And this is why you can't write a grimdark LOTR that has ANY resemblance to the original - if you don't tell a story that's about kindness and light and love, no number of epic battles can save you
I'm reading the lord of the rings and I'm once again amazed at how... good most characters are. Like, they are genuinely good people. They are a bunch of kindhearted, gracious, caring people, coming together under adverse circumstances and trying to figure things out and find a solution and support each other through it all. Like Frodo and Sam meet Faramir and Faramir is a bit suspicious at first and kind of implies Frodo may be a spy, and then when he hears his story and he's like Frodo, I pressed you so hard at first. Forgive me! It was unwise in such an hour and place. And this blows.my.mind. He wasn't even particularly mean or threatening to him in the beginning, he's just such a kind, considerate man, recognizing the kindness and honesty of another man. And they're all like that. Even Gollum starts slowly changing (for a short while) when he encounters Frodo because that's the thing about kindness and humility and grace, they are contagious. They transform people, even a creature like Gollum cannot be immune to that. Like, you may consider all this simple and basic and I get it but, hear me out. It is quite rare to see that in modern media and it is also pretty difficult to pull off in a way that is not corny and simplistic. It is mind blowing that you actually don't have to present the entire palette of human cruelty and vice in order to tell a compelling story, contrary to popular belief. Lotr does the exact opposite, and it is just beautiful and it warms my heart. Especially taking into consideration tolkien's pretty grim growing-up experience, him being a double orphan without a home, raised between an orphanage and a priest and having no family apart from his brother and then the war and then he almost dies and then he's poor as hell and then a second war and it all makes sense somehow. He writes to his wife who is also an orphan two days before the marriage "the next few years will bring us joy and content and love and sweetness such as could not be if we hadn't first been two homeless children and had found one another after long waiting" and, yes, yes! The love and sweetness just radiate from his work, the entire lotr series is a little radiant bubble of hope and love and grace that he imagined in his head to deal with a dismal reality and then he just gave that to the world, and isn't that what imagination and art is all about after all?
I'm just gonna keep this for someday...
this is so mean but sometimes i see published writing and suddenly no longer feel insecure about my own writing ability. like well okay that got published so im guessing i dont have much to worry about
I forgot how lonely it is to write original fiction.
Where are the kudos? The subscriptions? The comments? The people cheerleading me chapter to chapter? Where are the kind words and compliments and reassurances that what I'm writing isn't complete crap? Where are the unhinged emojis? The asks on Tumblr? Where are my mutuals in my dms apologizing for not reading the latest chapter right away (side note, you know you don't have to apologize at all, right??). Where is the fanart? Where are the recs?
Where is my motivation to keep going?
It's something I've been thinking about a lot, actually, lately. How the experience of writing fanfic is so unique. How you already have an audience, willing and waiting and captive. And that's really it, isn't it? You have an audience. It's almost performative, writing fanfic. It's being on a stage, a one-person show (or two, if you do it with a friend); it's getting live reactions to your performance, it's feeding off the energy of the crowd and informing it back in a feedback loop; it's improvised, sometimes, in almost-real-time. It's building something that you couldn't have built by yourself. A thing that takes on a life of its own.
It's an experience you can't get writing original fiction, and, honestly, not having it is making it hard to write something original at all.
Listen, I don't even care if this is an original thought. You're telling me, Jefferson can recognize Miles' stickers from his car. You're telling me Jefferson Davis can recognize Miles' art despite there being a million other stickers and pieces of art up around Brooklyn.
...and then Miles-as-Spiderman shows up, in a suit HE PAINTED, and the FIRST scenes where Jefferson sees Miles-as-Spiderman IN THE NEW SUIT are also the first scenes where Jefferson is suddenly on Spiderman's side.
Uh huh. The man knows it's Miles.
Sometimes you don’t make art that changes the world.
Sometimes you make art that just makes someone’s shitty day a little bit easier to bear.
And that?
That’s damn good too.
A cosmic tribute to my current favourite comment in YouTube history
I like writing a lot…..
But when does it stop being soul sucking????
How can both be true??
(sigh) Easily. All the arts are full of apparent contradictions like this.
Re: writing, specifically: This work is a very particular kind of magic. And like all real magics, the use of it inevitably has a price.
"Soul-sucking" strikes me as a slightly harsh idiom for the payment of the Writing Price. But that's okay, because the idiom itself points at the remedy. And it's really simple! Just this:
Every time you sit down to write, you have to consciously work to do it well enough so that you grow some more soul.
(I mean, you don't think that souls run out when you use them, surely? Or can't regenerate over time? They can be surprisingly resilient... assuming you don't buy into the idea that they're limited to what you feel like you started out with, or what you've got at the moment.)
Repeatedly pouring your soul into your work is very much like bodybuilding. At first it hurts like hell. Then the body starts to adjust to the increased demands you're putting on it. After a while you look back and find you've blown way past the boundaries that you earlier thought were impassible.
When you start getting that soul-sucked feeling, it's just a sign that the workouts are having an effect. It's the equivalent of the lactic-acid ache after a session at the gym. But you still need to keep working at it to improve your results. If you find you need to take more rest time between writing bouts to replenish your reserves, fine: work out what your best refractory period seems to be, and adjust your workload to suit that as best you can. But at all costs, keep writing, at whatever interval works best. Over time, it does get easier.
Does it ever stop "sucking" / demanding that price?
Nope. Sorry! But you can learn over time to grow into those inevitable demands on your time, energy and commitment. Just keep reminding yourself: Nothing truly worth doing ever comes without a price tag. And the more you work at your craft, over time, the bigger the price tags you'll find you can afford without flinching.
...So get back in the gym. (And I hope this helps!)
Listen, I don't even care if this is an original thought. You're telling me, Jefferson can recognize Miles' stickers from his car. You're telling me Jefferson Davis can recognize Miles' art despite there being a million other stickers and pieces of art up around Brooklyn.
...and then Miles-as-Spiderman shows up, in a suit HE PAINTED, and the FIRST scenes where Jefferson sees Miles-as-Spiderman IN THE NEW SUIT are also the first scenes where Jefferson is suddenly on Spiderman's side.
Uh huh. The man knows it's Miles.
The fact is, Batman might be the team leader, but he's not always around, and I firmly believe that every group of siblings is going to work out their own dynamic. Without further ado, the roles of the batkids among themselves:
Dick: keeps them together
Jason: keeps them motivated
Tim: tries to fix everyone
Damian: pushes them
Stephanie: keeps them honest
Cass: keeps them kind
Duke: steadies them
December 1992. Spock's World was among my favorite novels. I had just turned 19 years old that month. In keeping with the tradition of making holiday cards, that year I drew artwork inspired by a scene in Spock's World, the Star Trek novel by Diane Duane.
No computer. No printer. This was 1992. I drew it in pencil and darkened it with ink. The message was all hand lettered. My dad made copies of the artwork at his office. Each copy was colored by hand with colored pencils and crayons.
The image centers on the IDIC symbol, Infinite Diversity in Infinite Combination, a concept central to Vulcan philosophy. Diane Duane wrote the most beautiful passage in Spock's World that simply explained the meaning of IDIC. I copied the passage for the message inside the card. The IDIC symbol was surrounded by animals, plants, and other organisms representing the biodiversity of Earth.
The passage from Spock's World was from a scene where Surak was in the desert and saw the giant sandworm-like creature, referred to as the Underlier (called A'kweth or Tcha'besheh). Both beings paused and beheld one another, the Underlier and the Vulcan, in the vast desert under the light of T'Khut (called The Watcher), Vulcan's sister planet.
"How delightful to be so different from something. No need to understand them, particularly; that might come with time and would be an added delight. But it was enough to accept their difference, to celebrate just that without anything added. Creation, in itself, was joy, the difference was joy, the celebration of it was joy."
Front of card. Star Trek inspired greeting card artwork. Based on the novel Spock's World. Image features the Vulcan IDIC symbol and cartoon drawings of animals representing diversity. Created in 1992.
Inside of card. Star Trek inspired greeting card artwork. Based on the novel Spock's World. Image features a quotation from the novel representing diversity and the IDIC philosophy. Created in 1992.
Front and back of card. Star Trek inspired greeting card artwork. Based on the novel Spock's World. Image features the Vulcan IDIC symbol and cartoon drawings of animals representing diversity. Created in 1992. (Copyright Myers Cards 1992.)
The passage in the novel continued:
"There was nothing that could stand against that joy: sooner or later it would triumph. All evil, all death, was a tiny, fretting, posturing thing that knew its own defeat was coming, and it might rage and destroy as it liked. It was doomed. Celebration would win, was winning, had won now. Everything was one moment, and the moment was nothing but triumph and joy."
This resonated with my 18/19 year old self. This still resonates with me today. Oh, my heart! I cry for joy! Such beautiful ideas and words to live by!
Regretfully, I didn't credit the author on the card at the time. I assumed friends and family wouldn't care. It was yet another weird, cheap, homemade holiday card from their weirdo sister / niece / daughter / student / friend.
I hope you enjoy the amateur artwork and Diane Duane's message. Enjoy the diversity and differences. Embrace and embody IDIC.
Thank you, @dduane.
Peace and long life,
Amy
Also: I think Aragorn gets a bad reputation now because so many lesser franchises have tried to imitate his archetype without understanding why he works. In the original movies he’s just a big gentle sad guy with a sword, who knows he’s not the real hero of the story and dedicates himself to supporting those gay little hobbits. The aragorn knockoffs are not his fault