I saw you in the train window
I saw her too
You saw nothing your eyes were closed her fingers tangled in your hair
The train pulled free
The sway and screech receding down the line
I stood stolid on the platform forgotten coffee in my hand
Looking at the hole that had been your train
Wondering how long you have been gone.
This is Wyoming
The barbed fence undulates into the horizon The long rollers of the deep old sea feathered with grass Dotted with pronghorn and ghosts of buffalo
Capped in bright sky
The great plain The red car zipping Through the simmering tar
The woman almost 50 The woman bright and lively after 70
Talk rolls back and forth
Some thunder
There have always been hard lines Etched in old oceans There has always been wind cutting across the plane Changing everything
-Skye’s Poem
I would peel you apples just to see fall’s crisp juice color your lips.
You are so far from me
though
that I wield the knife mutilating the fruit
and bury Eve’s sin deep beneath pastry.
Perhaps the smell of it cooling on the window sill will bring you here
and I will yet taste your mouth
and know everything. -Skye
The girl cutting apple, 1938, Andre Derain
Long after the flowers died I wait here overlooking the sea
This grave of mine grown over with mosses and salt air I wait here overlooking the sea
The place beside me empty and unbroken No stone no whisper of you just me overlooking the sea waiting here
Waiting for my Sailor To return to me.
Moody seaside graveyard, Orkney Isle, Scotland
April 2024
We are looking for a house to keep dreaming really
I like tall grass and wildflowers hardly suitable for some respectable old manor nestled up on the hill of old St. Albans town.
Just a little way down out of town? You say
There is this fine old farmstead over looking Champlain
two Acres of fine grassy knolls but alas We are not people who mow
We would need goats to keep the field neat
I like goats you smile
I smile We can milk them and make soap
We are looking for a house to keep You and I
Victorian with turret? I say dreaming really
I’m so in love with you.
-Skye
Ordinary
It’s the common things The row of milk Whole Skim Even Almond
It’s the cart with the Wonky Grumbly wheel
It’s holding hands While hunting Creamed corn
(Who buys creamed corn anymore, anyways?)
It’s standing in line Watching apples Roll along the belt Knowing with certainty There will be pie.
- Skye
A poet speaks Imprecisely
Leaves room between words
Your voice so exacting in your desire terrifies her
As if you would pin her meanings to the pages
Turning wonder Into dead butterflies
You love her but cannot fathom her language
You drown in it Reaching for her
Placid on the far shore She throws pages and pages
Written for you Into the wind
-Skye
Thin strips of flayed flesh String the bow.
Time is always conducting us in and out of measure.
The ghost of my own making holds fast to darkness
Though, I let go so long ago
Learning to play for no one with fingers once broken
Beautiful terrible music unleashed into the world for me for me
for you.
-Skye
Requiem by Burak Ulker
Photograph Title: Striptease club, Tokyo, 1951. Photographer: Werner Bischof
Painted faces and smooth skin Lounging among dressing room clutter Channeling palace concubines For the average man
Emerging from feudalism
Tokyo girls All bouncing breasts and Swaying hips Take the stage.
-Skye
Photo Credit: “Eyes as Big as Dinner Plates” Photo series by Riitta Ikonen & Karolyn Hjorth
Fecund life Comes through me Covers my back and lines my Throat Holding me silent
Tell your tales On the long night ‘round bonfires Wild pagan gestures
Appease The demands of lessor gods Looking down from the great hall
Then press your feet into my ample back I am the Mother I will carry you.
Source: elzamine
Mundane bits of life’s detritus Collected and pressed In a leather-bound book
Bits of butterfly wings Flowers of spring Flowers of high summer A seed or two for good measure
Carefully preserved To revisit later In the twilight When one pulls the bits of one’s Life together Into one last story.
-Skye