Get all your vaccines
Travel while we have a functioning DOT
Read and buy books on feminism, anti-racism, pro-lgbt
Attend drag shows
Don't skip any of your classes
Read and buy history books
Find your out-of-state networks
Learn to carry cash
Get birth control solutions
Support the Biden/Harris administration
Postpone large purchases and save money
Be careful of what you say online, like un-ambiguous attacks against the incoming administration, especially in spaces that contain your full name or personal information
Feel free to add on.
you gotta be able to say "die"
you gotta be able to say "suicide"
you gotta be able to talk about "sex"
they're uncomfortable topics, YEAH for SURE
because LIFE is uncomfortable. Death and suicide and sex and pain are straight up going to happen. not having words for the way it discomforts you doesn't make it more comfortable, it just makes you less able to reach out about it.
even more vital, you gotta be able to say words like "rape", "abuse", "queer" or "racist". cause we fought fucking hard to name those experiences. to identify "rape" as distinct from "sex" and "racism" as distinct from "acceptable behaviour" and "queer" as distinct from "invert"
like the function of communication is not to minimise immediate discomfort. we gotta be able to talk about stuff that's hard or sucks or causes difficult conversations.
not to be all i told you so about ancestry tests but 23 and me went bankrupt and can now legally sell human genetic information to the highest bidder, as per their privacy policy which was signed by approx. 15 million test takers
Poob has it for you
More writing tips
So, when it comes to writing fight scenes, as I have done quite a few of them, there's some things I keep in mind.
Ensure Consistent Character Abilities: Characters should fight consistently throughout the scene. They shouldn’t magically become stronger or weaker without a clear reason. Consistency in their abilities helps maintain believability.
Avoid Making Heroes Invincible: I prefer not to portray heroes as invulnerable, as seen in many 80s action movies. Instead, I include moments where the hero gets hit, shows visible injuries, and shows fatigue. This makes them feel more human and improves the significance of their victories. It’s hard to create a sense of urgency if the characters don’t seem to be in real danger.
Portray Antagonists as Competent: I avoid depicting random cannon fodder as foolish by having them attack one at a time or easily get knocked out. Instead, I show them employing smart tactics such as ganging up on the hero and even getting back up after being knocked down.
Incorporate the Environment: Don’t forget to include the surroundings. Whether the fight takes place in a cramped alley, on a rain-soaked rooftop, or in a collapsing building, use the environment creatively. Characters can use objects as weapons, find cover, or struggle against challenging terrain.
Highlight Self-Inflicted Pain: Characters can hurt themselves just as much as their opponents. For instance, after landing a powerful right hook, a character might need to pause and shake off their hand in pain. This not only adds realism but also highlights the toll that fighting takes on the body.
Show Consequences After the Fight: Consider what happens after the battle concludes. Do injuries slow the hero down and limit their abilities for the rest of the story?
These are just a few tips for now. I am planning to release more tips on how I write my fight scenes with some examples included. See you then!
Mary Oliver, from “Evidence”, Devotions
turning seasons 🌸🌻🍁❄️
. .
start of new cycle of spring, time to finally posting the full sets!