The chat next Saturday is going to be so unstable and I am totally here for it 💀
I try my best to schedule around Saturday evenings, but it's an event night! I might be back in time, but I don't want to risk it. See you next weekend!
Inspired by this tweet by @glindaupland (i think). May delete because, well...
Earl Carpenter: Duh, the OG sad wet cat OG.
Kevin Gray: Definitely a crazy bitch, but makes me a sad wet cat watching him.
Ian Jon Bourg: Sad wet cat pretending to be a crazy bitch.
Tim Martin Gleason: Name a difference between his final lair and a kitten left out in the rain?
Hugh Panaro: Psycho bitch who becomes a sad wet cat for 1.5 seconds when he says "my angel."
Davis Gaines: Sad wet crazy bitch.
JOJ: Crazy wet cat.
David Thaxton: Is a crazy bitch because he's a sad wet cat.
Ramin Karimloo: Extra crazy bitch. No cat in him whatsoever, unfortunately.
Jeremy Stolle: Was a sad wet cat in his early days as an understudy but graduated to crazy bitch and sex god in the 2020s.
Greg Mills: People literally call him finger lickin' Greg...but he's still a wet cat.
Ben Crawford: Crazy bitch who swears he's not crazy.
David Shannon: Sad wet cat who is also injured.
John Cudia: Sad wet cat who makes my cat w—*phone dies*
The hug!!🥹
Video from here.
The Last Black Man In San Francisco (2019)
dir. joe talbot
Offline, I'm a grad student/historian in training who studies a community that is systemically under-archived. A significant part of my day job involves helping that community craft the archive from what's "left" while coming to terms with what they've already lost. In the meantime, I'm also navigating how to write the dissertation I want to write without the sources I want/need.
Aside from providing the fodder for my gothic romance hyperfixation, fandoms are a breath of fresh air because they remind me that it only takes a few passionate people to build an archive and, eventually, a preservation ecosystem. It all starts with someone who records things, collects stuff, and accumulates niche knowledge--and then shares it with others--just for the joy of it.
Two episodes of a (now obscure) Jane Eyre BBC adaptation have been missing for years, and today an anonymous superfan/de facto JE adaptation archivist who never gave up announced that they've been found after all this time. Masters take the time to make elitist or ephemeral artforms like musicals more accessible for present and future generations' enjoyment and now several Phantoms who performed the role before I was even born are among my favorites. Stuff like this warms my heart as a fan, historian, and a human.
Don't take for granted that some institution is studying and stewarding that "thing" you care about. Universities, museums, and the internet are flawed systems and, yes, instruments of power and capitalism. They also just can't (and shouldn't) do it all. Preservation runs on informal archivists and spaceholders like @glassprism and @wheel-of-fish and @behindthemirrorofmusic and trading economies (in the case of POTO) and so many other people/spaces. It thrives on us investing in the things that bring us joy. And that investment doesn't have to be financial; it often just looks like collaborating with others for free and finding time to channel our intellects and energies toward what we love.
The things that matter to you...matter lol. Don't let *gestures wildly* all the stuff going in the world convince you otherwise. Now or somewhere down the road someone's going to be glad you cared this much.
Welp, we've gone this far. Follow me on AO3 and tune in to a POTO retelling lol.
i’ve always loved how revered art pieces like these are. and enjoying these art pieces, these tangible forms of people’s adoration, with the person you love is such a beautiful experience <3
also wow, 50 followers! i honestly wasn’t expecting anyone to even see these, so thrilled is an understatement :) thank you so much for interacting with my posts, editing has given me a wonderful way to express my creativity and knowing these images make people happy makes my day <333
I know the world is a cruel place because Peter Karrie and Anthony Warlow are among the best to ever play the Phantom and yet there's only like 2.5 near-complete boots between them.
And of course I'm thinking about Phantom of the Opera.
panna a netvor (beauty and the beast), dir. juraj herz (1978) + anne williams - art of darkness: a poetics of gothic
Ari/lit-ari-ture. @Litlovers-corsetlaces account resurrected and dedicated to POTO and Jane Eyre content.
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