Interrupting My Usual POTO Content To Exclaim: God Almighty This Man!

Interrupting my usual POTO content to exclaim: God almighty this man!

litloverscorsetlaces - Lit Lovers & Corset Laces
litloverscorsetlaces - Lit Lovers & Corset Laces
litloverscorsetlaces - Lit Lovers & Corset Laces
litloverscorsetlaces - Lit Lovers & Corset Laces
litloverscorsetlaces - Lit Lovers & Corset Laces

More Posts from Litloverscorsetlaces and Others

1 month ago

My Favorite Phantoms in 1-2 Sentences

[Once again no particular order but this list includes most of my faves minus Killian Donnelly and TMG.]

John Owen Jones: Yes, I sob loudly whenever I watch that '05 performance with Rachel Barrell. And?

Gary Mauer: The best vocal Phantom imo, argue about it with someone else. Phans love him paired with his wifey Beth Southard as Christine, but that final lair kiss with Marie Danvers is unmatched (iykyk).

Earl Carpenter: His Erik was in love with Christine the whole time, idc idc. Top 3 final lair performer in his early run and I can't even tell you who's ahead of him tbqh.

Peter Karrie: There is literally NO Phantom like him in the history of the role and his '98 boot is the most heartbreaking performance I've ever watched. But is it ableist that his Phantom is so savant/autistic coded?

Hugh Panaro: Master of the hair slick and self caress; lord of the portcullis sprawl; perfector of the whispered "I love you" and "my angel." Holds your entire soul in a psycho death grip from "insolent boy" and doesn't let go until the curtain goes down.

Kevin Gray: Mix together Peter Karrie, Hugh Panaro, and a dash of Crawford and you get Kevin Gray. That's a deranged, hair-raising, and completely magical equation.

Ramin Karimloo: Gets disproportionate hype because of the 25th anniversary performance but his 25th anniversary performance is still worth the hype??

John Cudia: There are three ingredients to a Cudia performance: softness, sadness, and sexiness. He may not blow you away if you like your Phantom unhinged, but he will bring those three things every time.

Howard McGillin: Starts out classic and suave but ends the show completely broken with all the feels. Also a banging vibrato if that's your thing.

David Thaxton: The theater gods reward a risk taker, and Thaxton has so many unique touches that I admire his commitment even if I'm ambivalent about some of his choices.

Edit because I forgot Davis Gaines [HOW could I forget Davis Gaines??]: My second favorite Phantom voice behind Gary Mauer, even though they're totally different. He just has such a deep and hypnotizing baritone that's offset so perfectly by some of his vulnerable acting choices.

[More phantoms here and here.]


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1 month ago

Look, I'm very excited to see Jordan Donica in the Gilded Age, but all I know is THIS BETTER NOT INTERFERE WITH MY DARKEST DREAMS OF HIM PLAYING THE PHANTOM FOR THE NORTH AMERICAN TOUR. Listen to the voice. Look at the hands. Imagine the pants!! This man was made to play the Phantom. He is the second coming of Davis Gaines or Howard McGillan in the making.

Whoever is in charge...whoever I need to contact, petition, or pray to...MAKE THIS HAPPEN.


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3 weeks ago
Franz Kafka, From A Letter To Milena Jesenka Featured In "Letters To Milena,

Franz Kafka, from a letter to Milena Jesenka featured in "Letters to Milena,

I went to dinner and when I checked my phone a little later my best friend was live tweeting the Phantom boot I gifted him. Suffice it to say...I think I've converted my first person to the phandom.

I started him out with the 25th anniversary performance and then proceeded to give him comparative highlights of Hugh Panaro, Earl Carpenter, Davis Gaines and Norm Lewis to give him a sense of scope. Then built it out with others. Sprinkled in information about canon and the different Erik/Christine types and ranted a lot about hands and my personal tastes.

And then I gave him a Lucy St. Louis boot bc I suspected he'd like her and I asked him to share his thoughts afterward. Now his takes have me screaming because I've totally indoctrinated him.

"She was good, but I didn't like this Phantom. His ILY was weak! The hands weren't right. DO YOU WANT HER OR NOT BRO??" I warned him about the post-COVID fall off but now he's blaming me for setting him up with high expectations and declaring his allegiance to the 2000s era.

And he's already abbreviating POTO.

I'm so damn proud of myself (and him) lol.

I Don't Think You Understand How John Cudia's STYDI Hands Have Disturbed Me On A Visceral Level. He Went
I Don't Think You Understand How John Cudia's STYDI Hands Have Disturbed Me On A Visceral Level. He Went
I Don't Think You Understand How John Cudia's STYDI Hands Have Disturbed Me On A Visceral Level. He Went

I don't think you understand how John Cudia's STYDI hands have disturbed me on a visceral level. He went OFF in this boot.


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I'm ruined.

John Cudia + Jennifer Hope Wills
John Cudia + Jennifer Hope Wills
John Cudia + Jennifer Hope Wills
John Cudia + Jennifer Hope Wills
John Cudia + Jennifer Hope Wills
John Cudia + Jennifer Hope Wills
John Cudia + Jennifer Hope Wills
John Cudia + Jennifer Hope Wills
John Cudia + Jennifer Hope Wills
John Cudia + Jennifer Hope Wills

John Cudia + Jennifer Hope Wills

2006 U.S. tour

2 weeks ago

This Week's Phantom Spotlight: Marcus Lovett

He's not everyone's cup of tea, but after going back and forth about this a few times with different watches I've decided he's mine (oddly enough).

Detractors call him stiff (and he is) and aloof (I get it), but those are choices that make sense when you understand the logic behind his portrayal. "Unsocialized" doesn't [always] have to look like "unhinged;" it can also look...detached, hyper-rationalizing, wheels turning in head at all times.

^^^ And that would get old were it not for the fact that Lovett plays that vision very methodical and consistent so that it can all be undone in the final lair. His Erik's arc is calculating/processing by imitation -> learning how to feel organically. His tension: "Oh shit, I'm actually feeling things. I wasn't supposed to feel things."

Slightly hard to tell bc of the glare in the boots, but 95% sure he embraced Christine back (hesitantly) during the kisses/hugs and also held AO'B's hand, and that decision matters for his portrayal (saves it from being too stiff and consistent and he plays it like he's embracing her despite himself--stopped thinking, started to feel).

Also has to be paired with the right Christine, which he was with Anna O'Byrne. She got it; they played off each other well.

Forget Raoul, that veil is Lovett's real antagonist in the final lair.


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2 months ago

“I have touched you, heard you, felt the comfort of your presence–the sweetness of your consolation: I cannot give up these joys. I have little left in myself–I must have you. The world may laugh–may call me absurd, selfish–but it does not signify. My very soul demands you: it will be satisfied: or it will take deadly vengeance on its frame.”

— Edward Rochester (Jane Eyre by Charlotte Bronte) 

3 weeks ago
I Never Make Claims About "the Best" But After Much Consideration I've Broken My Own Rule And Have Come
I Never Make Claims About "the Best" But After Much Consideration I've Broken My Own Rule And Have Come
I Never Make Claims About "the Best" But After Much Consideration I've Broken My Own Rule And Have Come

I never make claims about "the best" but after much consideration I've broken my own rule and have come to the conclusion that '06 Earl Carpenter was the best Phantom kisser IMO. I have no further comments at this time and will not be taking questions.


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litloverscorsetlaces - Lit Lovers & Corset Laces
Lit Lovers & Corset Laces

Ari/lit-ari-ture. @Litlovers-corsetlaces account resurrected and dedicated to POTO and Jane Eyre content.

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