Ah my i almost never go here, but those last chapters are really merciless ! I just want to write random thoughts, especially after reading @5x-ra own analysis (thanks for your post @5x-ra, really interesting) !!
1. I dont understand why people are saying She Li is a coward for running. He’s not just running away -because if he was, he would have disappeared and would not have waited for He Tian to try and ambush him. He’s just not an idiot ; what’s the point for him to stay around and get his face smashed ? The difference in level in fighting is clear, he doesnt stand a chance against HT. HT was born and trained as a fighter ; isnt HT the one who is cheating, choosing a way to resolve the conflict with his fists, knowing he can only win X) ?
She Li’s shtick is manipulating people, getting under their skin, planning in advance. It was never brute force, and we rarely see him fighting -he uses other people for that. It’s not bad per se, it just means he’s intelligent ; too bad he uses it for nefarious purposes lol. If he was a nice character, I’m sure people would find it clever for him to run away from the fight scene, find a weapon, and ambush HT. But yeah because his role is to be the antagonist and because his main goal is just to make other people miserable, it’s hard to be impressed by this, instead most of the readers wants to see his face smashed and for him to rip the consequences of his actions lol.
2. I think in the scene where Mo smashes his face from behind, SL is livid, not necessarily afraid ! But yeah, the interpretation of him being afraid is also strongly supported by the manwha. But I think She Li must be thinking, “how dare you do that to me ? how dare you oppose me, now of all time ?” Especially, because Mo do the same thing to SL that SL did to the old man who tried to kill Mo. It’s an ironic twist of the same situation.I’m not sure about SL feelings towards Mo, maybe he he loves in his own twisted way, in a really “i own him” way -he even said almost this sentence a few times. So, for She Li, Mo attacking him is like your own dog biting you after you hit him. SL think he has a right to mistreat Mo : he owns Mo, it’s his possession, and so if he beats him to teach him his place, it’s just rough love kind of. But for Mo to react back, it’s a betrayal. And that’s why SL doesnt hesitate : he tries to actually kill Mo, like @5x-ra said piercing him in the head ??? wtf. Like an owner hitting his dog too many times, killing it in a fit of rage, because his dog dared to bite back, SL honestly think Mo deserves to die for opposing him. man…
3. Honestly, isnt this story a story about how adults fail the children again and again lol ? There’s no adults around, except HC and Qiu who are like “ok do what you want, just no killing”. I know it’s because the manhwa is destined for a young audience (? maybe), and a young audience identify themselves with the protagonists and so doesnt want annoying parents taking care of them. Even tho, like what the hell haha
4. Altho i do love the last few chapters, am I the only one who is getting kind of annoyed by this “damsel in distress” version of Guan Shan ? We fell in love with MGS because he was a nasty, feisty, dirty ball of fluff. It was the contradictions that was enchanting : he try to fight innocent jyan yi WITH HIS GROUP just because, he throws a rock at ZZX head, he insults everyone and refuse to socialise, he’s mean to the girls who just say hello to him. He insults HT non-stop, often times it’s fair (HT was really cynical at the time), sometimes it’s hypocrite : why cry because HT is mean to him when literally he ambushed JY over nothing ? He’s proud and think he’s better than others because he’s not a hypocrite, but then he have nothing to show off either. And then at the same time he’s oddly loyal, righteous, and honest. It was what attracted HT. And the appeal to their relationship was this pull and push. Mo was as strong as HT in this psychological game.
But since a few chapters, Mo stopped pushing so much. And it’s nice ! It means there’s actually a relationship being constructed between HT and Mo. But then it became really unbalanced. Because HT continues to pull, and Mo just do… nothing. He’s blushing and not looking in the eyes. He does this bc HT wants to, he does that because HT says so… ok he makes a (weak) scene, and thats all. He’s like loosing his character ? He’s becoming more and more passive, he’s a character where things are being done to him and not a character who is doing things.
And it makes me afraid ! because the same thing happened to ZZX and JY. Remember : we all liked zhanyi because because it was two strong characters, with different feelings, desires, behaviours, etc. JY was always the most active one in the relationship, but ZZx had a personality : remember the confession scene ? the kidnapping scene ? You could really feel who ZZX was. And then, once he began to reciprocate JY’s feelings, his character… disappeared.
Like honestly i dont mean to offend, but ZZX right now ? He’s a street lamp. A sexy, stylish streetlamp, but a streetlamp. He could disappear from the story, you could replace by a photography for JY to droll over, it would be the same. And it makes me sad ! But that’s the reason i’m totally disengaged from zhanyi now. Zhanyi is : Jyan Yi does something ->ZZX is…. here I guess. Once again, a character where things are done to him. He’s just kind of hanging out, and we know JY care about him because JY says he cares about him, but there’s nothing to show for it. It’s been years I think, where all ZZX is doing is sighing, patting JY shoulders, oh and last chapter he ran in the hospital. Where he still is probably.
And I’m so afraid the same thing is going to happen to Mo :0 !! Like, now he mellows and kind of reciprocate HT’s feelings, so he’s just becoming someone who stand by, cry, and run. The main character is HT, and Mo is here to look at him. He’s loosing his personality !! I dont want him to disappear. I dont want Old Xian to do the active one who initiates all the actions x the passive one who says “ahh” “ooh” when the active one do something. Please OX dont do that T_T
Hoping the trend will change soon… even if Mo doesnt want to fight anymore, or scream anymore, he doesnt have to become boring. It’s a strong fit to socialize with others when all your life you have been shunned, to learn to trust and love again, there’s a way of depicting it where Mo keeps his strong, fierce personality, without it meaning he’s automatically reverting back to fighting and insulting.
PHEW here it is, my two cents.
he tian: when i die my tombstone won’t say “RIP” it’ll say “VIP”.
mo guan shan: that’s because they reserved a special place in hell for you.
he tian: yeah, the throne.
jian yi: gay panic
zhan zheng xi: hidden gay panic
he tian: protective mode
mo guan shan: self-concious, but loved
*3 months after they started living together*
he tian: ah, guan shan, now i have a plump tummy because of you. i need to exercise more to get back in shape.
mo guan shan, smiling: finally you eat normally and don't skip meals... you don't have to lose weight, tian. i love your smile more than the perfect body.
he tian: *almost crying*
jian yi in elementary school:
i couldn't believe it, so i went to check...
what tHE FUCK???!??!?
its been over a year since mo was attacked, I'm just.... is time even real are we even here rn???
Ten types of fuckery that stop you from writing the thing:
You think you're not good enough or everyone else is better than you and you're just winging it AKA ye olde imposter syndrome bullshit. Yeah nah you're fine. No really, you're exactly where you need to be right now, and you'll keep getting better and better so long as you don't stop. Chances are, if you're filled with doubt about your abilities it means you've actually improved to the point where you can really start to understand what makes good writing. It means you know where you wanna end up and goshdarn it you're gonna get there.
Read this: 4 tips to kick imposter syndrome in the face and also genitals
And also this: How to silence the inner critic
Yeah, us too. It fuckin sucks. BUT. Not all rejections are equal. And rejection is a necessary part of the process. Sometimes it takes a rejection to realise that a story isn't ready. Sometimes a rejection is entirely subjective and has ZERO reflection on the quality of your work. But shying away from the very idea of possibly maybe hypothetically getting rejected is only going to hold you back from even trying. And knowing why you got rejected and how to learn from it is one of the most valuable writing skills.
Read this: The different types of rejection (and how to deal with 'em)
Then read this: How to cope with rejection
And also this: Writing lessons from Groundhog Day
Leaping into a new story with nothing but a glimmer of an idea is exciting as heck (and can sometimes be a great way to begin) but at some point you're gonna need some sort of outline or plan to keep you on track. HOWEVER. Planning your story to within an inch of its life can also sometimes be a hindrance - leaving you stuck in the hypothetical stage of the process where your story doesn't quite exist yet (and therefore avoiding the prospect of it sucking). The sweet spot is in the middle. Having just enough of a plan to know where tf you're going, but enough freedom and flexibility to let the story lead the way...
Read this: Planning vs pantsing
Then read this: Five plotting techniques
And also this: The perils of overplanning
Sometimes things just fall flat. Sometimes you work on the same story for yeeeeears and then it just kinda... dies. Sometimes you have the best plans (see above) and the best intentions and things still don't work out. Sometimes it's just time to move on. And sometimes it's not! Sometimes a story can be revived, fixed or changed. Sometimes you just need time. Sometimes YOU'RE the one that's changed and this isn't the story you need to be writing right now. Many variables. Muchly personal. Read the things below for more advice cos this is a big question:
Read this: What to do when your WIP isn't working
And also this: Give it space - how to grow a story in your head
Or how about this? Editing 101
Ah the irony of writing being the thing you love/want to do most of all AND YET the thing you procrastinate over and avoid and shove to the very bottom of your to-do list all the freakin' time. Maybe it's the comodification of art destroying our freedom to create without pressure. Maybe it's late capitalism sucking up all our available time and energy. Maybe it's a lack of self-belief subconsciously telling us our 'little hobby' doesn't really matter. Maybe it's maybelline. Whatever it is, you have the power to reclaim and revalue your writing. To say, "I'm a fucking writer, goddamnit!" and mean it. To ringfence your creative time so nothing and nobody gets to interrupt it. To do that thing you love.
Read this: Prioritise your writing
Read this: How to write in 30 second bursts
You know that feeling when you're just getting stuck into a writing project and then — SQUIRREL! — you get distracted by another, better, more shiny writing project? Or maybe you're deep in the editing phase and your current WIP just isn't feeling very shiny at all and pretty much ANYTHING seems more exciting? Or you simply can't decide which of the many squirrelly writing ideas to actually start? You, fine writerperson, may be suffering from Shiny Thing Syndrome (STS). But fear not! There are a few ways to combat it, depending on the cause, and most of them involve embracing the squirrel-brain and injecting a bit of fun into your writing, like so:
Read this: Shiny thing syndrome - a writer's malady
Aaaand read this: Get excited about your writing again
And also this: Write like a kid
Look. Writing is scary as shit. What if someone READS it? What if they don't like it? What if they see into your soul and gain a deeper understanding of you through your words? Writing your truth, being vulnerable, smearing your heart juice all over the page? No thank you. But also, that's where the good shit is, so actually yes please. Just make sure you smear responsibly. And rest assured, even the most 'successful' and experienced writers ALSO feel like this sometimes, so you're in good company. It's just part of the art, bruh.
Read this: Why writing is scary (and why that's a good thing)
Read this: Beginning a story - what stops us starting?
And also this: Get out of your own way
Oh godddd the blank page. It should be an exciting palimseset of possibility but is somehow also the most terrifying thing known to humankind. You wanna write something but where to start? HOW to start? You type that first line and immediately delete it. You watch the cursor blinking at you—taunting you—until you just give up and shut your laptop again. It's probably tied up with a bunch of things we've already covered so far: perfectionism, imposter syndrome, fear of failure, maybe a lack of planning or faith in your story or whatever. But it doesn't have to be this way. A blank page IS exciting and full of possibility. We just have to get over ourselves and learn to embrace the unknown...
Read this: Don't fear the blank page
And also this: The moaning method
Dude, same x 1000. But you don't have to get up at 5am, do hot yoga, drink a kale smoothie and write a thousand words before sunrise to be a Proper Writer. You don't even have to write every day. But what you can do is hack your writing brain and figure out when, where, how, and why you write most effectively. Then tweak your schedule, your habits, and your attitude to ensure you're making the most of your time. Productivity is a big ol' lie but finding the secret to getting in your own personal writing zone is actual MAGIC.
Read this: Maximise your writing time
And also this: Get in the writing zone
And also unto this: The Writers' HQ Guide to Productivity
Got the writing morbs? In need of some literary sudafed? Stuck as a pig in a poke? Writing is a whole puzzle of a process—and to be honest that's what makes it so fun and exciting and addictive, because your writing brain is hardwired to both create AND solve the wordy puzzles within your story. Sometimes the answer is time. Sometimes it's a second opinion or a fresh eye. Sometimes a totally different approach or just a hefty kick up the bum. But whatever the problem, there IS a solution. You just gotta keep going and trust that you'll find it...
Read this: Troubleshoot your writing - why are you stuck?
And also this: Break through the writing blockage
And also also this: Write yourself into a pit (and then dig your way out again)
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Alright, that's it for today. Now go write, you flithy animals.
(And if we missed anything, stick a question in our ask box or check out the rest of our shit here)
jian yi, a 24 year old grown man: xixi... don't you think it's sad that poor lonely zebras can't sleep on their own? it's like... soo unfair.
zhan zheng xi: jian yi, my love, it is really sad, yeah, but could you please think about it later instead of when we're fucking?
he tian: i want to wake up with you every morning.
mo guan shan: i get up at 6:00.
he tian: *covers his face*
mo guan shan: …forget what i said.
You want Venom to be rated r so he can graphically kill people on screen, I want Venom to be rated r so he and Eddie can fuck. We are not the same