5 things about the apocalypse
one. after the sun is eaten, our shadows outgrow our bodies and the stars i took for gods go out. while i did not sleep i heard laughter—cacophonous, full of teeth. at the end i am eating tinned peaches and casting dice on the ground, in expectation of wings, of light, of anything but this stupefied cold, this silence which is an obscenity.
two. the hungry are weeping as they walk. i have seen a man open another’s ribs like a pair of doors, unseal him where the chest is soft, harrow him for red. they eat only the heart, the first-formed part, cradled and chewed between two horrified hands. fed, they are hungrier. in this corrupt light, the gullet-red of appetite, their faces shine wet and without mercy.
three. we send up prayers like the last of flares, phosphorus breaking upon midnight. the horizon is a hot wound parting: the dead climb out of their deep tenements, and we greet them, shaken. what does it matter that they are as pale as guilt, that their eyes do not seek us, that they shrink from us in dismay?
four. yesterday, the words went from us. they left our books and maps and gravestones, emptied our histories and speeches and songs. they fled our throats, and made barren our mouths. in your bible genesis is a cenotaph; nothing is begotten. i hold your hands and i have no voice to speak your living name, to tell you that i am full of fear and relief.
five. it is written on a wall in jerusalem: τετέλεσται. the stars have already fallen, and she proclaims that she is the mouth of god. you go among the crowd to hear her speak, in the brick-husk of the chapel of the holy face. the look of her roars down your blood. men come for her at night, cut out her tongue and string her up by the neck in the muristan. you are kneeling in your kitchen as the earth shakes, and over that great distance you still hear her voice on the wind, causing the dust to rise. it is finished.
(six. we held each other all night, deep in the rot, our arms helplessly tender. late was the coming of light, a whiteness so bright it seemed infernal, lifting us into a hollow morning, and what breath we were was shaken from us—
and we were dead a little while longer then, cool and adrift on the surface of the abandoned world.)
Idk if I skipped this out in the books or something but how does Gansey get his mint leaves? Does he buy them or does he have a mint plant called Richard Campbell Gansey IV? Its something that's been bugging me for a while now
Dear rico-di-angelo,
I don’t like to talk about this because children read this blog too, but I guess they’re on Tumblr, they can handle the truth.
Once a week after his Ethics class Gansey gets in the Pig and he meets a guy parked in a Taurus behind the Henrietta Dairy Freeze and he says do you have anything for me and the guy says yeah man mentha spicata just like always I know what you like and then Gansey thumbs through his wallet and gives him, like, four laundromat tokens. The guy is all hey I always wondered why you didn’t just chew mint gum like all the other Aglionbros? and Gansey snaps I don’t pay you to ask questions.
Also it says in the books there’s a mint plant on his desk but that could be a coincidence.
urs,
Stiefvater
dreams on sale, today only
Adam: knows Ronan has a crush on him
Gansey: knows he's gonna die
Noah: knows literally everything
Ronan: doesn't know a fucking thing, my guy
WHAT IS TO LOVE? you think this is it. when you crown him king with his halo dazzling against the blackness of the stars because they, of course, they are dimmed against him. he outshines them all. this is love. WHAT IS TO LOVE? you think this is it. you hollow out his thighs and worship his mouth and surrender to his army. you build a temple out of the prayers you have whispered to him against the breathless warmth of his lips and you kneel. you kneel. this is love. WHAT IS TO LOVE? you think this is it. this scrambling of limbs and waking together in the morning, falling asleep at night with your arm dangling over his sun-stroked (for the sun, even the sun loves him– how could it not?) torso, tracing the dimples of his back with the pins affixed, haphazardly, to your palm. you scar him with needles and he kills you with knives. this is love. WHAT IS TO LOVE? you think this is it. the boldness he has inspired, the boldness he regrets. the calluses on your palm, the calluses he carries in his chest. the fraying leather you don, the shining steel he was born in. you love the idea of one last supernova, you taste the idea of going down in storm and glory on your tongue, a phoenix in the fire, of matching his brilliance for the first and the last time. you know with dread and you know with terrible clarity and you know with the unerring confidence of a boy who knows he has nothing to lose. all you can lose is him. all you can lose is him. and you are saving him, you are, you are saving him from drowning in his own blood. you think that, as you become him and soak up his fire and swallow his flames, that this is it. this is love.
you would burn the world down and build it up brick by brick for him // s.w. (via bluesergente)
If you want to know exactly what hell feels like, fall in love with me.
Haiku on Destructive Habits (via whispersinnthedarkk)
(via nitesuke)
Nereids: nymphs of the Agean sea, the 50 daughters of Nereus and Doris. Depicted as beautiful girls crowned with branches of red coral and dressed in white silk robes trimmed with gold, but who went barefoot
Kelpie: shape-shifting water spirit inhabiting the lochs and pools of Scotland. Depicted as a melancholy dark-haired maiden balanced on a rock
Naiad : nymph, presiding over fountains, wells, springs, streams, brooks and other bodies of fresh water. Distinct from very ancient spirits that inhabited the still waters of marshes, ponds and lagoon-lakes
Rusalka: water spirit in Slavic folklore. Depicted as a young woman who lures young men, seduced by either her looks or her voice, into the depths of said waterways where she would entangle their feet with her long red hair and submerge them
Swan Maidens: mythical creature who shapeshifts from human form to swan form. key to the transformation is usually a swan skin, or a garment with swan feathers attached.
Selkies: maighdeann-mhara (“maiden of the sea),mythological creatures found in Scottish, Irish, and Faroese folklore. Said to live as seals in the sea but shed their skin to become human on land.