Whoa Jon Robyns and Lily Kerhoas were such a good pairing, their voices mesh so well and their interpretations make sense together.
i’ve always loved how revered art pieces like these are. and enjoying these art pieces, these tangible forms of people’s adoration, with the person you love is such a beautiful experience <3
also wow, 50 followers! i honestly wasn’t expecting anyone to even see these, so thrilled is an understatement :) thank you so much for interacting with my posts, editing has given me a wonderful way to express my creativity and knowing these images make people happy makes my day <333
As a rabid POTO fan, imagine how I shocked I was when I watched this niche independent film for class and learned that LND was featured. I literally thought I had left another window in my browser open playing ALW but nope, the filmmakers actually weaved the song into the final frame. My hyperfixation is following me everywhere in the best way.
24 Frames (Abbas Kiarostami, 2017).
Hugh gave everything this performance. It's historic somehow, idc.
Rewatching Lindsey Ellis's review of Love Never Dies.
I honestly love this play so much. Not even because it's so bad it's good (it's really a little too boring for that). But because I used to write terrible POTO fanfiction when I was like... 8? And at least half my terrible ideas somehow made it into this way-past-its-prime fanservicey sequel.
"Erik has a son" is a complete nonsense pandering idea that undoes the character arcs of the first play's ending. And now people have to argue in the affirmative why it's not canon. It taught me that "real artists" plagiarize fans, and that nothing is too stupid to be made. And that's honestly the best gift I've ever been given.
It's why I'm so confident about "Slippin Kimmy". Love Never Dies taught me to stop worrying if I'm good enough and embrace this affectionate cynicism about art and the entertainment industry.
PRIDE AND PREJUDICE (2005) dir. Joe Wright
I've been thinking a lot about the relationship between gothic romance, melodrama, and fanfiction (mostly Re: POTO) and how they've been shunted into the category of "women's media." Like women and queer folks have been writing their desires into media for centuries and being told that such desires--the excess, the sensationalism/sensuality, the emotional transcendence--are not "realistic" and only good for aesthetic consumption in its place.
But then you look at the general endurance of "women's media" through time...and the fact that even in a capitalistic world obsessed with monetization and the "hyper-real," there are whole fandoms/online communities where authors are writing fanfics with hundreds of thousands of hits for FREE and where third spaces and alternative economies based on trading and sharing have taken shape around the very same desires deemed "unrealistic"....
Idk where I was going with that, but someone gets the point. Is it that queer and feminine desire are "silly," or do they imagine other ways of living and relating to each other, our bodies, our emotions that certain power structures want us to think is impossible?
Franz Kafka, from a letter to Milena Jesenka featured in "Letters to Milena,
I'm going to reblog this combination whenever I see it.
Crazily enough there's been a sudden demand for stream merch, so uhhh here are some options I guess? all of these are available on stickers, magnets, mugs, etc. (click "shop all products" under a design to see options)
stream designs here
general PotO designs here
Made by @mattxiv on Instagram.
Ari/lit-ari-ture. @Litlovers-corsetlaces account resurrected and dedicated to POTO and Jane Eyre content.
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