Plot - Blog Posts

Why can't I just be a royal dueling a peasant who sold themselves for a place in the guard so they could pay for their mothers illness, raising my sword beneath the bruised ans dirtied peasants chin and telling him to leave and go back to his shack as he grins pathetically and makes some flirty quip with an underlying sad but determined message?

A DECADE. YOU MUST BE DEATHLY BORED(NO PUN INTENDED). What do you kids do for fun??

Nice try with the pun I mean, also Dominic, Caroline and Zoe are technically adults.

While I’m not sure if it counts as part of your definition of fun I do pass the time by exploring

This place is weird, since the landscape can change in the blink of an eye. Nothing is that permanent here so when I explore I bring back things like books, blankets, stuffed animals or more useful things like wood, seeds and the like

Nell spends his time taking the items I bring back and enchanting them so they don’t vanish. Dominic helps he can copy magic abilities. Nell is pretty much a one man construction crew, I mean he built the house!

Ivy and Caroline don’t do much since Caroline never leaves her room & since Ivy died of sickness she isn’t that strong so she cares for the plants I bring back

Akari and Dominic use their time to fight off the weird creatures that exist here

As Zoe is still recovering from her death and her influence from Homura so she is just under watch for now so she doesn’t hurt herself or us. I do want to see what she will do once she is coherent.

As for Cecelia? She keeps us sane. She’s learned how to sow, embroider and such things.

Medical care and first aid too. She’s always looking for things to do to keep us busy so we don’t loose our minds.

She’s been accepted as the leader of our group and without her I doubt any of us would be sane.

I'm trying to find a story I might have read on Tumblr that goes like this:

A knight makes a deal with an ragged, eldritch looking "king" that sits on atop a throne somewhere and when he fulfills his end of the deal, to take the "king's" place, he realizes that he was the king all along and now has to make that same deal with his younger self.

Please link it if you know where to find it

OR

Or I combine those two ideas into:

MC is arranged to be married to a prince from a neighboring kingdom, with the secret mission to steal and harness their source of magic. One night, she transforms into a bird monster, and is discovered by the Prince's loyal knight when transforming back. He keeps her secret and they grow close, but she continues with her mission behind his back. In this, she grows conflicted between her home and the people who have put their trust in her

Hey so.. I don't know if anyone still follows me. Or is interested in my writing. I completely abandoned my last major project that I used to post about--a while ago--and I've recently gotten back into writing. I'm starting a new WIP but I'm stuck between two plots, if anyone cares to share their opinions :)

A.) Knight finds a girl with amnesia who turns into a bird monster, and he just became a fugitive. So he takes her and they go into hiding, fighting shadow monsters and working to get her memory back.

B.) Noblewoman is set up to marry a prince from a neighboring kingdom, but is actually sent to steal the source of magic from their neighbors. Instead, she falls for the prince's knight. ...instead of the prince.

Unless these are both stupid/need to be workshopped, my DMs and Asks are open to anyone with constructive criticism!! Or any other writers wanting to talk (I need more writer friends) 😭

Hey so.. I don't know if anyone still follows me. Or is interested in my writing. I completely abandoned my last major project that I used to post about--a while ago--and I've recently gotten back into writing. I'm starting a new WIP but I'm stuck between two plots, if anyone cares to share their opinions :)

A.) Knight finds a girl with amnesia who turns into a bird monster, and he just became a fugitive. So he takes her and they go into hiding, fighting shadow monsters and working to get her memory back.

B.) Noblewoman is set up to marry a prince from a neighboring kingdom, but is actually sent to steal the source of magic from their neighbors. Instead, she falls for the prince's knight. ...instead of the prince.

Unless these are both stupid/need to be workshopped, my DMs and Asks are open to anyone with constructive criticism!! Or any other writers wanting to talk (I need more writer friends) 😭

i’m dating your brother but that doesn’t stop you from whispering in my ear that you can fuck me better or for trying to finger me under the table and god he doesn’t kiss my neck the way you do and we’ve been sneaking around behind his back and i feel so guilty but you make me feel so good

I bet we'd have really good bed chem. — Sabrina Carpenter

based on call me by your name

set in northern italy during a particularly hot summer, freshly twenty-one year old muse a is spending her vacation at her family's villa. her father is an american professor, who invites muse b, a graduate student, to assist him for the summer. muse b was not expecting his professor's daughter to be a troublemaking college girl lounging around the villa in the tiniest of dresses at all times. he puts his walls up at first, refusing to get distracted by her sensual, alluring nature, but his plan fails one particular afternoon. the two spend the summer sneaking around muse a's parents. they ride bikes to the nearby lake, jumping into the cold water without any clothes on. they fuck each other in just about every location in and out of the villa, always returning to the kitchen for a fresh glass of juice. what muse a doesn't know is that muse b has someone waiting for him back in the states. she's under the impression that their relationship will be the exact same once the summer's over. i'm envisioning two playful muses who are falling in love but pretending they aren't. they're always sun kissed from the intense summer sun, yet they hardly seek shade in the house. they sit outside and feed each other fruit while muse a's parents remain oblivious. they make plans for their future outside of the summer despite how different their lives are.

GIVE ME FORBIDDEN SUMMER ROMANCE!

Marriage is about having good sex and committing unspeakable acts of violence for one another

ok but an immortal couple who break up and get back together every thirty years or so, and they’re messy as fuck, like every couple decades they break up and swear that they’ll never speak for the rest of eternity, until inevitably one tracks the other down and shows up like “okay, i’ve elected to forgive you, we’re together again” and the other is like “BUT WHO SAYS I FORGIVE YOU FOR THE AL CAPONE INCIDENT” and then they’re arguing/making out and meanwhile the rest of the immortal community just groans and rolls their eyes because jesus christ, this again, they have been doing this since the holy roman empire.

god now the way i want a plot based off of villains ( 2019 ) like … two stupid idiots who try to be the next bonnie and clyde, making ends meet with what little coins and bills they can scrounge up in their shitty panhandling and robberies while they’re on the run… they’re nothing but petty criminals who can’t even pull off a simple heist, but you know what? it doesn’t matter to either of them ‘cause it’s just them against the world, baby! their shitty car with a fake license plates & the eight hundred bags of chips they stole from that broken dump of a gas station, cheering and whooping with the windows down & the wind in their hair. fucking in ratty motel rooms and dreaming about their future under the tattered blankets, putting together this whole fantasy life they’re gonna live together once they’re old and tired of the shenanigans… yeah, they’re criminals, but they’re not barbarians… so, so, so hopelessly in love, so protective of one another–and where one goes, the other follows.

Qual é o segredo da vida eterna? Ninguém conhece, talvez porque para algumas pessoas vida eterna está automaticamente relacionada à imortalidade e sabemos que vida eterna não necessariamente quer dizer isso. 

Em um período antigo na história da humanidade, Muse A e Muse B eram amantes. Em sua primeira vida se amaram intensamente, um amor tão grande que não deveria se extinguir com a morte. Assim, os amantes renasceram e nessa nova vida se reencontraram sem saber ao certo que já haviam se amado centenas de anos atrás, tinham apenas aquela sensação incrível de um amor de outra vida como as músicas e livros de romance relatavam. Os anos se passaram e a morte chegou, mas logo após eles renasceram e se amaram novamente e todo o ciclo se reiniciou. Há muitas lendas que falam sobre almas gêmeas, amores de outras vidas, energias que se reencontram e que estão fadadas a viverem juntas uma vida após a outra. 

Atualmente essa lenda parece mais romance adolescente do que outra coisa e Muse A odeia essa história de que cada pessoa tem um amor da sua vida, é por isso que se apaixona a cada rosto novo e interessante que vê pela frente. Namorar nunca foi um problema, assim como terminar namoros também nunca foi problema e elu segue com sua enorme lista de ex-amores sempre crescendo.  Muse B, no entanto, é o que se chama de emocionade. Elu não se apaixona muito fácil, mas quando acontece é bem fácil fazer planos para a vida inteira juntos. Talvez seja o que se chama de romântico incorrigível, e até é alertade o tempo todo por seus amigos que isso não é muito saudável, mas o conselho sempre é jogado de lado assim que é dado. 

Muse A e Muse B se encontraram num completo acaso, ou é o que o destino nos faz pensar, mas o fato principal é que esse encontro não foi muito amigável e o atrito foi mais do que inevitável pois muito contrário do que amor, o que um sentiu pelo outro foi ódio. Mas o destino é brincalhão e em toda situação possível elus acabavam sempre se trombando de uma forma ou de outra. 

Será que aquele ditado está correto mesmo? Água mole em pedra dura, tanto bate até que fura? Fica a curiosidade no ar, talvez o Destino seja o maior perdedor dessa história, ou ele só precisa de um empurrãozinho pra dizer que ele sempre tem razão. 

Hey it's time for Oathbreaker now

Hey everybody it's me Natalie and it's been NaNoWriMo for a hot minute. It kinda snuck up on me this year so I don't think I've talked about what I'm doing this year. Well, you can come see for yourself over at https://www.patreon.com/posts/oathbreaker-ch-1-74022737 where I've posted Chapter One of Oathbreaker, A Crusader's Tale: Of the life and doings of Sir Reynold d'Morwen, Marquis of Eldur.

Oathbreaker is a return to my Nameless Queen universe (for y'all who've been reading along, it deals with events immediately before Brood and then immediately after The Carnival of Carnal Delights) during what can best be described as a highly fictionalized take on the Baltic Crusades. It follows the rather harrowing misadventures of Reynold d'Morwen, a boy from Morwen Vale who took holy orders to escape justice for a terrible crime and now finds himself part of a military order, the Knights of St. Vitus, where he's dragooned into a war of conquest and faith with the vicious and fearless barbarians to the north of his homeland. Thrown into a life wherein every moment of existence is an act of faith and war, Reynold is forced to grow up hard and fast and make some hard decisions about who he is, what he stands for, and what it means to do the right thing.

I'm me, so obviously there's going to be a lot of thud-and-blunder action violence wherein no swash remains unbuckled coupled with lots of queer pining and anticlericalism. Come see all the exciting attractions, such as: How Freydis' battle plan from Carnival worked out. Fantasy Cathars and Fantasy Bogomils. The omnicidal omnisexual cannibals (aka the good guys). Guys making bad decisions that end very badly for everyone involved. Guys who are just being bros with their bros who are definitely guys until it turns out they're girls. Giant spiders. Awkward teenagers in love bumbling into each other. And lots and lots and lots and lots and lots and lots of religious trauma!

You can head on over to https://www.patreon.com/posts/oathbreaker-ch-1-74022737 to read Chapter 1: Four Hares and a Priest along with like . . . a shitload of other stuff for the low low price of $2 American. New chapters every other Wednesday.

Longggg Sherlock & Co plot rant. You have been warned.

I know the creator of Sherlock & Co. found the idea of writing Moriarty into the series intimidating. Plus, not knowing how to do Sherlock's "death" over a podcast and such. But I had an idea.

I love the idea of Professor Moriarty being some sort of hacker/online troll and MORIARTY is the name of a dark web corporation that is trying to hack into the Sherlock & Co. Company to send Sherlock puzzles/cases. You lot know those shady anon hackers on the dark web in films and certain websites? Like that.

I think it would be cool if at first Moriarty leaves hate/weird comments on John's podcasting sites and Watson just thinks it is some hater and thinks nothing of it and deletes the comments. He just grumbles about the comments being a continous thing.

Suddenly the comments stop. Watson isn't complaining about it, he is relieved by that because they were really annoying him. (no matter how many times Sherlock & Mariana told him to ignore them.)

Later on, Watson gets these emails from an unknown email of some shady guy (Moriarty) taunting Sherlock (and the rest of the company) and sending them on goose chase cases (Like the BBC did in that one episode with the phone calls, in a way?)

When Moriarty becomes the main centre of the podcast episodes, instead of Sherlock dying, he gets kidnapped by Moriarty's network. Watson and Mariana embark on and have to solve their most important case yet "Where is Sherlock Holmes?" This would give us some cool dynamics and more screentime between Watson and Mariana.

Watson starts to panick because he thinks he isn't like Sherlock and Sherlock did tell him that he would never be able to figure out stuff the way he could. Mariana is there to support and be there for him. Watson and Mariana have to channel their inner Sherlock Holmes to solve the case.

Idk whether I like the idea of Sherlock expecting this to happen and leave behind clues in some way. I do know though, that I like the idea of the following cases being them trying to work on finding Sherlock.

When they do, Sherlock is banged up and Sherlock tells him "I trusted that you would find me, Watson. You really are a persistent fellow."

And Watson just runs up and hugs him and Mariana joins in and they are just mother henning him like crazy.

Watson tells Sherlock "Don't do that to me again. Don't disappear on me again, you hear?"

And Sherlock is like "It's not like I was expecting to kidnapped, John. Besides, your podcast wouldn't last without me."

Watson just huffs and tells him "No, no, it wouldn't. Just come here," and then goes to hug him again.

Mariana pulls away from them both in realisation and she tells them "Boys, I don't mean to break up our moment, but we still do have one problem."

They both look at her and Sherlock nods and says "Moriarty. He's still out there."

I want it to be implied that they came face to face while Sherlock was kidnapped.

"He? Sherlock, you saw him?" Watson replies.

"Indeed, Watson and I think I know where he'll be waiting next."

*cue Sherlock & Co. End of episode music.*

Anyways, then we get to the episode of the Reichenbach fall, they have their final facedown. Sherlock doesn't die, but Moriarty does fall.

Watson would 100% be grumbling about how he can't pick up any audio over the sound of the falls.

Sherlock and Moriarty would begin fighting and Watson would start describing the scene in a panicked tone.

Sherlock calls over "Not helping, Watson!"

After more sounds of fighting and nervous ramblings from Watson. Sherlock & Moriarty turn the corner of the falls into a blind spot.

All Watson hears and sees is a cry and someone fall and crash into the water.

Watson panicks and shouts "SHERLOCK!" then dashes up to where they were fighting. Sherlock is sitting down and catching his breath.

Sherlock would probably make a smartarse comment like "Ah, John. Glad you make it. Help me up will you?"

"You're not dead."

"Clearly, or else we wouldn't be speaking. Now, would you please help me up?"

"Right, yeah." Watson helps him up.

"So, you, erm, you killed him?"

"I did. His baritsu was lacking, so his demise was inevitable."

"You're a clever, bugger, mate. Now, lift home?"

"Yes, of course."

I think it would be funny if the episode ended like this. They get home and Mariana starts mother-henning them both and she is scolding them both in Spanish about being more careful, how much she cares for them both, etc. Then she hugs them both.

Later on, we cut to them sitting in their chairs and talking about, well, everything.

"It's good to have you home, you know? I- well, Mariana and I both missed you."

"Mm. It's good to be home, Watson. I prefer the smell of our flat to the vile odour of where I was."

"Do you want to talk about it? Because, I, erm, am always here if you need a good talk."

"Not at the moment, Watson, but I will keep that in mind."

Long pause.

"So, Moriarty's network.. is it?-"

"Gone? Mm. No, but it will be taken care of."

"How? They are bloody HUGE, Sherlock. Shouldn't we, I don't know, contact Lestrade? Actually, the whole bloody Scotland Yard?"

"They're useless here, Watson. I'll leave this to the government."

"The government? Sherlock, we both know what they are. The government is not reliable in the slightest."

"Mm. The government you are discussing, yes. They are indeed unreliable, but in this instance I am discussing a WHO not a what."

"Friends in high places?"

"No. Much much worse."

"Oh, erm, an enemy then?"

"Mycroft is not an enemy, but certainly not a friend."

"What the devil is a 'Mycroft'?"

"My brother."

There's a long silence in the audio

"YOUR WHAT!?"

*Cue end of episode music*

I think this concept would be a cool way to be introduced to Mycroft, Watson realising his capibilities since meeting Sherlock, more screentime with Mariana and John's friendship, a way to do the podcast without killing Sherlock and having the time gap between Sherlock's "death" and resurrection, etc.

If you made it to the end of my Sherlock & Co plot concept ramble, good for you. Lol. Anyway, I just thought this would be a cool concept. The rant kinda blended into a fic, but oh well.

Do you lot like this idea? I thought it would be neat.

If John (or even the creator of Sherlock & Co) sees this ever, I will spontaneously combust. 😳

Enjoy my story/plot rant-

(Sorry for any typos, I am sick and half-asleep)

(I am so normal about them, I swear-)

Severitus plot thingy (again)

Severitus where Severus recognizes abuse in pretty much anyone. He's constantly pulling Slytherins aside to talk about home life, Ravenclaws, even Hufflepuffs, but not him.

He's so desperate for anyone to notice, anyone to actually, truly care, to do something, but that never happens.

Severus assigns a detention and Harry just loses it the second he steps in. Severus makes a single comment, and Harry is completely breaking down. He's shouting, screaming, even better if he's breaking things. Like, absolutely crashing TF out, and then he storms out.

When he shows up to classes the next day, he expects to be practically murdered by Snape, but he's not.

1) An apology letter on his desk, explaining his behavior, demeanor, and offering to help.

2) He gets asked to step out, just like he does with the Slytherins.

3) Normal class period.

4) A hug/reassuring words/just a form of comfort, really.