Glyph 999 is one of the most potent tools a Mahjuti practitioner can acquire. In essence a Glyph is a hack into the metaphorical operating system of the Reality Mesh. The technology behind the creation and use of glyphs is too extensive to explain here. In simple terms, however, it requires that the Mahjee who constructs or wields the glyph must be meticulous in its creation. The slightest error can generate unintended ripples of cause and effect that may return to the Mahjee in unexpected and sometimes disastrous ways.
This piece is available for collection now as an NFT on Hic et nunc - https://hicetnunc.art/objkt/565160
Inspiration.
Kitagawa Utamaro, Tying Thread, from the series “Women’s Handicrafts: Models of Dexterity" (“Fujin tewaza ayatsuri kagami”), 1792
I'm playing with a few illustration styles to use as flashback mode in Veil of the Gods. Here's today's little experiment.
As always you can expect strong female characters in anything I write. This is the lead- Yonani Khan- the heroine of Veil of the Gods- around whom the whole story is built.
https://www.facebook.com/Matrayah/
www.veilofthegods.com
The music I created for Veil of the Gods has been a wonderful journey in itself. You know, the long term plan is to transform the graphic novel into an interactive experience and an online game. So the music is very important. The track we used on the first two promo videos wasn’t the one I’d originally planned to include. This melody came to me in a daydream while I was trying to figure out a problem with a font. I picked up the low D whistle and the melody just burst out. I hadn’t actually played that instrument for about a year so I was really surprised. It was like the flute was just aching to be played again. The whole track took only a few hours to orchestrate, record and mix. And I’m pretty happy with the result. Here’s the short version without the flute.
Latest Character sketch for Veil of the Gods.
We’re getting closer to release day. I’m so busy creating this graphic novel I can forget to post here. Please forgive me. Can’t wait to share the full thing with you all.
My lastest piece listed as an NFT on Foundation
https://foundation.app/@Ziggetai/~/128586
Exhausted from another fourteen-hour shift, Yonani Khan sat back in her favourite armchair with a sigh. She only meant to rest her eyes for a moment, but she slipped into a deep, coma-like sleep straight away.
Yona rarely recalled her dreams. She joked, that there wasn’t anything worth remembering about them. This one, however, was different. She was walking along an inexplicably familiar hallway lit by piercing cyan. As much as it felt like home, she had no memory of the place and that startled her a little.
A large glass bubble enclosed her head and the air pumping into it was sweet. The scented freshness reminded her of the pristine mountain ranges that stand at the edge of the known world. Yona frowned.
How could that be? She’d never actually been anywhere near the southern continent. She’d never been out of the city. Her head was buzzing with questions. A little stab of anxiety fluttered her heartbeat. Somehow, she suppressed her confusion and determined to walk on without distraction. An instinct told her, that she could not afford to be late.
That first sleep-vision was the most straightforward one. After that her dreams got really, really interesting.
Raffy was a special kind of bloke, the kind that senses the deeper currents that flow beneath our world. Every city has a great spirit that is embodied in tall buildings, the generator pavements, watchtowers and guardhouses. Whenever he was approaching a city he'd power down his Thrumba and sing the praises of whichever spirit was presented to him.
Rafferee Ran was a very, very wealthy man.
Veil of the Gods is just about the most challenging project I've ever been presented with. Lucky I love a good challenge. ;) For the first time ever my deadline has passed and I'm not yet finished- though I'm very, very close. I never liked to word deadline anyway. I've been relaxed about getting behind schedule because I just had a feeling everything was happening in it's proper time. It's turned out I was right to be relaxed. In the last 10 months since I've been working full time on this graphic novel, technology has advanced by leaps and bounds and I've been blessed to be in a position to keep up with the latest developments. It's now possible to create a larger file across a few different publishing formats. So we've decided to make some massive changes to the layout of Veil of the Gods. Thank you to all our supporters for your patience. I'm sure this is going to be a beautiful piece of work. The first chapter has been extended from 30 pages to nearly a hundred, rounding off the first part of the story very nicely while introducing some of the main characters and leaving a little mystery to start the next chapter. Creativity is such a mystery. It all happens in it's own time...