“Floating, Falling …”
Earl Carpenter and Katie Knight-Adams, 2006, London. The iconic MOTN pose and some very dynamic acting from both!
Can't decide whether to crawl into fetal position or just cry face down in the pillow atp.
Crazily enough there's been a sudden demand for stream merch, so uhhh here are some options I guess? all of these are available on stickers, magnets, mugs, etc. (click "shop all products" under a design to see options)
stream designs here
general PotO designs here
Inspired by this tweet by @glindaupland (i think). May delete because, well...
Earl Carpenter: Duh, the OG sad wet cat OG.
Kevin Gray: Definitely a crazy bitch, but makes me a sad wet cat watching him.
Ian Jon Bourg: Sad wet cat pretending to be a crazy bitch.
Tim Martin Gleason: Name a difference between his final lair and a kitten left out in the rain?
Hugh Panaro: Psycho bitch who becomes a sad wet cat for 1.5 seconds when he says "my angel."
Davis Gaines: Sad wet crazy bitch.
JOJ: Crazy wet cat.
David Thaxton: Is a crazy bitch because he's a sad wet cat.
Ramin Karimloo: Extra crazy bitch. No cat in him whatsoever, unfortunately.
Jeremy Stolle: Was a sad wet cat in his early days as an understudy but graduated to crazy bitch and sex god in the 2020s.
Greg Mills: People literally call him finger lickin' Greg...but he's still a wet cat.
Ben Crawford: Crazy bitch who swears he's not crazy.
David Shannon: Sad wet cat who is also injured.
John Cudia: Sad wet cat who makes my cat w—*phone dies*
really is soooo sick that ppl think that overuse of the em dash is a marker of ai now. like why are you people sullying the reputation of my beautiful beautiful wife. if im not overusing em dashes im dead. im like that chuck tingle book thats like the sentient lesbian em dash makes sweet love to me or whatever
As a rabid POTO fan, imagine how I shocked I was when I watched this niche independent film for class and learned that LND was featured. I literally thought I had left another window in my browser open playing ALW but nope, the filmmakers actually weaved the song into the final frame. My hyperfixation is following me everywhere in the best way.
24 Frames (Abbas Kiarostami, 2017).
Thinking about Jordan Donica's Raoul and the illegal way he said sOAkEd to the sKiN
Chapter 2 is live!!
Some random thoughts in the void as I try to work through wtf I actually want to do with this fanfic:
“Think of Me” is the first song I heard from POTO before I was even properly introduced to the show. But once I watched Phantom in full, I realized how much of an “odd man out” the song is. I get that it serves an introductory function and that it’s basically a Christine/Raoul leitmotif, but even so it doesn’t seem to feature much in the musical overall.
And I guess this fanfic retelling is taking up the song in a completely different vein and asking what the story would look like if “Think of Me” was a potential leitmotif for Christine and Erik. What if Erik and Christine had encountered each other in one set of circumstances, gone their separate ways, and then reconnected and “remembered” each other—but with a new set of emotions and challenges?
Maybe I’m just trying to extract an Erik/Christine ship 😅. But also want to gently explore whether it’s possible for Erik’s Angel of music/father figure act to be meaningful for the both he and young Christine and not just loaded with manipulation and grooming. And I feel like the only way that’s even slightly possible is for her to actually have room to grow up and come back to the opera house as a woman.
Maybe it won’t work but 😂🥴
Again: Marie Danvers stood on business when it came to laying smooches on her costars. And her roster was impeccable.
Ari/lit-ari-ture. @Litlovers-corsetlaces account resurrected and dedicated to POTO and Jane Eyre content.
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