Suing John Cudia For Emotional Distress For:

Hugh Panaro's evolution over the course of his different runs deserves more attention.

There's that mysterious year long run in the 90s that I know nothing about (is there even footage of it?).

Then he came back around '03 and early on it seems like he tried to fit the mold of the more "classic," operatic Phantoms...but then by '05 you see him embrace his unique vocal style and that more psycho, jokeresque approach to the role.

And then you've got the final run in the 2010s where he builds on what he started exploring at the end of run 2 and perfects the unique touches like "my angel" and offers a more queer-coded Erik, and I love it all. How many Phantoms do you get to have these kind of change over time analyses with??

Not sure if I'm allowed to do this (so someone tell me if I need to trash this post) but I just can't witness this Anthony Warlow near-hand touch and not do something about it.

Franz Kafka, from a letter to Milena Jesenka featured in "Letters to Milena,

New fandom level unlocked: I officially have an AO3 account.

POTO retelling loading. And maybe I'll even overcome my trauma and restart the Jane Eyre fanfic I lost more than a decade ago when my computer was stolen.

More Phantoms in 1-2 Sentences

[These are like my 'unpopular opinion' Phantoms?]

Josh Piterman: He cheated the unwritten final lair rules by actually embracing Christine back, but I am SO glad he did! He has the voice and natural intangibles for Phantom.

Greg Mills: Love him as a person (on social media at least) and want to love him as the Phantom, but inexplicably...don't and I don't know why *crying emoji*.

Stephen Buntrock: Inexplicably do love him and don't know why. The voice, the vibe, and the choices just work for me and I wish there was more of him to see.

Franc D'Ambrosio: Serving face, serving drama, always so extra, but I have to be in the mood for it.

Peter Jöbeck: I truly do not understand the hate he gets; his voice is so perfectly disturbing and Joker-esque!!! And he actually seems to regret his actions at the end, not just losing Christine.

James Romick: He's very forceful/on the nose (vocally + acting), and I think the Phantom is more than just "commanding." That being said, his "I love you's" are beautiful.

Géronimo Rauch: He's scary and sexy in equal measure. Elements of his performance remind me so much of JOJ.

Jon Robyns: Don't know much about his Phantom, but want to get to know more lol.

Tim Howar: He seemed very violent with Amy Manford's Christine in the final lair, and that turned me off. The Phantom is already "yikes" so let's not add unscripted physical aggression to the equation.

Brad Little: I live for the way he's so bossy and booming in "Phantom mode" but such a damn softy during the AIAOY reprises and final lair.

Made by @mattxiv on Instagram.

As a rabid POTO fan, imagine how I shocked I was when I watched this niche independent film for class and learned that LND was featured. I literally thought I had left another window in my browser open playing ALW but nope, the filmmakers actually weaved the song into the final frame. My hyperfixation is following me everywhere in the best way.

24 Frames (Abbas Kiarostami, 2017).

Phantom Acting Choices That Live in My Head Rent Free (Part 3)

Final lair edition because this scene alone has permanent residence in an entire area of my brain.

When Davis Gaines and Stephen Buntrock take "this face which earned a mother's fear and loathing" up an octave. If you got the range, flaunt it I guess.

Hugh Panaro absolutely torments Raoul. Why are you waving at him from the other side of the portcullis? Why are you singing "raise up your hands to the level of your eyes" like that?!

The way Ian Jon Bourg and Kevin Gray scream "I love you."

The way Hugh Panaro whispers "I love you."

The way John Cudia fumbles "I love you. I--" in his performance with Sarah Lawrence.

Honestly there are no less than fifty Phantom I love you's that play in my head at any given moment. I'm obsessed with extra ilys.

But also Earl Carpenter saying "fuck an ily" and just dropping to his knees to offer Christine the ring again like the sad wet cat he is.

David Shannon screaming "No!" when Christine says "you deceived me."

Phantoms who lean their cheek against Christine's hair between kisses (shout out to Ben Crawford, Laird Mackintosh, and Jonathan Roxmouth, this is an underrated 2020s calling card).

Any Christine putting their hand to the Phantom's cheek during the kiss. Common West End staple, but bonus points if a Phantom reacts to it (Ramin, Earl, David Shannon, etc.)

When Sierra Boggess turns back to look at Erik one last time during the 25th anniversary performance and RK gives her that slight nod like, "Go ahead, it's ok." Kill me.

Lucy St. Louis staring down Killian Donnelly's Phantom through the portcullis while she (supposedly) sings "share each day with me" to another man.

"Letters To Milena", Franz Kafka

Can I please open my door to this?