What Have The Protests Accomplished?

*saving this for later 😎*

queer books that didn’t disappoint me the way everything else has. please enjoy.

It’s okay if you count on your fingers, if you continually change how you look, if you’re passionate about something you aren’t good at, if you’re confused about your identity, if you score low on tests often. It’s okay if you have an irregular skin tone, moles, frizzy hair, unevenly clipped nails, crooked teeth, acne, eczema. You’re enough, and you’re deserving of love.

I wish movies could be about LGBT characters without being written off as “gay movies”. Why don’t you just call it a “movie”? Nobody calls your movies “straight movies”.

au where Ray, Sissy and Harlan come back to the future with the academy and Klaus makes a big event of locking everyone in the library and giving a ridiculous powerpoint that’s like ‘How To Speed Run The Past 70 Or Whatever Years’ (Five from where he’s been handcuffed to the bar: “it’s 55 you dumbass-). highlights include:

- opening with a picture from the jfk assassination (since they were all a little busy when that was going on) with a big :( drawn over it

- a fifty minute long side-tracked rant about the Vietnam war that only Five is interested in

- “And finally, after a long, painful battle for the sensible people of the world…the Beatles were Defeated”

- “Highlight this note because it WILL be on the test later- Britney Spears was born on December 2nd, 1981″

- “So one day in 1989 43 babies with magic powers were born from women who hadn’t been pregnant, and like? you know? no one ever really looked into that further? we’re in our 30s, I feel like we should have some answers by now?’

 “Speaking of 1989, there’s this fantastic album-” 

   Vanya: “Klaus they don’t need to know who Taylor Swift is-”

   Diego: “Let Him Speak.”

- “And on this day I was innocently reading a magazine and discovered my previously beloved sister Allison is friends with Beyonce and she never bothered to introduce me or invite me to a single party-” *powerpoint slide switches to a picture with Allison’s head photoshopped onto a snake* *Sissy asks who Beyonce is and that turns into another sidetracked explanation that takes nearly two hours and involves Everyone screaming*

- “And this is when Luther went to the moon-”

   Ray: “the…moon? the fucking moon?”

   Klaus: “didn’t the moon landing happen for you guys yet?”

   Allison: “no that was ‘69???”

   Klaus: “FUCK”

   Luther: “Can you try to go in order? You didn’t even tell them Dad’s an alien yet-”

  everyone: W H A T?!!?!?!!?!

- 2004: the tragic beginnings of Vanya’s weaboo stage 

- 2006: Diego has his first kiss with an Ambassadors daughter after a mission and IMMEDIATELY pukes on her after they finish. (next slide features news footage of the event; Luther has to hold Diego back from attacking Klaus while everyone else is losing their shit)

- “Klaus I really don’t think Twilight counts as a historical event”

   Five: “No, actually, it does-”

- *2 hours spent infodumping about Chernobyl while his audience gets progressively more drunk*

- “Klaus, can we please move on from the 90s already-”

  “THEY NEED TO UNDERSTAND WHAT THE MEDIA DID TO WINONA RYDER”

- footage of Allison’s Less Than Graceful reaction when she got snubbed at the Oscar’s one year

- at some point he tries to explain Modern Speak™ and Internet Culture™ to them and it ends up going like this:

- “anyway here’s a list of probable war crimes our dad committed”

- *explanation of Ellen DeGeneres’ entire career from start to finish*

- *footage of 14 year old Luther dancing like he got a touchdown after he killed a man in battle*

- Cha Cha Slide: The Song That Changed Everything

- he slips an Entirely Fake historical event in there just to prank them and his siblings try to call him out on it but then Five backs him up because he’s drunk and wants to cause problems. Three Years Later Ray will still mention something about like The Fall Of Telephonia that resulted after a bloody battle between the two rulers and whoever he’s talking to just like. smiles and nods politely

- “And here’s the news clip where 10 year old Five found out on live air that Santa Claus isn’t real. We literally never saw him smile ever again after this”

- he starts explaining Kardashian/Jenner scandals as if they’re political scandals

but anyway. not the most educational lesson plan but I want everyone to have a break and laugh thank you goodnight lmao

ROSWELL NEW MEXICO ⇢ 1x10

bonus: happy max (✿◠‿◠)

After reading that Ron defense post and how much you love him, I'm really curious as to why you like him so much! Have a good day xxxx

Of course! Okay, this is a mess, but off the top of my head:

Ron’s character comprises a lot of classic tropes that I particularly like—the big, stifling family; the humble beginnings; deep love under cover of laughter; the knight of heart who overcomes his fears. From the beginning, he’s colourful: an optimistic, humorous, buoyant kid, all red and gold and blue, flaring up in anger, in laughter, diffusing tensions with wide-eyed simplicity. To me, there’s something so charming in this self-proclaimed underdog, second always to his friends, and yet never hateful; so humble that he is oblivious to the fact that he is a key cog in his world dynamics.

Ron is never put under an admiring light, because Harry tends to rely on him with the spontaneity of a brother, and Hermione doesn’t share her insights with Harry. Because of Harry’s tranquil trust and because of his depiction in the movies, Ron has slowly become, in popular opinion, a simplistic oaf, a prop for crude comedic devices. To me, however, he is the easiest to identify with now—born in the worlds he inhabits, and yet overlooked by those who, he believes, shine brighter—at the Burrow, his twin brothers and his sisters, who bulldoze their way through life when he tends to take his lazy-ass time—in the magic world, Hermione and Harry, both raised by muggles and yet welcomed with open arms by strangers because of their skills. Ron’s skills are rarely put in the spotlight, and you know why? Because despite his tendency to frustration and anger, which are usually targeted towards himself anyway, he is usually quite unassuming, so convinced is he of his lack of self-worth.

Harry is humble, yes, and selfless, but he has a strong sense of his abilities, of his talent, and the luck that life, despite the hardships, has bestowed upon him. Hermione, potentially because of her blood status and lack of beauty in the early years of school, stuffs her cleverness in everybody’s face and has made it her definite trait. They can take pride in something. Ron, from beginning to end, is completely blind to his own abilities, damaging his sense of self in the process. As the series progresses, Ron falls more and more in the shadow of his friends, trying through temporary jolts to rise to the light (his trying out for the Quidditch team, Lavender,…), and falling back when this fails (keeper is still lesser than captain, and the respect he was looking for was Hermione’s, not Lavender’s). The point is: he is still looking for himself, as we all do at 15. He is still looking for a purpose, for a silver lining, when his close friends seem to have already found their purpose in life.

I think we don’t give Ron enough credit, again because Harry’s narration is biased. It’s been said that Ron is jealous, and angry, and susceptible, but time and time again Ron diffuses the tension between buttheads Hermione and Harry, and when he leaves—escaping the shadows I mentioned earlier, deciding to live for himself for a while—, Harry and Hermione’s relationship falls into silence and disinterest, because the link of warmth between them is ultimately Ron. I think he is very socially clever, despite being oblivious at times—he compliments Hermione when she most needs it, mingles his anger with Harry to lighten the burden, and is shown to worry and discuss Harry’s problems with Hermione behind the scenes, although we don’t have access to what is actually shared. He is also attuned to the atmosphere enough to crack a joke at exactly the right moment, unassumingly. I think this feelings-focused approach is also his biggest weakness: impulsive, he usually falls into self-hate and anxiety after his outbursts; attuned to his surroundings in a global rather than detailed way, he feels that he is overlooked, knows that he is under-valued, but does not know how to prove or to address it. Jealous, no—but envious of a life where he would feel more loved, more comfortable with himself, where he would get more admiration, absolutely. The issue comes from there, of course: his being poor, his being clumsy, his being always considered the Potter sidekick, second place, last place, these all erode his sense of self throughout the books. There’s a lack of self-respect in Ron: he always makes himself the butt of the joke, he becomes upset when people point out the flaws he knows and hates. But his need to be validated through others is both deeply immature and deeply relatable: it is a forced step before reaching the understanding that only you can know and respect yourself entirely.

To me, Ron (along with Neville) is the bravest of them all, and really deserves his place in Gryffindor. Contrarily to Hermione (who buckles under pressure often, because she is ultimately in need of control) and Harry, who is defined by his selflessness and is ready for self-sacrifice, Ron is always scared as fuck and yet always fights. He has the most to lose, being from such a big family. Yet he faces his arachnophobia at 12 in order to explore his best friend’s hunch about the spiders. At 11, he had chosen to potentially die in order to allow Harry safe-passing to the Mirror cave. He was born in the magical world: giants, Voldemort, even Sirius Black are not rational enemies to him, but the stuff of nightmares, legends that tamed and terrified him when he was little. How could he approach them with a level-head when he has been raised to fear them? He cannot be as rational as those who discover the existence of human villains when they reach teenagehood. To him, these are monsters. Ron not only has to fight them, he has to unlearn what petrified a whole nation, to challenge his education, the deeply ingrained fears and lore that has been part of his personality-building.

I think that’s what I like best of all: because he is so flawed and realistic from the get-go, he is allowed to undergo the most amazing character development, and to grow up before our eyes. That kid who was dismissive of “know-it-alls” and “weirdos”, raised to be casually racist towards other magical races (goblins, elves and giants), deeply unsure of his own worth, tortured between envy and deep loyalty/love, hateful of his humble station, becomes by the end of book 7 a defender of the school underdogs—standing up for Luna, Hermione and Neville several times throughout the books—; actively attuned to social justice (admiring of Grawp’s efforts, striking friendships with elves and insisting to leave them a choice to fight or to flee); too impulsive and hurt and worried not to leave the hallows quest, but humble and brave enough to come back immediately; showing time and time again pride in his family, and finally finding pride in himself through the last of Harry’s missions. Harry gives him the sword so that he can destroy an Horcrux. By the end of the book, Ron is whole enough, stable enough that he can finally equate his friend and give Hermione the fang so that she can destroy the cup as well.

Ron never sheds his anxiety, his self-consciousness, never loses this impulse of hiding behind humour; his growth is, realistically, not an ideal one. Yet his development is so compelling, and so full of lessons in life and new-found self-awareness. So yeah. That’s why I like him very much!

The Boy Who Lived

HARRY: I shouldn’t have survived – it was my destiny to die – even Dumbledore thought so – and yet I lived. I beat Voldemort. All these people – my parents, Fred, the Fallen Fifty – and it’s me that gets to live? How is that? All this damage – and it’s my fault.

GINNY: They were killed by Voldemort.

HARRY: But if I’d stopped him sooner? All that blood on my hands. And now our son has been taken too–

GINNY: He’s not dead. Do you hear me Harry? He’s not dead.

HARRY: The Boy Who Lived. How many people have to die for the Boy Who Lived?

- HP&TCH, Act Four, Scene Six

We learned in Philosopher’s Stone that Harry’d deepest desire was to be reunited with his family. To have a family. And we see at the end of Deathly Hallows, that he’s achieved this desire. He’s married to Ginny and has three children. His children. For the first time in his life, he’s surrounded by loving blood relatives. And you know that makes him happy, happier than anything else.

But deep down–or maybe not so deep down–he doesn’t think he deserves that happiness. He looks at all the people who didn’t grow up to have families of their own. The people who lost family members, who lost siblings, parents, children, partners. And then he looks at what he has and, believing so tragically that the deaths rest on his own shoulders, thinks he doesn’t deserve it. One of Harry’s central motivating forces is his desire to save people, and he wasn’t able to save everyone.

So, hold that in your mind as you read the next bit.

ALBUS: The poor orphan who went on to save us all – so may I say – on behalf of wizarding world kind. How grateful we are for your heroism. Should we bow now or will a curtsey do?

HARRY: Albus, please – you know, I’ve never wanted gratitude.

ALBUS: But right now I’m overflowing with it – it must be the kind gift of this mouldy blanket that did it…

HARRY: Mouldy blanket?

ALBUS: What did you think would happen? We’d hug. I’d tell you I always loved you? What?

HARRY: (finally losing his temper) You know what? I’m done with being made responsible for your unhappiness. At least you’ve got a dad. Because I didn’t, okay?

ALBUS: And you think that was unlucky? I don’t.

HARRY: You wish me dead?

ALBUS: No! I just wish you weren’t my dad.

HARRY: (seeing red) Well, there are times I wish you weren’t my son.

(There’s a silence. Albus nods. Pause. Harry realises what he’s said.)

HARRY: No, I didn’t mean that…

- HP&TCC, Act One, Scene Seven

Harry breaks right after Albus implies that he’s never loved him. And then again when Albus says he wishes Harry wasn’t his father. Because Albus, unknowingly, has just confirmed what Harry believes deep down. He’s not worthy of his family’s love. He doesn’t deserve them. He doesn’t deserve that happiness. He didn’t even know what he was saying to Albus as he said it.

And I’m thinking–the process Harry goes through in the course of the play, his efforts to see Albus for who he really is–that has as much to do with healing himself as it does to do with mending his relationship with Albus. By learning how to be a good parent to Albus, he’s proving to himself that he’s worthy of being loved.

“True heroism is remarkably sober, very undramatic. It is not the urge to surpass all others at whatever cost, but the urge to serve others at whatever cost.”

(the avengers + defining moments + schools of ethical thought)

spiderman is so fucking funny dude saves like an entire country and then he goes home at the end of the day and opens his fridge and hes got like 1 egg and a half empty can of arizona tea no matter how old he is or what comic hes from thats just how peter parker lives

it’s honestly crazy how many ppl u meet in your early twenties who have never been in love or been in a relationship or had sex and then you’re like oh it’s actually normal and social milestones actually mean nothing bc everyone is different and has different experiences. cool!