Parker (they/he) (21)WRITING COMMISSIONS ARE OPEN! ★Apart of TOO MANY DAMN FANDOMS!!!
100 posts
this painting
You started a scam religion for a quick buck. You begin to panic when your fake god was actually a real forgotten one awakened from new worshippers, declared you it's high priest, and granted you the power of healing.
because the thing is bisexual
one of the best fics i've ever read, one that had me addicted to my phone and crying, wasn't even prose. it was a huge, casual, bullet-pointed outline with every detail of an au that the author never got around to writing in full. and it was amazing.
let this be a message to all you who want to write but can't do it "normally": write it! someone out there will eat it up. whether that be poetry, tiny drabbles, or bullet pointed list: your work is always worth it. your art (yes, art!) will alway deserve to have its moment in the spotlight. why? because you made it. even if it wasn't done in a traditional matter, it came from your brain and your creativity and that is amazing.
♡
Write for yourself first. Write what you like and be in love with what you create. Readers who will love it as well will just follow naturally.
HAPPY BI-VISIBILITY DAY, EVERYONE! (Sept. 23) 💙💜❤️
mentally i am here <3
Want to write a hot, cool, and bad character but DON'T want he/she to come across as toxic, downright bad, or, god forbid, cringe? Well, I've got a couple of tips that may help you create exactly what you want!
Okay, yes we want this character to be tough and cool, but there also needs to be a certain softness, no matter how small, that comes with them. If there's someone that your character prioritizes or cares about, there has to be a point or two that it shows--a moment where they're soft only for the people that they care about. Why? Because this establishes the humanity in them. It shows the readers that your character IS human, not an emotionless monster.
Key to any good characters are their goals. The thing is, for this type of a character, their objectives can't be so random. They need a reason for their actions, and it needs to be valid. Usually, this is reasoned out by some kind of past epiphany, which is crucial because without it, your character doesn't have anything solid backing up their goals.
Bad things, but for a good reason.
Now, why is this important? Because it can pull readers to their side. As long as they understand the cause, they have a chance to follow your character's side, increasing their likeability!
Notice how this is a "morally gray" character, not a "completely evil" one. Why does this matter? Well, a trait people tend to overlook when writing these characters is the morally gray, or neutral, part. It's important to just occasionally show that your character is walking the fine line and in my opinion, a great way to achieve this is to have them help the protagonist out (instead of always fighting against them) one, or even two times!
This is a very simple one, but make sure to depict a couple positive qualities (besides just being hot) of your character! Like my first point, it's pivotal to illustrate that they have some humanity, and this is an easy and great way!
Throw in a few good characteristics (I have a post with some examples of redeeming qualities for villains if you need some help), and let it show that they are still respectable!
I believe that with certain characters that play certain roles in the story, explaining their backstory is a NEED for them; and this character type is no different! Introducing even a bit of their past can get the audience interested in your character. It also allows for better understanding of them and shows how they changed over time.
Be confident in your skills when writing this character! To many, the idea of "cringeness" makes them second-guess how they should write. In reality, it's better to write it however you wish, because if you're confident in one moment and clearly less in another, the readers are able to sense any unexpected changes in things in your character's tones, expressions, and actions.
It's important to keep your character in, well, character. Still, there's going to be a few moments that break it, but it shouldn't be in any unnatural way.
If your character is flirty, then let them act flirty. If they mess around a lot, then let them mess around. Don't limit their actions or words just because you think some people might find it cringe!
Alright, that's it for me! What do you think? Are they valid or unreasonable?
Happy writing~
3hks <3
okay like
literally love triangle between twins with daddy issues and connection to the force and sassy hero boy who cant say i love you. i think ive seen this film before......
A small experimental and messy comic about the queer hate to queer pipeline that seems to affect a lot of people, and since it’s pride month and I don’t see a lot of artistic commentary on this…here you go? I’m a baby gay, not even able to legally drink yet and only recently realized my sexuality so I’m sure there’s people who have suffered from being raised in bigotry much longer and much worse and I’m willing for this post to be the place they can share their stories! I’d be honored to hear stories from people like me. Happy pride month!
(Writers Note for page two- I am aware of sexualities that stem from trauma like Caedsexual exist and are 100% valid! I am referring to the belief that ALL under the LGBTQ+ umbrella are sick and are just ‘confused victims of abuse’ in a not so nice sense.)
think i found a brush that i like.. plus i had like barely drawn this big man
how is their relationship with their family
what are their beliefs, if they have any
what is their motivation (preferably something unrelated to their love interest/romantic feelings)
who were they raised to be vs. who they became/are becoming
what are their plans for the future, if they have any
how they feel about themselves and how it affects their behaviour
how do they feel about things they cannot control
and last but not least: Why is This Character the Protagonist??
BeholLD MY TINKER HICCUP FAIRY DESIGN!!
Been having this on my head for a whilee and really wanted to give the desing a go. Why? I don't know, but a Neverland au sure it's fucking cool
MY NEW FAVORITE CHARACTER IS QUEER(coded); WHO WOULD HAVE GUESSED?! (sarcasm obvious)
this is quite possibly the funniest way I’ve ever seen a cartoon “subtly” hint at a character being gay to beat network censorship bc oh my fucking god
IT’S ME, Y’ALL, IT’S ME!!! (I’m not proud of it, but it's too true.)
This is the kind of information your first line should provide:
the name of the character (the speicifcity creates and illusion of reality from the get-go)
Notify that something bad is about to happen.
Provide a feeling of motion (it doesn’t neccessarily have to be the character moving)
Talk about a (small) disturbance to the character’s everyday life.
Action (in medias res)
Jump into the story with no delay - have something interesting happening.
“They threw me off the hay truck about noon."
2. Dialogue
Show conflict between the characters speaking.
“Isn’t it true you ahve a motive to lie?” / “Excuse me?”
3. Raw Emotion
Make readers sympathize with the MC, who is experiencing a strong, universal emotion (like sadness, anger, etc.).
“I do not look. I don’t ask where. I don’t because Annie’s mother died seven months ago. I stand motionless in the line, looking just like everyone else except for the hot tears that have begun to sting my eyes.”
4. Look-back Hook
Suggest that there is a not-to-be-missed story that’s about to be told
“The terror, which would not end for another twenty-eight years — if it ever did end — beganm, so far as I can tell, with a boat made from a sheet of newsppaer gloating down a gutter swollen with rain”
5. Attitude
When using first-person narration, show some attitude and unique voice.
“If you really want to hear about it, the first thing you’ll probably want to know is where I was born, and what my lousy childhood was like, and how my parents were occupied and all before they had me, and all that David Copperfield kind of crap, but I don’t feel like going into it, if you want to know the truth.”
6. Prologues - entice the reader to move to chapter 1
Action Prologue: Start off with some big scene, often involving death
Framing a story - give the reader the view of a character about to look back and tell the story.
The teaser - present a scene at the beginning that will happen later on in the book
If you like my blog, buy me a coffee! ☕
Reference: <Write Great Fiction: Plot and Structure (techniques and exercises for craftin a plot that grips readers from start to finish)> by James Scott Bell
How to write about someone’s appearance? Their physique, styles, face , clothes,?
How to Describe a Character's Appearance
-> dabblewriter.com
-> link to Character Description Prompts
Overloading readers with too much information can be overwhelming and make your characters feel flat and one-dimensional. Focus on the details that are the most important to the story and the characters themselves.
If the character's appearance is not central to the story, then you may only need to give a basic description. If it plays a significant role, you may want to go into more detail. Always keep the purpose of your physical descriptions in mind.
Don't blatantly state every little thing about your character's appearance, but rather show it through their actions and behaviors.
example: If they are tall, show that through their actions. They have to duck to get under a doorway, they help someone reach the top shelf, etc.
A character's personality is what makes them memorable. Consider their motivations, values, beliefs, and quirks and give them a well-defined personality.
Create characters that are more than just their cultural, racial, ethnic, or gender identity. Give them unique interests, hobbies, and personalities. Allow them to have flaws, contradictions, and diverse perspectives.
External features include a character's height, weight, body type, and general appearance. You can describe their skin color, hair color, eye color, and any distinctive features like freckles or scars. This type of description gives the reader a basic understanding of what the character looks like, which is helpful in creating a mental image.
Describing the type of clothing they wear, including the colors, patterns, and how they fit, can reveal a lot about a character’s personality and social status.
For example, a character who wears tailored suits and expensive shoes might be a little snobby and concerned with their image, while a character who wears ripped jeans and t-shirts might be casual and relaxed.
Facial features can be used to give the reader a more in-depth understanding of a character's personality and emotions. You can describe their smile, the way they frown, their cheekbones, and their jawline. You can also describe their eyebrows, the shape of their nose, and the size and shape of their eyes, which can give the reader insight into their emotions.
Body language can be used to give the reader an understanding of a character's emotions and personality without the need for dialogue. Describing the way a character stands, walks, or gestures can reveal a lot about their confidence level, mood, and attitude.
For example, a character who slouches and avoids eye contact is likely to be shy, while a character who stands up straight and makes direct eye contact is likely to be confident.
Words to Describe Various Features
Oval: rounded, elongated, balanced, symmetrical
Round: full, plump, chubby, cherubic
Square: angular, defined, strong, masculine
Heart: pointy, triangular, wider at the temples, narrow at the chin
Diamond: angular, pointed, narrow at the forehead and jaw, wide at the cheekbones
Long: elongated, narrow, oval, rectangular
Triangular: angular, wide at the jaw, narrow at the forehead, inverted heart-shape
Oblong: elongated, rectangular, similar to oval but longer
Pear-shaped: narrow at the forehead, wide at the jaw and cheekbones, downward-pointing triangle
Rectangular: angular, defined, similar to oblong but more squared
Cheeks: rosy, plump, gaunt, sunken, dimpled, flushed, pale, chubby, hollow
Chin: pointed, cleft, rounded, prominent, dimpled, double, weak, strong, square
Ear: large, small, delicate, flapped, pointed, rounded, lobeless, pierced
Eyes: deep-set, angled, bright, piercing, hooded, wide-set, close-set, beady, slanted, round, droopy, sleepy, sparkling
Forehead: high, broad, wrinkled, smooth, furrowed, low, narrow, receding
Jaw: strong, square, defined, angular, jutting, soft, weak, chiseled
Lips: full, thin, chapped, cracked, puckered, pursed, smiling, quivering, pouty
Mouth: wide, small, downturned, upturned, smiling, frowning, pouting, grimacing
Nose: hooked, straight, aquiline, button, long, short, broad, narrow, upturned, downturned, hooked, snub
Eyebrows: arched, bushy, thin, unkempt, groomed, straight, curved, knitted, furrowed, raised
Texture: curly, straight, wavy, frizzy, lank, greasy, voluminous, luxurious, tangled, silky, coarse, kinky
Length: long, short, shoulder-length, waist-length, neck-length, chin-length, buzzed, shaven
Style: styled, unkempt, messy, wild, sleek, smoothed, braided, ponytail, bun, dreadlocks
Color: blonde, brunette, red, black, gray, silver, salt-and-pepper, auburn, chestnut, golden, caramel
Volume: thick, thin, fine, full, limp, voluminous, sparse
Parting: center-parted, side-parted, combed, brushed, gelled, slicked back
Bangs: fringed, side-swept, blunt, wispy, thick, thin
Accessories: headband, scarf, barrettes, clips, pins, extensions, braids, ribbons, beads, feathers
Build: slender, skinny, lean, athletic, toned, muscular, burly, stocky, rotund, plump, hefty, portly
Height: tall, short, petite, lanky, willowy, stocky, rotund
Posture: slouching, upright, hunched, stiff, relaxed, confident, nervous, slumped
Shape: hourglass, pear-shaped, apple-shaped, athletic, bulky, willowy, curvy
Muscles: defined, toned, prominent, ripped, flabby, soft
Fat distribution: chubby, plump, rounded, jiggly, wobbly, flabby, bloated, bloated
Body hair: hairy, smooth, shaven, beard, goatee, mustache, stubble
Weight: light, heavy, average, underweight, overweight, obese, lean, skinny
Body language: confident, nervous, aggressive, submissive, arrogant, timid, confident, relaxed
Body movements: graceful, clunky, fluid, awkward, jerky, smooth, agile, rigid
Muscular: ripped, toned, defined, well-built, buff, brawny, burly, strapping
Athletic: fit, toned, agile, flexible, energetic, muscular, athletic, sporty
Thin: skinny, slender, slim, lanky, bony, gaunt, angular, wiry
Stocky: sturdy, broad-shouldered, compact, muscular, solid, robust, heavy-set
Overweight: plump, chubby, rotund, heavy, portly, corpulent, stout, fleshy
Fat: overweight, overweight, rotund, heavy, bloated, tubby, round, fat
Lean: lanky, slender, skinny, thin, wiry, willowy, spare, underweight
Larger: large, heavy, hefty, substantial, solid, overweight, portly, rotund
Texture: smooth, soft, silky, rough, bumpy, flaky, scaly, rough
Tone: fair, light, pale, dark, tan, olive, bronze, ruddy, rosy
Complexion: clear, radiant, glowing, dull, blotchy, sallow, ruddy, weathered
Wrinkles: deep, fine, lines, crow's feet, wrinkles, age spots
Marks: freckles, age spots, birthmarks, moles, scars, blemishes, discoloration
Tone: even, uneven, patchy, discolored, mottled, sunburned, windburned
Glow: luminous, radiant, healthy, dull, tired, lifeless
Tautness: taut, firm, loose, saggy, wrinkles, age spots, slack
Condition: healthy, glowing, radiant, dry, oily, acne-prone, sunburned, windburned
Clothing: trendy, stylish, fashionable, outdated, classic, eclectic, casual, formal, conservative, bold, vibrant, plain, ornate
Fabric: silk, cotton, wool, leather, denim, lace, satin, velvet, suede, corduroy
Colors: bright, bold, pastel, neutral, vibrant, muted, monochrome
Accessories: jewelry, hats, glasses, belts, scarves, gloves, watches, necklaces, earrings, bracelets, rings
Shoes: sneakers, boots, sandals, heels, loafers, flats, pumps, oxfords, slippers
Grooming: well-groomed, unkempt, messy, clean-cut, scruffy, neat
Hair: styled, messy, curly, straight, braided, dreadlocks, afro, updo, ponytail
Makeup: natural, bold, minimal, heavy, smokey, colorful, neutral
Personal grooming: clean, fragrant, unkempt, well-groomed, grooming habits
Overall appearance: put-together, disheveled, polished, rough, messy, tidy
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Riz did the coolest thing one can do for themself in Highschool
Aka he had a glow up
From
Riz the ball (Derogatory) Gukgak: nerdy briefcase kid who was called a mean name his first day and gave off narc energy (not aided in the fact that his moms a cop)
To
Riz The Ball (sick as hell) Gukgak: the coolest guy ever, tatted up, has a mysterious vibe is exclusively referred to as his nickname and is the rad older kid in a million clubs, peak “I know a guy” energy, also has a hot mom.
Fuckin legend
Requested by: Anonymous
By @me-writes-prompts
“You see, I could never like think of them romantically. You know what I mean?”
“Look, I don’t believe in love or anything, so there is no way I could have feelings for that person.”
“No, no, I can’t. We both can’t. I mean, it can never work out the way we would have wanted to.”
Getting jealous and possessive when the other one is giving someone more attention than them. But that’s just how friends are, right? RIGHT?
Ignoring that fluttering and butterflies in their stomach when they get too close to them.
“I mean, this feeling is just temporary. It will go away.” (Spoiler alert! It didn’t)
“You have such heart eyes when you look at them, makes me sick.” “No, I don’t.”
"Just tell them you like them." "What are you talking about?" "You like them, don't you?" "No, absolutely not. Haha, no. Maybe."
canon
omg, i never showed you guys the original did i??
My magnum opus of last school year but its literally just a homework assignment DHFH
[Sequel]
the big boy i love <3
he’s so cute he’s just a silly little guy a pookie if you will (he’s like 6 ft)
TMNT: Mutant Mayhem (2023)
a comic about different types of storytellers
Can I kick it? (Yes, you can!)