Look, I'm very excited to see Jordan Donica in the Gilded Age, but all I know is THIS BETTER NOT INTERFERE WITH MY DARKEST DREAMS OF HIM PLAYING THE PHANTOM FOR THE NORTH AMERICAN TOUR. Listen to the voice. Look at the hands. Imagine the pants!! This man was made to play the Phantom. He is the second coming of Davis Gaines or Howard McGillan in the making.
Whoever is in charge...whoever I need to contact, petition, or pray to...MAKE THIS HAPPEN.
The way Hugh Panaro says "sing for me" during the title song. Extra emphasis on the ME, like this man knows Christine doesn't sing for anyone else like this--especially not that insolent boy.
Tim Martin Gleason's emotionally regulating self-hug.
David Shannon plays the Phantom like his skull exposure is actually vulnerable/causes him chronic pain.
Earl Carpenter directs tf out of Christine's voice during the title song in his '06 run. Gospel choir director energy, but make it sex.
Phantoms kneeling during the Don Juan AIAOY reprise. (Looking at you David Thaxton and Hugh P.)
Every acting decision Gina Beck makes in the final lair.
There's a boot (I think 1995?) where Davis Gaines pauses after he says "this is the choice" and he actually realizes he's gone off the deep end and "this is the point of no return" fr.
Michael Nicholson's deranged laugh turned sob. So sad, so disturbed.
Gary Mauer says like 4-5 ily's in the final lair like he can't stop now that he's uttered it aloud. And the more the merrier imo lol.
Why would you do this to me Fish?!?!
Phantoms who return the embrace, part 2 (part 1 here)
Sandor Sasvari & Andrea Maho | Budapest 2003
Josh Piterman & Kelly Mathieson | London 2019
Josh Robson & Georgina Hopson | Sydney Harbour 2022
Tim Howar & Harriet Jones | Thessaloniki 2023
James Gant & Holly-Anne Hull | London 2023
Kevin Greenlaw & Emma Kajander | Helsinki 2024
Nadim Naaman & Georgia Wilkinson | Lisbon 2024
Jon Robyns & Lily Kerhoas | London 2024
Can I please open my door to this?
This post made me realize how much the byronic hero has me in a chokehold bc WOW all my favorite figures in one meme!
chair ( Jane & Edward - Jane Eyre)
Pillow ( Christine & Erik - Phantom of the Opera)
Car ( Catherine & Heathcliff - Wuthering Heights)
Water dispenser ( Edith & Thomas - Crimson Peak)
To say music is your life is an understatement. Music is what makes you wake up each day—albeit always in darkness. It’s the living substitute for the family and friendships your face, a damning accident of birth, has denied you.
Then one day you hear her voice from your desolate hiding place. You discover music personified in the form of a grieving girl just as lonely as you are. You can't explain why you took the risk of revealing yourself to her; you only know that there’s no meaning in music anymore without that seraphic voice in your possession. Molding it, controlling it, is your closest approximation to happiness.
It doesn’t end well. Your desire turns to a murderous obsession that nearly wrecks her. You forget that that messiness of the human heart is only partly transposed in the sheet music of an opera. She isn't music personified; she’s just a woman who belongs to the living world from which you're exiled.
Still, she shows you compassion. For a moment she sees you. In that fleeting fraction of time, she understands you better than you've bothered to understand her in your relentless quest to own her. And so you release her. With one last goodbye, she returns the ring you gave her and your eyes follow her long after her form disappears from view.
You’ve accepted it. You nod your head in resignation and kiss the ring that once touched her fingers. You'll be brave! You’ll think of her fondly and savor the fragments of her that live in your mind's eye.
Then you hear her voice again: that call that first summoned you from the darkness; the instrument that shaped you as much as it was shaped by you; the melody on which you'd set all your wretched hopes. It possesses your body as usual. As it radiates down your spine, you react like a cobra to a charmer's flute. The angelic sound seems to await your response.
But your face crumbles when her rescuer sings back. In the notes of their duet you hear all the things you can't give her, all the grief you've caused, and the sure certainty that you've lost her forever. You hang your head and realize that you're not brave; you're sorry. So very, very sorry, and...
You love her. You love her desperately!
Sir, that’s my emotional support unrealistic romantic delusion
The Rehearsal (1877) by Edgar Degas
GIANMARCO SAURINO as PROCURATORE FOURNEAU on "The Law According to Lidia Poët" | Season 2
Legs.
1. Jeremy Stolle 2. Davis Gaines 3. Hugh Panaro 4. Ivan Ozhogin 5. Ben Lewis 6. Gary Mauer 7. Howard McGillin 8. Earl Carpenter 9. Mathais Edenborn
Ari/lit-ari-ture. @Litlovers-corsetlaces account resurrected and dedicated to POTO and Jane Eyre content.
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