or don’t be kind. Don’t make them learn a lesson. Make them worse with no turning back. Let them never be able to deal with what they went through. Make it take years until they are finally able to take a breath again without wanting to die. That’s what life is like sometimes. Merciless. Nonsensical. Painful.
Let them stay up night after night just asking why? Why me? Why me? Why me?
Every happy ending has to be fought for desperately, and even then there’s no guarantee that you get it.
What do they take for granted? Take it away from them.
The one thing they know for certain? Make them doubt it.
Their worst fear? Throw it at their faces.
Make their plans fail. Make them cry. Make them question things and then learn about them and the way they react in the process.
Be mean to your character. Then be kind to them for a while, because after all that they may deserve it.
Personally, I write stupid silly scenarios that are useless and unrealistic but they make me giggle
I don’t write from nothing. Every character, every word is the echo of reality. Every feature is plucked from someone I knew, every line from a conversation I had, every heartbreak is my own.
I just try to write better endings.
this is one of my favorite reddit posts of all time
tragedy enjoyers when a character perpetuates the cycle of violence they themselves were a victim of
top five most important things you can give a character. 1. bisexuality. 2. autism. 3. so much negative rizz it loops around into irresistibility. 4. so many bad events. 5. a coping mechanism that’s cute and silly provided you don’t think about it too hard
If there’s one tip I can give to writers of all calibers, new or veterans (since a lack of this is even the case with published authors), it must be:
Watch out for your subtext as much as you can.
No matter how genius the worldbuilding, no matter how 3-dimensional the characters, your text will carry a subconscious message, and you have to be careful with it. The way you phrase things, the way you describe certain groups of people does matter a lot.
If you like it or not, your book will send big messages, even if you believe it doesn’t. Make sure you know exactly what those messages are. Be intentional about your subtext. It’s worth a lot.
i beg to sniffer
paid a bill
trying to make unlikable characters
every day I wake up and realize I am surrounded by pantsers. Where are all the plotters? Am I the only one? Sometimes I feel like it, you guys are so messy,,, (I love you)
how to ask the demon you've been smitten over for 6000 years to dance: an angel's guide
bonus:
ugghh uaahhfh aaafdhhf a I write about war. Constantly in the trenches. You’re safe and wanted here.
137 posts