its also different with Glinda. Because before its always like, groups of people banding against her, with Glinda its personal. She certainly has her minions and all, and basically the entire school hates Elphaba just because they love Glinda, but Glinda isn't really using them. She's still doing everything herself and seems to actually go out of her way to go against Elphaba herself.

That, as far as we know, is different than any bullying Elphaba has experienced before, and what also makes it different is that Elphaba has an advantage of having something Glinda wants and something that prevents her from being pushed aside. Elphaba is basically going to be at this school however long Madame Morrible wants her there, and Madame Morrible also hates Glinda, so Elphaba can't be pushed away and she also has this one thing to hold over Glinda, because she's the one getting the attention that Glinda actually wants. And she's also potentially the only one that might help Glinda get it.

In a really weird way, this rivalry with Glinda might be the closest thing to a friendship that Elphaba has had from someone that isn't her sister or her nanny. Because its both of them personally going after each other and they both also have advantages over each other. And its clear that Glinda could be using her peers to target Elphaba but isn't. And Elphaba also makes it clear that she can ignore people she doesn't like, and yet she doesn't ignore Glinda. Because both of these freaks enjoy poking each other nonstop forever too much. There is something that draws them together (homosexuality) even when they supposedly can't stand to be around one another. Glinda is performing, but Elphaba is having the time of her life sparring with someone in a way she probably never has before.

Which takes us to the hat.

Elphaba approaches Glinda because, according to Nessarose, Glinda did something nice for her. We don't know specifically what Elphaba was going to say to Glinda, but it seems like its something she isn't comfortable with. Maybe she was trying to figure out what Glinda's motivations were. Maybe she was just going to thank Glinda for what she did. Either way, we don't know because Glinda interrupts her by giving her the hat and really talking up that damned hat too. Not only giving her the hat, but specifically inviting Elphaba to go out with them. Elphaba has probably never gotten anything like that before.

Elphaba, who has had the time of her life being antagonistic with Glinda up until this point, now thinks that Glinda is doing nice things for her and for her sister, for seemingly no reason. So she returns the favor and makes Madame Morrible accept Glinda as a student and tell her that night. That night, because this was going to be best night for Nessarose, maybe for Elphaba too now, so let Glinda have something too. Maybe this rivalry was turning into something else and maybe Elphaba was glad for it.

Only, Glinda wasn't being nice.

Glinda getting Boq to ask out Nessarose wasn't to be nice to Nessarose. She wanted Boq to leave her alone. And she didn't give Elphaba the hat and invite her out to be nice, she wanted to embarrass her after receiving validation for the idea from Pfannee and Shenshen.

What you need to know about Glinda here, is that she does not think about other people. She will throw a fit at Dr. Dillamond mispronouncing her name because he physically can't say it right and then repeatedly call Boq by the wrong name. She doesn't know if Nessarose wants to go to the dance or if Elphaba wants her to stop mocking her. She doesn't even consider these things when deciding to do something for her own benefit. She is doing as Glinda must do to perform as she needs for her audience (the entire world).

Which is how we end up here, at the emotional climax of the night. When she discovers that Elphaba did one very nice thing for her after she did something specifically to humiliate Elphaba, its not just guilt for this one moment, right? Its guilt for every little thing that she's done that she just assumed wasn't actually affecting someone else. Her mocking Elphaba and doing all these things wasn't actually about Elphaba, after all, it was about Glinda looking well. Because she didn't even really think about Elphaba, or how she might be interpreting what their dynamic is or that she might actually have been hurt by the things Glinda does. It was all a performance to Glinda.

But is was something else to Elphaba entirely.

And so we look at all the times, like the artichoke moment or their introduction, where Elphaba didn't seem all that upset and maybe Glinda realizes that wasn't always the case. She just wants people to think she wasn't. She was performing too, just not in the same way Glinda was. She was enduring the disapproval of others because she was maintaining this dynamic with Glinda, whereas Glinda was getting approval from others for enduring Elphaba. They were playing different games entirely and Glinda didn't know until Madame Morrible gave her the wand. It wasn't just the cruelness of the hat that she realized, it was the cruelness of single thing she's ever done to Elphaba.

And looking from Glinda's perspective, it makes sense if you see that she's forced to reckon with the fact that she's a terrible person and doesn't like herself, but look at what the situation is from Elphaba's. To Elphaba, Glinda is the first person that saw that she'd hurt Elphaba and then reached out to comfort her and try to help fix it instead of laughing or getting upset or doing nothing. Like I said before, the dynamic she has with Glinda before this is maybe the closest thing she has had to a friend, which is fucked up. But also part of me wonders, based on how they're seemingly drawn together when they could just ignore each other and based on Elphaba's reaction to Glinda's sort of nod after the artichoke comment, AND based on how quick Elphaba was to approach Madame Morrible, part of me wonders if Elphaba was just hoping for a moment when their antagonism would end the whole time. And that's why she's so willing to accept that once Glinda does something that Galinda is not supposed to do and makes a fool of herself to support Elphaba in front of all of the people she's supposed to be putting on a show for.

Which I think, makes Glinda joining Elphaba in the dance that much more important. Because, and I love this for the movie, she's not getting praised for doing so. Shenshen and Pfannee tell her to stop. The initial reaction she gets once people realize she isn't mocking Elphaba is scorn. For like, this one little moment they're on the same page. Glinda is getting disapproval for being with Elphaba here. And it ends in them being accepted by the party, but that almost seems to be unimportant. They hug before they realize that everyone else has joined in, and once they realize it, they leave the party together pretty much immediately. Their relationship has been a show in public for so long and so what happens next when they stop performing happens in privacy, just for them.

now that tbb is ending its time

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🕯 Rex show 🕯

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Disorganized (aka fearful-avoidant) attachment style is overanalyzing/overcorrecting when you think your partner might be pulling away from you, but then pulling away from them when they draw close to you.

It is both craving AND fearing intimacy so deeply that you grip people tight in your hands lest they leave you, but keep them at an arms length lest they love you.

amanda going shayne you eat CEREAL????? only to reveal she cannot have cereal or she’ll eat three bowls like a fiend is so funny and so amanda

I'm glad they're on the same page

Wicked the movie thoughts - spoiler version

I went to see Wicked today! If you want to read a spoiler free edition of what I thought you can do that here but otherwise below the cut I am going to talk in a lot of detail about the show and share my thoughts - they're overwhelmingly positive!! I loved this movie, I love this musical, and I have a lot of thoughts to discuss, I'm welcoming conversations about things I say or about stuff I didn't say but that you want to talk about let's absolutely chat, and this is all the way through going to contain spoilers for the plot but also for specific details, scenes, acting, etc, of the new movie so be warned if you don't want to read that

First of all, the genuine love and care that was put into the show and that can be seen not only in the acting but in the set, the music, in every aspect the care and the adoration for the theatre production was so clear, it was so lovingly crafted from the word go. I also felt like not only Wicked the musical but also Oz, in the original Wizard of Oz novel, in the Wicked novel, in the world and in everything that Gregory Maguire brought to the world, and so on and so forth was being treated with such care and being genuinely revered whilst also balancing well enough that I didn't feel like I was only ever seeing rehashes of existing material or a carbon copy of the past

Even as I was watching and thinking this, and thinking how well they had captured the feeling of watching something on stage, I was still wondering how they were possibly going to execute the Emerald City and the One Short Day performance because it's so iconic and so distinct in the musical but genuinely I was so impressed with the success of that scene. It both captured the essence of One Short Day on stage and added something new to it without taking anything away from the original and they deserve so much praise for that. I'm going to talk a little bit about the nail salon scene later when I discuss propaganda in Wicked (this is gonna be a looooooong post y'all buckle up) but other than that for One Short Day I just need to address, because how could I not, IDINA MENZEL AND KRISTEN CHENOWORTH!!!!!!!!!!!!!!!!!!!!!!!!!!!!! I didn't know they were going to be there!!!!!!!!!! I was losing my goddamn mind you guys omg

I was genuinely astonished. Like I'd seen them doing press and stuff but I assumed that was just because their names are so synonymous with Wicked I didn't realise they were actually going to be there!!

I really enjoyed the small stage production about the Wise Ones and the Grimmerie it was brilliant in concept and execution for worldbuilding and lore but KRISTEN AND IDINA OMG wonderful oh my gosh. Now was it on the nose? Absolutely. But I don't think that it felt forced, I thought that if you didn't know who they were then even when Chenoworth was singing to Grande and Menzel was singing to Eviro then it still wouldn't have felt strange or out of place, but of course I'm looking at it through the lens of a fan receiving fan service so generally speaking even though I know it's fanservice I'm still going to enjoy it and it's possible that through another's eyes it would feel different. I thought it was brilliant though and nothing will take that away from me

I think it's fair to say that the pacing of Wicked is kind of messed up and I have heard concern that because of that the act 2 movie will struggle; pacing of act 2 does get messy, but I cannot fault them in any way for splitting it into two movies ok because this was spectacular and I would not want to cut a single thing from it so yeah that's kind of all my thoughts on that point; I think that even if act 2 is harder to bring to screen that it can still be done in a high quality and successful way and especially after watching part 1 today I absolutely trust that this production can do that

I'm gonna now hop right back to No-One Mourns the Wicked (the pacing of this post is gonna be worse than the pacing of wicked). I was slightly concerned that Ariana Grande's intense recognisable-ness was going to take something away from the show because it would be hard to see the character she was playing rather than just Ariana Grande singing, if that makes sense, but from as early as No-One Mourns the Wicked my concerns were alleviated. Glinda is not an easy character to play, in my opinion, and she's not an easy character to play because she acts incredibly melodramatic in everything she does whilst her genuine emotions are incredibly subtle. What I saw in both Grande and Erivo was how fantastic their micro-expressions are and how much they can tell the audience with one or two features, often the eyes, alone. In No-One Mourns the Wicked , Galinda genuinely believes and will presumably continue to believe for the rest of her life that Elphaba is dead. And throughout her performance of the song, I more than once found it visibly notable that Glinda was on the verge of tears. She was smiling, she was singing, she was moving gracefully with her typical accentuated and dramatic movements, but the pain in her eyes was remarkable. This was a woman who believed that the only person she had ever had a genuine emotional connection with was dead, a woman who had lost not only someone she had manufactured a relationship with (Fiyero) and convinced herself that she was happy with what she knew was a false pretence of love to receive from, but also the only person in the world who had ever shown her real love and was finally being confronted by the fullest extent of the choices she had made but having to keep everything light and cheerful because of those very choices. Did that make sense? I hope I'm not just spouting nonsense. One of the most emphasised moments of this for me was when this massive effigy of Elphaba and one of the munchkinland residents hands Glinda the torch to light it; there's this blink and you miss it moment where Glinda looks at the torch, at the effigy, then back to the man who held it out to her, who's watching her expectantly, before she turns and tosses it on with a sense of urgency. Not only is this alone powerful, but I also think it's powerful that she throws the torch instead of standing at the effigy and taking care to set it alight firstly because she may not be able to bring herself to do so but also in a way that may be reflective of their relationship and the story: Glinda does not outrightly attack or harm Elphaba but she makes the choices that she makes, she throws her torch and whatever burns will burn.

I also felt that she captured the comedic elements of Glinda fantastically, with one of my favourite moments being when she melodramatically collapses kneeling in front of the bed as though she is sobbing into the quilt but just sits there perfectly still and the camera just stares at her for a few moments before she peeks up over her shoulder to see if Elphie's looking. The difference we can see between these two sides of Glinda's character was very well executed and I think we also see something of her more vulnerable side in some of these comedic moments, because ultimately she does (I'm going to talk about this later) feel unloved because of how shallow all of her relationships are and even in melodramatic, foolish or naive moments like the throwing herself on the duvet cover she is actively seeking attention because she equates attention to love - she so desperately claws her way to attention and popularity because she feels unloved and she thinks that this is love, so when it doesn't give her the feeling she was searching for she becomes convinced that it was because she doesn't have enough of it yet and she needs more. I thought that she was incredibly well captured and presented from all angles with her very many layers being well laid out.

Again with the insane jumping around but let's just dive headfirst into a couple of little details that I noticed whilst I'm thinking about them - during the Wizard and I when Elphaba is imagining her success and her dream she runs through a cornfield!! As though she is running towards Fiyero!!! I loved it. Like it's so tiny, but I love it. Another tiny one - loved the silver shoes for Nessa as a hark to the original book wherein the magic slippers were silver, but then in Popular when Glinda is going through her wardrobe and pulling out all these different options she gives Elphaba a pair of ruby red slippers and then decides against them and throws them away again!! Loved it as a teeny little reference. I also really lovedddddddddddddddddddddddddddddddddddddddd and this one is more meaningful to the story but when Elphie has her magic outburst at Shiz right at the start where she sends Nessa into the air and stuff gets thrown everywhere, there's a statue on the wall of the Wizard that gets smashed. When it smashes, it's briefly visible that beneath the statue the wall was originally painted with a mural of animal scholars!!!!!!!!!!!!! I LOVED this detail, I was BUZZING. Like you saw it long enough to see what it was, there were three animals with a bear in the middle and I think the bear was wearing maroon robes and they were all clearly scholars

My personal theories on this is that either they were highly valued intellectual alumni of Shiz or that they founded the school, however there mya be lore standing on them that I am unaware of I started reading the book a long time ago and never finished it (I really want to read it but I haven't got around to it yet. I read enough to know what happened to Dr Dillimond in the book but I don't remember a lot after that)

Speaking of Dr Dillimond, I'm not sure if I just missed a detail or something implicit but I wasn't sure that they gave any real explanation as to why the poppies didn't knock Fiyero out????

On Fiyero: Johnathon Bailey understands Fiyero so well and it was brilliant. His performance very much took in the different layers of the character and the split between what he presents to the world and the intensity of the emotions he hides. Fiyero experiences emotion so intensely and feels such an intense response to others' emotions as well, and I think that you could really tell that whilst not feeling like anything was being taken away from the charismatic charming persona that you knew he was putting on. One of my favourite moments between him and Elphaba in this was when she siad something along the lines of 'you aren't as shallow and self-loving as I thought' and he replies something along the lines of 'how dare you? I genuinely love myself and I am deeply shallow' and I love this not only because his humour is enjoyable and his defence mechanisms are interesting but also because she immediately breaks through and says no, you're unhappy.

I promised thoughts on Dancing Through Life so whilst we're on Fiyero -> I don't at all intend to say that Bailey isn't a good singer because he is, I just thought that to some degree his voice didn't stand out from the chorus' voices in the same way that Erivo's and Grande's do and so the song did necessarily have the same bite to it as some of the others did/ That isn't to say that it wasn't a fantastic scene, because it was, and I loved the choreography and I was obsessed with the spinning bookshelves and all of it, the bringing the beat of the song in through the movement of the books was brilliant, and again he is a good singer and I think that having the actor's own voice in the movie is almost always the right decision

Okay I am going to make a post on its own about this as well because this is really long and I am so deeply obsessed with this I want to give it a chance to get proper discussion but one of my favourite propaganda-related details of this movie was Elphaba's nails. Yes, you read that right. Her nails.

In all of the imagery and posters of the 'Wicked Witch of the West' she is very often leaning forwards with her hands strangely position in the foreground and then her face behind them so your focus is drawn very quickly to the hands. In these images, her nails are always presented as extravagantly long, sharp, and claw-like. So in a world where animals are discriminated against and being used as the common enemy long before Elphaba is used as that enemy it's so fascinating that the dehumanisation of Elphaba has emphasis on her hands appearing strange or 'unnatural' and it makes me think of the line in Something Bad 'It's enough to give pause to anyone with paws' because that's where the emphasis on this distinction lies with no-one but humans having limbs that resemble hands - having Elphaba presented effectively as though she has claws in a world where animals are discriminated against and actively silenced, especially since she advocated against that silencing. And something I really enjoyed after having noticed the long nails in the posters during No-One Mourns the Wicked is that throughout the movie Elphaba has unapologetically long, beautiful nails that in a truly wonderful subtle aspect of Erivo's acting we get the sense she cares about even though they are never discussed. When she and Glinda go to the Emerald City we see this montage of their day during One Short Day and one of the things they do is go to a nail salon and we see Elphaba excitedly showing off to Glinda her long pretty nails that she loves so much and that make her feel pretty. Again this is such a massive testament to Erivo's acting skills because there's no dialogue about it but we know that she is so excited and we know that this is one of very few times that Elphie has felt pretty, she loves her nails. And they get used so horrifyingly against her. The nail salon is such a brief, subtle moment but it's so very well executed. There's also an earlier scene where she's alone with Madame Morrible practicing magic and when she reaches out to make the hand movements the camera cuts to show the shadow of her hand and it creates this emphasis on the length of her nails and how because of the shape of her hand midway through the movement the image looks like a claw or like a very stereotypical evil witch hands sort of thing. I also think that this moment is particularly powerful bc she's alone with Morrible and everything that Elphie does under Morrible's instruction is perfectly natural but what is seen on Morrible's stationary on the desk below her is representative of the propaganda that Morrible will turn the actions that she forced Elphaba to do into.

Also more propaganda stuff I could talk about the use of the word 'witch' for all goddamn eternity so I'm not going to hark on about it now but I will say that a piece of media like this one cannot be created today without acknowledgemnt of the difference between the word 'wtich' and the word 'wizard' and how they are presented, and I think that this was really interestingly handled in the word 'witch' not being said in the prequel aspect of it until Morrible labels her 'this Wicked Witch'.

Okay I think this is going to be what I finish off with but if you know this account you know that I LOVE a parallel and I was obsessed with the parallel drawn between family dynamics in Elphie's relationship with Nessa and her father, and then with the family that she's looking for and briefly thinks she could find with Morrible, the wizard, and Glinda. Yeoh said in an interview that Morrible's betrayal is realising that the mother figure isn't who you thought she was. Madame Morrible becomes Elphaba's maternal figure, and to her living memory realistically her only maternal figure, from very early on and this maternal view of her that we have through Elphaba's eyes is very much existent by the time we reach Sentimental Man, wherein the idea of the Wizard being able to offer her some kind of paternal love, that she has never felt because her relationship with her father is so fraught, is brought forth. Sentimental Man was very well performed in my opinion, it was the right decision to keep it low and subtle and close because it created this very specific closeness between Elphie and the Wizard and we felt what she felt, which was the exact manipulation that the Wizard wanted her to feel. When Madame Morrible enters the scene we then have both of these parental-style figures present telling Elphaba how precious she is, how amazing she is, how much they believe in her - essentially all these different things that she has been denied her entire life. What I find particularly fascinating about this is that what gets created here is exactly Elphaba's existing family dynamic - because Glinda is there too. This is what Elphaba always wanted - a motherly figure, a fatherly figure, and a sisterly figure - but it still comes at the expense of the sister. Glinda is being actively diminished and put down whilst Elphaba is raised and complimented for the purpose of manipulation and to be used for their purposes rather than existing for herself, just as her father diminishes and hurts her whilst complimenting and idolising Nessa but also manipulating her & never allowing her to live her own life. There's a moment where they're all stood around the grimmerie to get the four of them in shot with Elphie looking over the book, Morrible encouragingly at her side, the Wizard watching on from behind, and Glinda leaning over Elphie's other side to try and squeeze herself into the picture and I think that this still alone captures the entire thing so very well.

In a way, this is why Glinda turned round - without Elphie there, she gets love. When Elphaba had parental figures over her and no Nessa present to be better than her, she felt loved; when Glinda has parental figures over her and no Elphaba present to be better than her, she feels loved. The fundamental difference between them in the moment of choice is arguably that Elphaba's love for others, primarily Nessa, will always be stronger than her need for love from others, whereas Glinda's need for love from others will always be stronger than her love for others, primarily Elphaba.

In this moment, Glinda's warped distinction between love and popularity, as I discussed it earlier, is finally put to direct test and even though she loves Elphie and is loved by her in a way that she has arguably never been loved (we saw just how shallow her relationship with her parents was upon the arrival at Shiz. It's as shallow as her friendships at Shiz and romance with Fiyero.) she chooses popularity because she has somehow convinced herself that superficial love from many is better than genuine love from few. Elphaba's love for Glinda is probably the most genuine affection she's experienced in her entire life - but it doesn't come from authority. Elphaba's love isn't coming from someone who can raise Glina up or give her advantages and ultimately she is always seeking the approval of authority, possibly because she felt like she never received it from the authority that was her parents when she was a child, and she finds that feeling in Morrible and the Wizard, and arguably in the power that Fiyero's family could give her as well.

Okay super quick additions that i just remembered:

I loved loved loved the addition of her falling from the palace and seeing young Elphaba in the reflection and once again so freaking much could be said about the strength of Erivo's acting here it was truly beautiful and I found it like genuinely nerve-wracking even though I knew she obvs had to make it and the song wasn't over yk but yeah it was fantastic

When Elphaba's running from the soldiers & the flying monkeys just after the monkeys have been told to attack her and Glinda is chasing after her. They go through a narrow corridor of the palace lined by windows, and the wall are made of green brick. The sunset beyond casts pink light through every window. Every window is pink, all the walls are green. Elphaba is running and Glinda is following, trying to tell her to come back to the Wizard. As they run the flying monkeys start smashing the windows, so for every pace that they take THE PINK SHATTERS AND ONLY THE GREEN IS LEFT BEHIND. They are running towards Defying Gravity and for every step closer to it they become the less intertwined the colours are. The pink shatters and the green is left behind. It was visual poetry.

Okay I hope that this insane rambling made sense, I was partially transcribing this from voicenotes I sent to my friends when I got back after the movie and they actually got more than this so apologies to them and thank you for indulging me, and thank you to anyone who has bothered to read this lol I hope it was interesting - overall, excellent movie and I loved it!! Already can't wait for part 2

Rafayel is for the people that grew up fast.

Rafayel is for the people that couldn’t fully enjoy being a child.

Rafayel is for the people that needed to see a loved one leave and got attachment issues ever since.

Rafayel is for the people who couldn’t express their emotions as a child since this was dismissed as “overreacting and now be quiet!”.

Rafayel is for the people that wanted to start a new hobby but no one believed that they would stick to it.

Rafayel is for the people who got called lazy all their lives.

Rafayel is for the people that got a late adhd diagnosis.

Rafayel is for the people that cry alone in their room.

Rafayel is for the people that despite their hardships in life, they still think the world is beautiful🩷

Some expression practices from Smosh's newest Reddit stories video.

Tommy and Amanda really went through it all in the second to last story.

And bonus Shayne.

god. just… the change in 2085’s lyrics from “you’ve gotta get better, you’re all that i’ve got” to “i’ve gotta get better, i’m all that i’ve got”

My nemesis: sweaty armpit stains on shirts 😤