The Picrew Of Dorian Gray

Mitski, "I'm Your Man" | Aesop, The Wolf and the Lamb | Susitse.art, Parasite | Franz Kafka, Letters to Milena | Konstantin Korobov, Agnus

being self-taught in any type of practice will eventually lead to you having to seek out formal learning resources to bridge what you think is a trivial knowledge gap and realizing that you've been operating similarly to that french guy who went about his daily life unknowingly missing 90% of his brain

Hi brain, you obstinate fucker. I drank the clear splashy stuff. I ate the green things. I went under that bright fucker up there. I did the thing with the moving and sweating and whatnot. Now make the happy chemical, you lump of fuck.

yes ! definitely agree 100% on the sentiment that stp does a great job at portraying traits to be neutral. even in the way the shifting mound chooses her words, there's a noticeable neutrality in which she views and describes her vessels' experiences. it was something that really stuck with me when i was watching a therapist playing the game and pointing it out !

I think what I’m seeing with the Slay The Princess fan base is that not enough people recognize that ALL the voices are a neutral force. Both positive and negative in their own ways.

I’ve seen people talk about Smitten showing love just as a thing, and I just saw a post talking about Paranoid needing to be written in fan content with his more negative side as well as his capabilities, but it’s actually like that for all of them! The voices are, quite literally, reflections of The Long Quiet— and they are their definition in every way it can be.

Smitten loves, and sometimes that love happens to hurt because he just wants what’s best for the Princess but she wants the same for tlq so it spirals and no one is happy.

I was thinking about Hunted, especially in the Den, where he is instinct and that instinct is to survive, but when he sees someone else also fighting to survive, he looks out for them and works as a team.

Cold is notorious for brushing off any emotions and with the mirror he will tell the decider that you don’t need to comfort the other voices. But he’s pushing for numbness so that it hurts less, so that you can handle it easier, so you aren’t paralyzed by guilt or by the decisions you have to make.

Opportunist is constantly changing his mind, trying to be on the “winning” side, and this causes him to be a jerk, pull the knife on the princess when it suits him and if you don’t want to hurt the princess he’ll then try to play it off. But he’s also got ways to keep you safe, know when something will turn on you because that’s what he would do, and he just wants the safety and security.

I could write them all out to be honest, but it’s about just taking their names at face value because that is literally what they are, and Slay the Princess does a really damn good job at portraying these traits as completely neutral. And it’s a game about perception, so depending on what choices you make, these neutral traits will seem more positive or negative, and I really think that’s a great message that can be done so so well and I honestly love it.

google docs HATES them! writer has a style that actually sounds like someone talking, not like a perfectly grammatically correct robot!

wanderer🍃

love when nonfiction books have a few pages of pictures in the middle. that kicks ass, every book should have a halftime show

I wanted to put a more positive spin on the popular skeleton leaving meme

THE GODS ARE NOT THEIR MYTHS —

I'd like to begin by stating that all religions have mythos. Christianity has the bible, Islam has the Quran, etc. That is to say, that most of these religions are centered in mythic literalism, as portrayed in their sacred texts.

The mythology surrounding the Gods, since we do not hold a sacred book, has been written by worshippers, for other worshippers, rather than prophets.

While myths may paint the Gods with human-like flaws, these narratives are symbolic, representing aspects of the human experience and the natural world rather than literal truth. The gods embody ideals, fears, and cultural values of ancient Greece, serving as a mirror to humanity's own complexities. In essence, the myths are not factual accounts but rather rich, allegorical tales that reveal deeper truths about existence, morality, and the cosmos, used by the ancients in order to make more sense of the divine, in their own perspective of the world.

We must also remember that whilst a lot of the subjects in these myths do include traits deemed unacceptable in our modern world, the ancients had different values and beliefs that were seen as "acceptable" or at least normative in their societies. Thus, we cannot place modern morals onto ancient writings.

Often times, people look down upon worshippers of the Gods, due to the mythology and the "horrible acts" they've committed, but this limited view embodies, again, mythic literalism, which is not present in Hellenic Mythology.

Instead, we must look outside of these myths for evidence of the Gods; both in the lives of the ancients, and in our own.

// short one today, because i could speak about this topic for ages, but i don't want to bore you all too much.