As I dive into researching signs of fear for my horror WIP, I wanted to share some of the most compelling and visceral reactions I’ve come across. Whether you’re writing a chilling scene or crafting a character’s panic, these 20 signs of fear can help bring tension and realism to your story.
Hyperventilating — sucking in air but never feeling like it’s enough
Chest tightens — feels like a weight or hands pressing down
Limbs shaking violently, knees buckling
Complete loss of muscle control — collapsing or unable to stand
Cold sweat soaking through clothes
Heart hammering so hard they feel it in their throat or head
Tunnel vision — the world narrowing down to one terrifying focal point
Ringing in the ears or sudden deafness, like the world drops away
Dizziness / feeling faint / vision blurring
Dry mouth — unable to speak or even scream
Screaming / sobbing / gasping — involuntary vocal outbursts
Panic run — bolting without thinking, tripping over everything
Clawing at their own skin / chest / throat — like trying to escape their body
Begging / pleading out loud even if no one’s there
Repeating words or phrases — “No, no, no” / “This isn’t happening”
Hiding instinctively — diving under tables, closets, or corners
Desperate grabbing — reaching for someone, anything solid
Loss of bladder or bowel control (for extreme terror)
Total mental shutdown — frozen, slack-jawed, staring blankly
Memory blackout — later can’t recall what happened during the worst moment
no need to tell me, i'm listening on everyone
“And if I do?”
pairing » ateez choi san x fem!reader
trope/au » established relationship au, non-idol au
genre » very fluffy, falling asleep during studying and boyfriend san who is worried for you because you don't take the greatest care of yourself, (it really was supposed to be fluff all through the end) turns suggestive towards the last quarter of the story, reader is a bit playful, san is very in love with you, of course you are super in love with him too
word count; estimated reading time » 1032; ~4 mins
warnings (lmk if i missed anything!) » quite suggestive at the end, indeed...a suggestive sentence at the very end, san lifts the reader up, reader wears glasses, reader implied to be smaller than san, san restrains reader's hands, pet names (bubs, baby girl)
navi/masterlist!! 🤍 ateez masterlist 🤍 the boyz lee juyeon ver.
my ateez debut! here it is @jaehunnyy !! i really wanted to post smth for your bday so please take this as a late bday present 😭 thanks for proofreading a bit of this one and finding the pictures for the banners 🥰 you saved me a bunch of tears fr 😀 have fun with the second one (even though it's the same...😭)
It’s not an unusual occurrence for you to be staying up late at night and for San to find you draped over your books and worksheets when he gets home. In fact, it’s becoming such a usual occurrence that San is making it a habit to open the front door with such gentleness that the click of the door opening would be too loud for his liking. In reality, your study desk at your shared apartment is quite a distance from the entrance of the apartment, so if San wanted to, he could enter in the same way as if you were awake.
But he didn’t want to.
In the rare case that you decide to snooze off on the couch, he doesn’t want to be the one to ruin your precious, peaceful sleeping time. Unfortunately for him, he would still be needing to do it one way or another if he ever finds you asleep on the couch or anywhere but your shared bed. The victorious smile from closing the front door quietly soon turns upside down, frowning at the sight of your head lying on your stack of handouts in the study room. The stack acted as your pillow, your arms around the rectangular pile. You look like you have been resting your body for some time now, given that San’s soft head pat didn’t faze you at all. With a slightly heavy sigh, San makes his way to the other side of the desk to get a better look at your face. He kneels on the floor, content with being more at eye level with you.
He’s surprised to see that you must’ve been so exhausted that taking your glasses off might have been too much effort for you. The side frame completely rests on the paper, the nose pad of the glasses no longer resting properly on your nose. San hisses at how the hard plastic pushes against your nose, already imagining the pain when you wake up and realise tomorrow.
“Bubs,” he tests your consciousness with a whisper. “Your whole body is going to hurt when you wake up, you know?” Your breathing is still as even as before, and the no response from you deepens his frown. “I’m sorry, but I’m going to move you, okay?”
San rises to his feet once again, grabbing the blanket drapped on your study desk that he has prepared. He’s told you multiple times to at least cover your body if you don’t plan to take a nap on the bed, but he should have known that when tiredness kicks in, all a person wants to do is to close their eyes. San spreads the light cotton across your back, kissing the side of your head and humming sweet melodies to avoid surprising you too much with his movement.
“San?” You slur sleepily, still unable to fully wake up. San clicks your desk light off and soon sees your content smile at his little gesture. “When did you get home?”
“Just a few seconds ago. When did you fall asleep?”
“Just a few minutes ago.” A raised eyebrow from your boyfriend is what prompts you to tell him the truth. “A little longer than that.”
San tuts disapprovingly, “You can’t keep slouching off on the table. It’s not good for your body. And this,” he takes your glasses off by the hinges, “it’s not comfortable for you.”
You hum at his loving lecture for you, beginning to straighten your back from the long nap. Truthfully, if San weren’t beside you right now, you would be sending complaints to your past self for dozing off at the table, your back cramping and sore. But Choi San knows you too well, and the creases between your eyebrows tell him everything.
“See?” He reprimands.
You’re not given another chance to rebut when he swivels the chair around for you to face him. In a second, you’re in his arms, the back of your knee and back supported securely with his arms, and your shoulder pressed against his chest. San looks down at you, pressing a quick kiss on your forehead that you respond to by pressing yours along his jawline. Along the short walk to the adjacent room, you plant kisses all over his face, giggling at the way his cheeks grow red with every second.
Just a few seconds before San would rest you gently on the mattress, you steal a kiss from his plump lips, arms wrapped around his nape and threading your fingers into the strands of his hair. San almost stumbles but soon regains balance when he registers the way you delicately take his lips. Along with the giggles and fabric rustling against each other in the small room, it’s not long until your head properly lays on a pillow. San doesn’t let you breathe after, climbing on top of your figure with his palms beside your head to support himself. His knees sink to the mattress beside your thighs, and you’re left breathless with the man before you. The remnants of his cologne are clearer now, and the proximity leaves you curling up a side of your lips.
Your boyfriend knows the meaning of your expression well from experience. “Don’t rile me up, baby girl…”
Just like he did a second ago, your eyebrow rises. Your pointer traces along the center of his exposed neck, feeling the gulp and his intense stare on you. You glide across his skin, tracing along his collarbones slowly, making sure that your touch lingers on his skin. When your finger slides down to the neckline of his fabric, it curls around his shirt to pull his tense expression closer to you. A quick touch of your lips is all you spare him before regaining eye contact with him.
“And if I do?”
Those words are enough for San to lose control, pulling the sheets to his palms as he fists them tightly. One hand leaves the bed, restraining both your wrists under his hold above your head. He dives closer to the crook of your neck, ragged breathing and warm breath against your skin.
“I’ll make sure you’ll sleep peacefully for days.”
navi/masterlist!! 🤍 ateez masterlist 🤍 the boyz lee juyeon ver.
tags: @k-films @kflixnet @starlit-network @kstrucknet @blossomnet
@haneul-and-clouds @jaehunnyy @mars101
🐍
George Orwell:
Probably it is better to put off using words as long as possible and get one’s meanings as clear as one can through pictures and sensations. Afterward one can choose – not simply accept – the phrases that will best cover the meaning, and then switch round and decide what impression one’s words are likely to make on another person. This last effort of the mind cuts out all stale or mixed images, all prefabricated phrases, needless repetitions, and humbug and vagueness generally. But one can often be in doubt about the effect of a word or a phrase, and one needs rules that one can rely on when instinct fails. I think the following rules will cover most cases:
Never use a metaphor, simile or other figure of speech which you are used to seeing in print.
Never use a long word where a short one will do.
If it is possible to cut a word out, always cut it out.
Never use the passive where you can use the active.
Never use a foreign phrase, a scientific word or a jargon word if you can think of an everyday English equivalent.
Break any of these rules sooner than say anything outright barbarous.
These rules sound elementary, and so they are, but they demand a deep change of attitude in anyone who has grown used to writing in the style now fashionable. One could keep all of them and still write bad English, but one could not write the kind of stuff that I quoted in those five specimens at the beginning of this article.
Source More: George Orwell
Kyoto 京都 // JiYeon 지연
Wine room, Briarcliff Manor🪻
Romantic Student Things
Locking eyes in the hallway like it’s a damn movie scene, except the only soundtrack is the sound of someone dropping their binder and cursing loudly in the background.
Scribbling little notes in the margins of textbooks, but instead of love letters, they’re inside jokes and sarcastic insults that somehow make them fall harder.
That moment when they both reach for the same book in the library and freeze... her fingers brushing his, the air between them suddenly too much and not enough all at once.
Staying up way too late to study together, but absolutely failing because they keep finding excuses to talk about literally anything else except what’s actually on the exam.
Leaving anonymous notes in each other’s lockers, but instead of sweet nothings, it’s absolute nonsense like “Your hair looked aggressively good today” and “You’re dangerously close to making me fall in love with you, stop it.”
Sitting next to each other in class, acting completely normal, while their knees are pressed together under the desk and their hearts are losing their minds over it.
Having full-on mental breakdowns over finals together, only for one of them to randomly say, “I think I might love you.” Because academic stress and emotional realizations go hand in hand, apparently.
Passing handwritten notes in class, except they’re not just notes, they’re confessions hidden inside random doodles and lyrics that will mean nothing to anyone else but them.
Accidentally falling asleep next to each other while studying, and waking up to realize their hands are still tangled together like some kind of cruel joke the universe is playing on them.
Finding the one place on campus where they can be alone, an empty classroom, a forgotten stairwell, a rooftop and making it theirs. Because stolen moments always feel more real than anything else.
That absolutely insane moment when they see each other outside of school for the first time, no uniforms, no backpacks, just them, and suddenly, they’re seeing each other differently.
Staying after school to “work on a project”, but the only thing getting worked on is their ability to pretend they’re not completely, recklessly, falling for each other.
Supporting each other during nerve-wracking presentations by holding eye contact across the room, because if one of them crashes and burns, at least they’ll have company in hell.
That heart-stopping moment during graduation when they realize this might be the last time they ever get to see each other like this, in this life, in this stage, before everything changes.
Finally saying screw it and kissing in the middle of campus, because the real test wasn’t their exams, it was this.
Here’s the Show, Don’t Tell freebie book and my newsletter.
PINK PLANTS
phrases and idioms to try to include in your poem/story
A crying shame - a situation that makes one feel sad or disappointed
Afraid to say - used as a way of expressing one's disappointment, regret, or sorrow
Agonies of guilt/remorse/regret - feelings of guilt, remorse, or regret
(As) happy as a clam - very happy
Beneath contempt - completely bad or worthless—used to describe someone or something that is too bad to deserve any respect
Calm, cool, and collected - not upset; not very bothered by things
Catch (someone or something) by surprise - to happen to (someone or something) unexpectedly; to attack, capture, or approach (someone or something) without warning
Debt of gratitude - appreciation or thanks that someone should give another person
Figure of contempt - a person who is regarded with contempt
Guilt trip - an instance of feeling guilty; a feeling of guilt or blame caused especially by another person's comment or accusation
Held in contempt - considered by the court to have broken the law by disobeying or disrespecting the judge
Jump for joy - to jump up and down because one is very happy
(Many) happy returns - used for wishing someone a happy birthday and to express the hope that he or she will live to celebrate many more birthdays in the future
More in sorrow than in anger - because of sadness or disappointment rather than anger
Poor/sad/sorry excuse for - a poor example of
Pride and joy - someone or something that makes someone very proud and happy
Put on a happy face - to appear happy even when one is not
Sad sack - a blundering, inept person
Scared stiff - very afraid—often + of
Scared to death - very afraid—often + of
Strike fear into the hearts of - to cause (someone) to be very afraid; to frighten
The calm/lull before the storm - a period of quiet that comes before a time of activity, excitement, violence, etc.
Tingle with excitement - to be very excited
To one's amusement - in a way that is amusing to someone; pleasing to someone
To someone's disappointment - causing someone to feel sad, unhappy, or displeased because something was not as good as expected or because something hoped for or expected did not happen
Source ⚜ More: Phrases ⚜ Word Lists ⚜ Writing Resources PDFs
Hello! I've been getting more and more tips for writing thanks to your post about character flaws in my FYP. I was wondering, do you have any posts about character strengths/virtues? Thanks!
Hey there, fellow writer! 💖 So glad my character flaws post found its way to you! You've asked about one of my FAVORITE topics to explore - character strengths and virtues! And guess what? I've been meaning to write this companion piece for ages, so THANK YOU for the nudge!
Let's dive DEEP into character strengths that go beyond the basic "brave protagonist" or "loyal sidekick" tropes we see everywhere in fiction. Because memorable characters need memorable strengths!
We often focus SO much on giving characters interesting flaws (which, yes, super important!), but their strengths are what make readers root for them and fall in love with their journey. Strengths are what make your character SHINE in those pivotal moments! ✨
The key is making these strengths SPECIFIC, NUANCED, and sometimes even PROBLEMATIC. Yes, strengths can cause problems too - that's where the juicy storytelling happens!
Not just "bravery" but courage that manifests in specific contexts:
Social courage (standing up to peer pressure)
Intellectual courage (questioning deeply held beliefs)
Physical courage despite specific fears
Quiet courage (the kind that doesn't look heroic but IS)
Moral courage (doing the right thing when it costs them personally)
Creative courage (risking failure and ridicule for their art/ideas)
Not just "understanding others" but:
The ability to understand even villains' motivations
Cross-cultural empathy that bridges different backgrounds
Empathy that extends to those completely unlike themselves
Empathy that causes them to make difficult choices others wouldn't
Empathy that allows them to anticipate others' needs before they're voiced
Empathy for those society has taught them to fear or distrust
Not just "being smart" but:
Pattern recognition in chaotic situations
Intuitive problem-solving under pressure
Cultural adaptability when thrust into unfamiliar environments
Emotional intelligence that helps navigate complex relationships
Street smarts that complement (or replace) formal education
The ability to translate complex concepts for different audiences
Not just "bouncing back" but:
Finding unconventional solutions to setbacks
Using humor as a coping mechanism during dark times
Transforming trauma into strength without romanticizing it
Building community resilience, not just personal
Learning from failures rather than being crushed by them
Maintaining hope in seemingly hopeless situations
Not just "having values" but:
Knowing which principles to bend and which to hold firm
Adapting moral frameworks to new information
Navigating ethical gray areas without losing their core
Growing their values through experience rather than rigidity
Finding compromise without betraying essential beliefs
Recognizing when rules must be broken for a greater good
Not just "being nice" but:
Kindness that challenges systems of oppression
Unexpected kindness that changes enemies' perspectives
Kindness as a radical choice in brutal environments
Kindness that requires genuine sacrifice
Kindness that sees beyond surface behaviors to underlying needs
Kindness that doesn't expect recognition or reciprocation
Not just "questioning things" but:
The ability to discern truth from manipulation
Healthy doubt of authority without cynicism
Critical thinking that leads to solutions, not just criticism
Questioning their own assumptions first
Seeking multiple perspectives before forming judgments
Recognizing patterns of deception or misinformation
Not just "being open" but:
Knowing when vulnerability creates connection
Sharing weaknesses to build trust at critical moments
Using personal stories to help others feel less alone
Admitting mistakes to model growth for others
Asking for help when independence would be destructive
Showing emotion strategically to influence outcomes
Remember that any strength exists on a spectrum! The most interesting characters have strengths that sometimes function as weaknesses depending on the context.
For example:
Loyalty becomes enabling when taken too far
Curiosity becomes recklessness in dangerous situations
Honesty becomes cruelty without empathy
Ambition becomes destructive when ethics are compromised
Compassion becomes self-destruction without boundaries
Independence becomes isolation when connection is needed
Confidence becomes arrogance without self-reflection
Cautiousness becomes paralysis when action is required
The MAGIC happens when you show how strengths evolve throughout your story:
The Dormant Strength - A character doesn't know they possess it until circumstances force it out
The Misused Strength - They have the strength but are applying it in harmful ways
The Costly Strength - Using this strength requires genuine sacrifice
The Transformative Strength - This strength fundamentally changes who they are
The Shared Strength - They teach/inspire this strength in others
The Rediscovered Strength - A strength they lost faith in that returns when most needed
The Evolving Strength - A strength that changes form as the character grows
The Collaborative Strength - A strength that only emerges when combined with another character's abilities
Take your protagonist and identify:
One strength they've always had and rely on
One strength they don't know they have yet
One strength that's actually causing problems
One strength they'll need to develop to overcome the main conflict
One strength they admire in someone else
One strength they've lost and need to reclaim
These strengths work across ALL genres:
Perceptive Pattern Recognition - Seeing connections others miss
Adaptive Authenticity - Remaining true to themselves while evolving
Constructive Conflict Navigation - Using disagreement to build stronger relationships
Radical Responsibility - Owning their part in problems without self-flagellation
Generative Listening - Hearing beyond words to underlying meanings
Intentional Impact Awareness - Understanding how their actions affect others
Courageous Vulnerability - Risking rejection for authentic connection
Principled Pragmatism - Finding workable solutions that honor core values
Remember that in ANY genre, your character strengths should connect to their internal journey as much as their external conflicts. The most compelling characters have strengths that are tested, lost, rediscovered, transformed, and ultimately deepened through their story arc. 🌟
The most powerful character strengths aren't superpowers or extraordinary abilities - they're deeply human qualities taken to their most compelling expression. They're the things we recognize in ourselves but rarely develop fully. That's why they resonate so deeply with readers across all genres and age categories.
Hope this helps you craft characters with rich, nuanced strengths! Let me know if you want me to dive deeper into any of these - I could talk character development ALL DAY! 💖
~ Rin. T.