While working in copper and cobalt mines in Katanga,in the south east of the Democratic Republic of Congo, Belgian photographer Colin Delfosse would travel to Kolwezi, where he would learn about the legends of the Congolese wrestlers. It would open his eyes to a whole new world. Everyday people who would reinvent themselves on a daily basis. "Curious about the wrestlers I met one night, I decided one year later to look deeper in the wrestling world of the Congo," he tells us. "Since then I went back twice, and a real friendship has started between us." "Artistically, after showing the tough mining world of Katanga, I wanted to talk about a more vivid and cultural side of Congo. Wrestling is multi-folded. It gave me the opportunity to work on a Congolese specific feature without falling in the harsh and poor vision of what Africa can also be. "Being very popular all over Europe and US in the fifties, wrestling faded over times on the old continent. Meanwhile, this sport continues to be a popular form of entertainment despite the years of dictatorship (Zairian Wrestling). Nowadays, greater diffusion through Europe gives a boost to Congolese wrestling. However popular, every layer of the Congolese society does not adhere to these events. Due to their locations, poor neighborhood, and the use of vodoo, many are reluctant to take part in it. Nevertheless, a certain superstition remains linked to the great names of Congolese Wrestling."
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Tobias Kaspar THE STREET Friday March 11th 2016 4pm - 12 am Cinecittà Studios via Tuscolana 1055, Rome (Metro A Cinecittà), Map
Entrance free, due to the studios safety regulation please register at the box office or online at: istitutosvizzero.it/thestreet
Tobias Kaspar’s THE STREET is a one day exhibition taking place inside Cinecittà’s so-called “Gangs of New York” (2002, Dir. by Martin Scorsese) set which once resembled part of New York’s Lower Broadway.
THE STREET is the artist’s response to the invitation by the Istituto Svizzero to develop a project outside its institutional realm in order to put its own boundaries at stake. Looking at New York or looking for New York, Tobias Kaspar found one of the Big Apple’s reproductions inside the Cinecittà Studios in Rome; the Broadway set. The artist has been interested to realise an artwork that addresses the issue of being everywhere and exactly nowhere at the same time, to realise a project in a specific place while pretending to be somewhere else.
THE STREET is an Istituto Svizzero di Roma production with Cinecittà Studios and Cinecittà Si Mostra and the support of Abteilung Kultur Kanton Basel-Stadt, Media partner NERO
Sam Lewitt – More Heat Than Light
HAMMER David Schatz, Sereina Rothenberger Schweiz, 2016 Format: F4 (Weltformat) Kategorie: Auftragsarbeiten Auftraggeber: Kunsthalle Basel, CH Basel Druckerei: Lézard Graphique, F Brumath Drucktechnik: Siebdruck
Wolfgang Weingart
Design by Claudiabasel
Zweimal Rot / leuchtrot kalt auf rot-orange.
Screenprint by Rupprecht Geiger.
Found here.