Welp, we've gone this far. Follow me on AO3 and tune in to a POTO retelling lol.
And of course I'm thinking about Phantom of the Opera.
panna a netvor (beauty and the beast), dir. juraj herz (1978) + anne williams - art of darkness: a poetics of gothic
By request, a Gary Mauer final-lair kiss. With Marie Danvers in 2006.
Earl Carpenter
Hear it, feel it, secretly possess you
@whynotraisealittlehell
Thinking about how Erik wasn't just left alone by people, but also had no support system in the century he was born. His traumas would never be taken seriously (specially considering the men in his time), his mental illness would never be treated, he would probably be locked in an asylum and endure horrific torture if he ever tried to search for help. His abusers were protected by this very system and got away with everything they did to him. He was left down by everyone, even in his family, anywhere he went he was met with abuse, discrimination and ableism, and there was no way to escape this monstrous society other than hiding from it.
Thinking about no matter how much Leroux evidenced Erik's humanity, his nuances, the good he was capable of making, how his crimes were circumstantial (and in a lot of cases even forced), but not from thoughtless sadistic satisfaction, how he had no chance of living as a normal person in the world that casted him out like a 'monster'... he will always be a "villain" in the eyes of so many people. Because it's easier to blame one single person that already doesn't have anything or anyone and is already down on his misery, poverty and trauma, than to aknowledge the very system and society that forced him to live that way. It's easier to create an enemy that won't be accepted by anyone as anything other than an enemy, an 'other'.
Just thinking about how tragic and sadly realistic Erik is.
Whoops, you thought I was over Davis Gaines?
He's just so ghoulish and graceful.
The chat next Saturday is going to be so unstable and I am totally here for it 💀
I try my best to schedule around Saturday evenings, but it's an event night! I might be back in time, but I don't want to risk it. See you next weekend!
“I have touched you, heard you, felt the comfort of your presence–the sweetness of your consolation: I cannot give up these joys. I have little left in myself–I must have you. The world may laugh–may call me absurd, selfish–but it does not signify. My very soul demands you: it will be satisfied: or it will take deadly vengeance on its frame.”
— Edward Rochester (Jane Eyre by Charlotte Bronte)
As a rabid POTO fan, imagine how I shocked I was when I watched this niche independent film for class and learned that LND was featured. I literally thought I had left another window in my browser open playing ALW but nope, the filmmakers actually weaved the song into the final frame. My hyperfixation is following me everywhere in the best way.
24 Frames (Abbas Kiarostami, 2017).
I can’t remember if I posted this before or not 😭
Ari/lit-ari-ture. @Litlovers-corsetlaces account resurrected and dedicated to POTO and Jane Eyre content.
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