So step one was to make some rough shapes on my ipad and then bring them into illustrator to make them into vectors. I tried to keep the style similar to the circle so that they would all match well and ended up with this:
Alright, not bad. You’ve got a square to promote balance, structure and in a more abstract sense, community and integrity. The circle represents wholeness, infinity, oneness. The triangle is known to be the strongest shape to build with as any weight placed on them is evenly distributed amongst the sides. Triangles also represent harmony.
Placing them in a line like this makes them look a little like building blocks, or children’s toys. The idea is that you can build Place into a space you need it to be.
Rough: verb.work or shape (something) in a rough, preliminary fashion."flat surfaces of wood are roughed down"
That’s a cool meaning and it applies well to Place because it’s supposed to be a space that you can make your own during use.
Just to be sure, I also tried out smoothing out the shapes so that I could see whether a rough shape or a smooth shape would be better.
At this point, I’m still undecided. I feel like rough and smooth have very different meenings to me. I like the way the rough one looks because it feels more organic and handmade, which is the type of community I’m trying to promote and reach with place. I want Place to be like a community hub and don’t want it to come across too polished.
On the other hand, I want Place to still appeal to higher-end events as well, despite the playful atmosphere of the logo shapes. In that sense, I think the smoother shapes could do better. I also know that the smoother shape would shrink down easier, and probably be easier to work within the long run. That being said, I don’t think it’s necessary to choose one or the other. There may be opportunities to use both styles depending on the event.
First of all, here’s my portfolio website!
I’m pretty proud of my portfolio overall. I remember starting this class and not being able to fathom at all how I could self-brand myself. It has been a period of self-reflection these last few months and while i’m glad to be through it, I know it’s never ever. Despite having the base of my website, there are a few things that I’d like to fix.
So learning Semplice has been a trial and a half. If you want my honest review, if you already don’t know how to use wordpress and you on’t have time to learn a whole new system, do not choose semplice for your first go. Just be a friend to yourself and choose a squarespace or wix template and then try semplice later. I’m saving you a lot of pain by saying this. Still, I’m glad I’ve put in the work and I vaguely get it now.
That being said, there’s some weird spacing that I cannot, for the life of me, figure out how to deal with. Semplice prides itself on how easy it is to edit but unless you already know how to use it, it’s really not. So I guess I’m going to figure out how to deal with the big gap between the footer and my information in my about page somehow.
Otherwise all I really want to do is update some of my images in my project pages. For example, my balanced. project page could use a mockup of the booklet or a shoot of the booklet. I’ll try to get that when the print shop opens again.
I’d also like to eventually add light boxes to my photography and illustrations page.
Other than those items, I’m pleased with it.
Today was the end of activity two!
Although I’m not 100% happy with my outcome, I’m proud of the work I’ve done. I learned a lot about packaging through this activity. The biggest thing was having the proper measurements to work with and having the original package and mock-up made by my partner to show me what was important.
Every little thing about a package has to be considered. For example, my package had little cut-outs on the bottom flap, and a cut-out on the top flap to make it easier to open. Two of my folded in flaps were also shorter than the other two by a mere millimetre! It was cool to understand this and figure out the best way to adjust for this.
My takeaway from this project is that it’s important to look at the small stuff and to sweat it when it comes to designing a package!
The aim for this stretch of the project was to create thumbs, mapped layouts and sketch model mockups. It’s hard however to get the appropriate size when you don’t really know how much space 250 grams of Good Life Granola is going to take up.
Now, something I was told to work on was my ideation component so I worked really hard to come up with at least 50 thumbs to work with. I’m not the type to put myself into a box (*bdm tss*) so I found that just letting my pencil take up the space it wanted was the best way to go for me. This created a bit of a flow of ideas rather than me just trying to fill little squares with thoughts. Sometimes, you need to think outside of the box. (*bdmmmm tsssss*)
Here are the ideas I came up with.
I wanted to make sure that I worked through as many shapes as I possibly could think of to be thorough about the ideation period. Although I came up with some really fun, crazy shape ideas, I found myself drawn to a simple box for ease of production and cost when it came to the packaging and decided to develop those concepts further.
After fleshing those out a bit more, I decided to just sit down and have fun. I forgot how much I loved this part of the ideation and creation period. Although I messed up a couple of times, I didn’t let that frustrated me and instead just enjoyed the tactile puzzle I was dealing with.
These are the design solutions I have come up with thus far:
I can’t wait to get proper measurements down so that I have a better idea of what I’m working with. I’m not even sure at all which one I like best so far, although I can tell you that the most interesting one to try and create was definitely the rectangle with the pour spout! (I thought my brain was combusting a little bit as I tried to visualize what I had to do in my head.)
I knew that class would be good today when we walked in and there was a picture of an egg on the powerpoint. I thought we were probably going to talk abt how an egg is a naturally good package, I didn’t think that we were going to have the opportunity to try and design a safe package for an egg in 20 minutes!
We weren’t given a lot of direction other than to make the package, so my group wondered if we were supposed to focus on appearance, function or perhaps both. We decided to go for both and used two rolls of duck tape to encase the egg, paper to cushion it and then we wrapped it in foam. We also gave our package a little bit of decoration in the form of a pipecleaner bow and an origami butterfly.
I think we focused too much on the appearance of the package instead of putting as much focus on the function. Our package was poorly taped and when Nancy shoved it off the table, unfortunately, the package burst a bit and the eggshell got a crack in it.
It was really fun to do something so fast and right away and got our brains thinking for the rest of the day!
We learned how to score paper using a bone tool and tried it out ourselves on a box shape. So far, I’m really enjoying how hands on this class is.
Our assignment for this next week is to take a package that we were given in class and reproduce it three times, let’s see how it turns out!
Something to reflect on: We’re always wanting to think of the environment as graphic designers but when it comes to packaging and brand, brand needs to come first for a corporation. I think that makes it the graphic designer’s job, to provide a sustainable design for the company in question from the get-go. When redesigning for a brand, however, and working for someone like coca-cola who uses tons and tons of plastic each year but is so iconic, how much room does a designer have to play and is it that designer’s duty to do what they can to help the environment even if it means deviating from brand standards? Is it possible to stick to brand standards with the environment in mind?
So last time I posted about this, you know, before the world was ending, I was talking about the importance of coffee valves in a bag of coffee beans to keep the bag from exploding from the buildup of gasses. The valve allows carbon dioxide from the beans to escape, making it necessary. The problem with this, is that means it’s one of the things that makes a coffee bag not entirely compostable. So I was looking into that in particular and found that there’s a company called TricorBraun Flex that is working on a sustainable bag line called Biotrē that currently has a 60% compostable coffee bag and is working on a 100% compostable bag, so that’s great for the future of coffee.
On that note, we researched what’s already out there for improving the coffee making process and I found it interesting that despite how old coffee is and the multitude of different ways of brewing it, most cultures have a certain way of doing it and have predominantly stuck to their methods and tools through history. Of course things have updated as technology evolved but there’s definitely been an ‘if it ain’t broke, don’t fix it’ approach to at home brewing or, people have developed their own methods.
Of course, there are many influential coffee shops and brew masters out there, even on the west coast, that are constantly developing new methods and shortcuts that often make their way to the home via baristas but we’ve yet to see a significant, single method in coffee brewing.
The reason for this is that brewing is a very personal, particular thing. People like their coffee a certain way and everyone stores it, grinds it and prepares it differently. Still, I did find some neat little things that have been introduced to the brewing world in the last century!
I mainly looked at spoons when doing my secondary research and really enjoyed this concept:
Using the spoon as a clip as well to keep the coffee bag closed is a neat idea because the spoon would always be around for measuring and the bag gets closed, meaning the coffee keeps fresh for longer.
Alternatively, a coffee scoop with a sliding lid could help when scooping coffee. This is a picture of one used for medicine.
Another cool thing is that there are a few drip coffee makers out there that actually grind the beans for you. It’s a no mess method because it also portions out the beans, making a pot of coffee is just keeping the water tank full and clicking a button.
Project 1 - Environmental Redesign Rationale
ARTG371 - Sara Holmes
Product: Tsubazo Pairing Knife
Project Description: For this project, the goal was to find an overly packaged item and redesign it to create something more environmentally friendly. We were allowed to choose anything we deemed to be overpackaged, even if the packaging seemed alright. My goal was to create a package that could be used again, either as individual components or as one piece. I wanted to make sure that any waste from the project was one hundred percent recyclable. I also wanted to create a package that turned a simple pairing knife into a beautiful gift to be opened.
Environmental Considerations: When walking down the aisle of any store, it is unlikely that you will see more than a couple of packages with no plastic involved. Since the invention of plastic, it has been involved in packaging whether that has been as a plastic sleeve, bubble wrap, slips of plastic, etc. Even if it is made reusable (hard plastic), most of it ends up at the dump where it will take hundreds of years to break down completely.
I wanted to create a simple enough package that could be completely reused, and if the person has no interest in reusing it, it could decompose naturally. For this project, I used the following:
Scrap Wood - 13 years to decompose.
Wood Glue - 1-3 years. Breaks down over a period of time when exposed to moisture.
Cloth - 1-5 months to decompose.
Thread - 3-4 months to decompose.
Tracing paper - 1-4 weeks to decompose, could also be reused to wrap a gift, jot down notes, or even as tracing paper!
Recycled paper - 2-6 weeks to decompose.
While a bit more effort is put into the packaging because of this, my audience could comfortably buy this product without worry of what to do with the package upon opening. The box could be reused to hold paint brushes, pencils, another gift, or even the knife.
Design Concept and Solutions:
My goal was to create a package for the product that could do a better job of representing the product inside. I wanted to completely eradicate the use of plastic, make a package that created less of an impact on the environment and was beautiful for the user to look at as well as. The original package that was cardboard and plastic and I did not think that it matched the quality of the product inside, a Japanese pairing knife.
The purpose of the item inside is to be used as an everyday knife for cutting up vegetables and fruit. My goal was to create a package that reflected the rich culture and heritage of the country that it was made in. I wanted to wow the user and make something that they would be inclined to reuse and if not, know with certainty that they could recycle it.
I began by looking at Japanese knives, the beautiful simplicity to the hilt matched with the rich texture of the blade. So much beauty deserved something more. I remembered reading about Japanese joinery a while ago and after reading up about it again, the idea came to me that I should make a box for the blade and use no nails. It would be better for the environment and would reflect Japan.
I decided that I wanted my audience to be a culinary student or a professional in the industry. I wanted to create something that would give that person absolute joy to open. The idea was that I wanted the person opening it to have the same emotion a design student down when opening their MacBook packaging up for the first time. That feeling of excitement while opening up the layers of the box to reveal the item inside is what I wanted to promote.
Considerations:
Heritage - Japan has a very rich heritage and I wanted to make sure that the design was to that standard.
Environmental - The package should be simple but elegant, easily recycled.
Colour - Japan’s flag is a beautiful shade of red and the initial packaging makes attempts at that.
Typography - Japanese design loves geometrical sans-serifs.
Experience - This should be an exceptional experience for a culinary student.
Using these considerations, I applied myself to this redesign and my goal, which never changed during the entirety of this redesign.
I was planning to seal the box closed with a wax seal to give a sense of elegance. However, someone pointed out to me that this would leave a stain on the box. I also realized as I stood there with it in my hands, that a wax seal was too much, which is why I decided to wrap it in tracing paper instead. A great thing about the tracing paper is the auditory sensation of unwrapping it and the relation it has to actually receive a gift from someone. Suddenly, without me having to nudge anyone into thinking so, the package actually did look like a gift while keeping the box below visible.
I also considered placing a seal anyway on the paper wrap but decided I loved the simple elegance of the wrap alone. Sometimes, even if you think you have a concrete plan, when it comes to the creation side they fall to the wayside. That is why creating a prototype is so important.
Initially, I also had lofty plans for painting a beautiful scene on the lid of the box. However, during our feedback week, I had a lot of the students tell me that they loved how simple the box was, that the concept even reminded them of home. One of the girls told me that she was studying in Canada because she wanted to buy and sell products and she would definitely want to sell my product in Japan!
I was pretty attached to the idea of painting, but you learn a lot in design as you go through and build products, that sometimes it’s best to kill your darlings. Getting attached to one concept is a bad idea.
I found instead that I could create a colour pop by taking the wine red from the Japanese flag on the paper wrap and matching it to a fabric, which I then sewed into a handkerchief with the help of my mother and sister. I proudly did the inside seam and ironed it, but when the time came to sew the top, my sister, with her costuming diploma, stepped in for me.
The end result is a beautiful, simple yet elegant gift. When opening, the user has to first slide off the paper wrap, open the tracing paper, slide back the lid and then finally unfold the handkerchief to reveal the blade inside, safely nestled within the fabric to keep it from moving while in transit.
This seems like a very self-centred approach to this project because I might be one of the select few that faces this problem. But hey, I think it’s important to do a passion project every now and again.
Having completed my Logo and drafted my brand standards, I began trying to figure out ways to apply my brand. Here’s what I came up with for my presentation.
Design & Thinking is an interesting documentary to watch as a designer because it has designers in the working field that agree and disagree with it, and designers who don’t know exactly what it is. I’m always fascinated when we get to hear from other designers in a visual sense, much more so than the written word. I thought some interesting things were said, here are some ideas that I really quite liked.
“Design Thinking is applying design methods to the working class and world.”
I thought that this was a neat little concept because it really helps me as a designer understand more what Design Thinking is and what we’re trying to do with it. This makes it feel like Design Thinking is less a scientific method and more of a way to bridge a gap.
“Design is a sport where you have to participate.”
I think a lot of designers, myself included, feel like we have to figure everything out on our own but Design Thinking really cements the idea that design thinking is a team effort. I really like how this phrase puts it into such easy terms.
“Rapid Prototyping: It’s ok to have a bad idea.”
Luckily, this is something we’re taught well in our program but it’s nice to see this concept out in the real world. I’m so nervous about having to be perfect when I leave school but making wrong decisions seem inevitable.
“Ask Why”
This I think, is my favourite idea from the documentary. I feel like it’s so easy to just take a client’s request and push it out without thought to exactly what they asked for. It’s easy to fall into a rhythm and just forget how to use our design minds, but I never want to forget how to be creative.
This week I created some rules for my logo. My logo is interesting because it’s rather playful in nature and there’s a lot that can be done with it. I have three possible marks that can be used to represent place and four base colours to play with as well.
This base set of rules is a good way to get me going on my brand guide. There’s a lot more to implement though, and I’m excited to keep going.