๐๐ฆ๐บ ๐ญ๐ฐ๐ท๐ฆ๐ด ๐บ,
๐๐ฐ ๐'๐ท๐ฆ ๐ฃ๐ฆ๐ฆ๐ฏ ๐ฐ๐ฏ ๐๐ถ๐ฃ๐ด๐ต๐ข๐ค๐ฌ ๐ง๐ฐ๐ณ ๐ด๐ฐ๐ฎ๐ฆ ๐ต๐ช๐ฎ๐ฆ ๐ฏ๐ฐ๐ธ ๐ข๐ฏ๐ฅ ๐ฉ๐ข๐ท๐ฆ ๐ฃ๐ฆ๐ฆ๐ฏ ๐ข ๐ฃ๐ช๐ต ๐ฉ๐ฆ๐ด๐ช๐ต๐ข๐ฏ๐ต ๐ต๐ฐ ๐ฑ๐ฐ๐ด๐ต. ๐๐ถ๐ต ๐ต๐ฐ๐ฅ๐ข๐บ ๐ ๐ฅ๐ฆ๐ค๐ช๐ฅ๐ฆ๐ฅ ๐ต๐ฐ ๐ถ๐ฑ๐ญ๐ฐ๐ข๐ฅ ๐ข๐ฏ ๐ฆ๐ด๐ด๐ข๐บ ๐ฃ๐ข๐ด๐ฆ๐ฅ ๐ฐ๐ฏ ๐ฎ๐บ ๐ฑ๐ณ๐ฆ๐ท๐ช๐ฐ๐ถ๐ด ๐ฑ๐ฐ๐ด๐ต ๐ฉ๐ฆ๐ณ๐ฆ. ๐๐ต ๐ธ๐ฐ๐ถ๐ญ๐ฅ ๐ฎ๐ฆ๐ข๐ฏ ๐ข ๐ญ๐ฐ๐ต ๐ต๐ฐ ๐ฎ๐ฆ ๐ช๐ง ๐บ๐ฐ๐ถ ๐จ๐ถ๐บ๐ด ๐ณ๐ฆ๐ข๐ฅ ๐ช๐ต. ๐ ๐ฉ๐ฐ๐ฑ๐ฆ ๐บ๐ฐ๐ถ ๐ญ๐ช๐ฌ๐ฆ ๐ช๐ต.
โQueen Esther
๐๐ฆ๐ข๐ณ ๐๐ช๐ข๐ณ๐บ, ๐๐ข๐ต๐ฆ๐ญ๐บ, ๐'๐ท๐ฆ ๐ฃ๐ฆ๐ฆ๐ฏ ๐ง๐ฆ๐ฆ๐ญ๐ช๐ฏ๐จ ๐ข๐ฏ ๐ฐ๐ท๐ฆ๐ณ๐ธ๐ฉ๐ฆ๐ญ๐ฎ๐ช๐ฏ๐จ ๐ด๐ข๐ฅ๐ฏ๐ฆ๐ด๐ด. ๐ ๐ฉ๐ข๐ท๐ฆ ๐ฏ๐ฐ ๐ฎ๐ฐ๐ต๐ช๐ท๐ข๐ต๐ช๐ฐ๐ฏ ๐ต๐ฐ ๐ฑ๐ถ๐ณ๐ด๐ถ๐ฆ ๐ฎ๐บ ๐ช๐ฏ๐ต๐ฆ๐ณ๐ฆ๐ด๐ต๐ด ๐ฐ๐ณ ๐ง๐ถ๐ญ๐ง๐ช๐ญ๐ญ ๐ฎ๐บ ๐ณ๐ฆ๐ด๐ฑ๐ฐ๐ฏ๐ด๐ช๐ฃ๐ช๐ญ๐ช๐ต๐ช๐ฆ๐ด, ๐ข๐ฏ๐ฅ ๐ช๐ต ๐ด๐ฆ๐ฆ๐ฎ๐ด ๐ญ๐ช๐ฌ๐ฆ ๐'๐ท๐ฆ ๐ฃ๐ฆ๐ฆ๐ฏ ๐ง๐ข๐ช๐ญ๐ช๐ฏ๐จ ๐ต๐ฉ๐ฐ๐ด๐ฆ ๐ธ๐ฉ๐ฐ ๐ฐ๐ฏ๐ค๐ฆ ๐ฃ๐ฆ๐ญ๐ช๐ฆ๐ท๐ฆ๐ฅ ๐ช๐ฏ ๐ฎ๐ฆ. ๐๐ต'๐ด ๐ข๐ด ๐ช๐ง ๐ต๐ฉ๐ฆ ๐ด๐ช๐ค๐ฌ๐ฆ๐ฏ๐ช๐ฏ๐จ ๐ข๐ธ๐ข๐ณ๐ฆ๐ฏ๐ฆ๐ด๐ด ๐ฐ๐ง ๐ต๐ฉ๐ช๐ด ๐ข๐ช๐ญ๐ฎ๐ฆ๐ฏ๐ต ๐ต๐ฉ๐ข๐ต ๐ฑ๐ญ๐ข๐จ๐ถ๐ฆ๐ด ๐ฎ๐ฆ ๐ฉ๐ข๐ด ๐ฆ๐ข๐ต๐ฆ๐ฏ ๐ข๐ธ๐ข๐บ ๐ข๐ต ๐ข๐ฏ๐บ ๐ฅ๐ฆ๐ด๐ช๐ณ๐ฆ ๐ต๐ฐ ๐ฅ๐ฐ ๐ด๐ฐ๐ฎ๐ฆ๐ต๐ฉ๐ช๐ฏ๐จ ๐ฎ๐ฆ๐ข๐ฏ๐ช๐ฏ๐จ๐ง๐ถ๐ญ ๐ธ๐ช๐ต๐ฉ ๐ฎ๐บ ๐ญ๐ช๐ง๐ฆ. ๐ ๐ฅ๐ณ๐ช๐ง๐ต ๐ง๐ณ๐ฐ๐ฎ ๐ฐ๐ฏ๐ฆ ๐ฉ๐ฐ๐ฃ๐ฃ๐บ ๐ต๐ฐ ๐ข๐ฏ๐ฐ๐ต๐ฉ๐ฆ๐ณ, ๐ง๐ณ๐ฐ๐ฎ ๐ฐ๐ฏ๐ฆ ๐ง๐ฐ๐ณ๐ฎ ๐ฐ๐ง ๐ฎ๐ฆ๐ฅ๐ช๐ข ๐ต๐ฐ ๐ต๐ฉ๐ฆ ๐ฏ๐ฆ๐น๐ต, ๐ฅ๐ฆ๐ด๐ฑ๐ฆ๐ณ๐ข๐ต๐ฆ๐ญ๐บ ๐ด๐ฆ๐ฆ๐ฌ๐ช๐ฏ๐จ ๐ด๐ฐ๐ฎ๐ฆ๐ต๐ฉ๐ช๐ฏ๐จ, ๐ข๐ฏ๐บ๐ต๐ฉ๐ช๐ฏ๐จโ๐ต๐ฉ๐ข๐ต ๐ฎ๐ช๐จ๐ฉ๐ต ๐จ๐ช๐ท๐ฆ ๐ฎ๐ฆ ๐ต๐ฉ๐ฆ ๐ธ๐ช๐ญ๐ญ ๐ต๐ฐ ๐ฌ๐ฆ๐ฆ๐ฑ ๐ฑ๐ถ๐ด๐ฉ๐ช๐ฏ๐จ ๐ง๐ฐ๐ณ๐ธ๐ข๐ณ๐ฅ. ๐ธ๐๐๐๐ ๐ณ๐๐๐ ๐ ๐ฎ๐๐๐พ๐ ๐๐บ
โ๐ ๐ ๐บ๐ฝ๐ ๐บ๐๐ฝ ๐๐พ๐ ๐๐๐๐ ๐ , ๐ฉ๐๐๐๐๐บ๐ ๐๐ฟ ๐๐๐พ ๐๐๐ป๐๐๐ฝ๐ ๐พ๐ฝ ๐๐๐๐ .
"๐ผ ๐ค๐๐ ๐ฉ ๐ผ ๐ค๐๐๐ก๐ ๐ก๐ฉ๐ ๐ค๐๐ฆ ๐ผ ๐ก๐ฉ๐๐ข๐๐ฉ๐ก; ๐๐๐ ๐๐ ๐ ๐๐ฃ๐๐๐ฆ, ๐ผ๐๐๐๐ ๐ ๐๐๐ก๐๐ฆ, ๐๐๐ก๐ฉ ๐๐๐๐๐๐๐๐๐ ๐ฉ๐ข๐๐๐๐. ๐ผ'๐ ๐ค๐๐๐ก๐ ๐ก๐ ๐ก๐ฉ๐ ๐๐๐๐๐ก ๐๐ ๐ ๐ข๐๐๐๐๐๐ก๐๐๐. ๐ผ'๐ ๐ค๐๐๐ก๐ ๐๐ฆ๐ ๐๐๐ ๐๐๐ก๐ ๐๐๐๐ฃ๐๐ข๐ ๐๐๐๐๐๐๐๐ค๐๐ , ๐๐๐๐ข๐ ๐๐๐๐๐ก๐ ๐ ๐๐๐๐๐๐๐๐๐ ๐๐ข๐ก ๐๐๐๐ ๐ก๐๐๐ก๐๐๐๐๐ ๐๐๐ก๐ ๐๐๐ฆ๐ ๐๐๐ ๐๐๐ก๐ฉ๐๐๐. ๐ด๐๐ ๐ผ'๐ ๐ค๐๐๐ก๐ ๐๐๐๐ข๐ก ๐ฆ๐๐ข ๐ ๐๐๐ก ๐๐๐๐ ๐ก๐ฉ๐๐ ๐ผ ๐ ๐ฉ๐๐ข๐๐."
โย Benedict Smith
๐๐ฉ๐ ๐๐๐๐ฉ๐ก ๐๐ ๐๐๐๐๐๐๐๐๐ ๐๐๐ข๐๐ ๐๐, ๐๐ฉ๐ ๐ค๐๐๐ ๐ค๐๐๐๐ ๐๐๐๐๐๐ฆ ๐๐๐๐ค; ๐ต๐ข๐ก ๐ ๐ก๐ฆ๐๐๐๐ก ๐ ๐๐๐๐ ๐ฉ๐๐ ๐๐๐ข๐๐ ๐๐, ๐ด๐๐ ๐ผ ๐๐๐๐๐๐ก, ๐๐๐๐๐๐ก ๐๐. ๐๐ฉ๐ ๐๐๐๐๐ก ๐ก๐๐๐๐ ๐๐๐ ๐๐๐๐๐๐๐ ๐๐ฉ๐๐๐ ๐๐๐๐ ๐๐๐ข๐๐ฉ๐ ๐ค๐๐๐๐ฉ๐๐ ๐ค๐๐ก๐ฉ ๐ ๐๐๐ค; ๐๐ฉ๐ ๐ ๐ก๐๐๐ ๐๐ ๐๐๐ ๐ก ๐๐๐ ๐๐๐๐๐๐๐, ๐ด๐๐ ๐ฆ๐๐ก ๐ผ ๐๐๐๐๐๐ก ๐๐. ๐ถ๐๐๐ข๐๐ ๐๐๐ฆ๐๐๐ ๐๐๐๐ข๐๐ ๐๐๐๐ฃ๐ ๐๐, ๐๐๐ ๐ก๐๐ ๐๐๐ฆ๐๐๐ ๐ค๐๐ ๐ก๐๐ ๐๐๐๐๐ค; ๐ต๐ข๐ก ๐๐๐ก๐ฉ๐๐๐ ๐๐๐๐๐ ๐๐๐ ๐๐๐ฃ๐ ๐๐: ๐ผ ๐ค๐๐๐ ๐๐๐ก, ๐๐๐๐๐๐ก ๐๐.
โEmily Jane Brontรซ, The Night
"๐ฝ๐ ๐กโ๐๐๐๐. ๐ด๐ข๐๐๐ข๐๐โโ๐ข๐. ๐ถ๐ ๐ ๐๐๐. ๐ท๐๐๐๐๐. ๐๐๐ข๐ ๐ก๐๐ข๐๐๐ข๐๐ ".
โMichelle Hodkin,The Retribution of Mara Dyer (the third book).
โSound of Music (1965)
โThe Golden Apple of Discord ๐
๐๐ฐ๐ฎ๐ฆ๐ธ๐ฉ๐ฆ๐ณ๐ฆ ๐ช๐ฏ ๐ต๐ฉ๐ฆ ๐ท๐ฆ๐ณ๐ฅ๐ข๐ฏ๐ต ๐ฉ๐ช๐ญ๐ญ๐ด ๐ฐ๐ง ๐ฎ๐บ ๐ฉ๐ฐ๐ฎ๐ฆ ๐ต๐ฐ๐ธ๐ฏ. ๐ธ๐ฉ๐ฆ๐ณ๐ฆ ๐ฌ๐ช๐ฅ๐ด ๐ณ๐ฆ๐ฎ๐ข๐ช๐ฏ ๐ฌ๐ช๐ฅ๐ด ๐ข๐ฏ๐ฅ ๐ฑ๐ข๐ณ๐ฆ๐ฏ๐ต๐ด ๐ฅ๐ฐ๐ฏโ๐ต ๐จ๐ณ๐ฐ๐ธ ๐ฐ๐ญ๐ฅโ ๐ ๐ด๐ฆ๐ฆ ๐ถ๐ด. ๐๐ญ๐ข๐บ๐ช๐ฏ๐จ ๐ฐ๐ฏ ๐๐ข๐ต๐ถ๐ณ๐ฅ๐ข๐บ๐ด, ๐ช๐ฏ ๐ต๐ฉ๐ข๐ต ๐ด๐ฎ๐ข๐ญ๐ญ ๐ฑ๐ฐ๐ฏ๐ฅ ๐ง๐ฐ๐ณ๐ฎ๐ฆ๐ฅ ๐ฃ๐บ ๐ณ๐ข๐ช๐ฏ ๐ข๐ฏ๐ฅ ๐ฆ๐ณ๐ฐ๐ด๐ช๐ฐ๐ฏ ๐ณ๐ช๐จ๐ฉ๐ต ๐ช๐ฏ ๐ง๐ณ๐ฐ๐ฏ๐ต ๐ฐ๐ง ๐ฐ๐ถ๐ณ ๐ฉ๐ฐ๐ถ๐ด๐ฆ, ๐ธ๐ฉ๐ช๐ญ๐ฆ ๐ฎ๐ถ๐ฎ ๐ช๐ด ๐ช๐ฏ ๐ต๐ฉ๐ฆ ๐ฌ๐ช๐ต๐ค๐ฉ๐ฆ๐ฏ, ๐ค๐ฐ๐ฐ๐ฌ๐ช๐ฏ๐จ ๐ด๐ฐ๐ฎ๐ฆ๐ต๐ฉ๐ช๐ฏ๐จ ๐ธ๐ข๐ณ๐ฎ. ๐'๐ฅ ๐ด๐ช๐ต ๐ฃ๐บ ๐ต๐ฉ๐ฆ ๐ธ๐ข๐ต๐ฆ๐ณ, ๐ฅ๐ข๐ฏ๐ฅ๐ฆ๐ญ๐ช๐ฐ๐ฏ๐ด ๐ช๐ฏ ๐ฉ๐ข๐ฏ๐ฅ, ๐๐ญ๐ถ๐ค๐ฌ๐ช๐ฏ๐จ ๐ด๐ฐ๐ง๐ต ๐ฑ๐ฆ๐ต๐ข๐ญ๐ด ๐ญ๐ช๐ฌ๐ฆ ๐ด๐ฆ๐ค๐ณ๐ฆ๐ต๐ด, ๐๐ฉ๐ช๐ด๐ฑ๐ฆ๐ณ๐ช๐ฏ๐จ, โ๐๐ฆ ๐ญ๐ฐ๐ท๐ฆ๐ด ๐ฎ๐ฆ, ๐ฉ๐ฆ ๐ญ๐ฐ๐ท๐ฆ๐ด ๐ฎ๐ฆ ๐ฏ๐ฐ๐ต,โ ๐ฃ๐ฆ๐ญ๐ช๐ฆ๐ท๐ช๐ฏ๐จ ๐ต๐ฉ๐ฆ ๐ธ๐ช๐ฏ๐ฅ ๐ฌ๐ฏ๐ฆ๐ธ ๐ต๐ฉ๐ฆ ๐ข๐ฏ๐ด๐ธ๐ฆ๐ณ๐ด ๐ต๐ฐ ๐ฎ๐บ ๐ฒ๐ถ๐ฆ๐ด๐ต๐ช๐ฐ๐ฏ๐ด. ๐๐ฉ๐ฐ๐ด๐ฆ ๐ฎ๐ฐ๐ฎ๐ฆ๐ฏ๐ต๐ด ๐ง๐ฆ๐ญ๐ต ๐ด๐ถ๐ณ๐ณ๐ฆ๐ข๐ญโ ๐ข๐ด ๐ณ๐ฆ๐ข๐ญ ๐ข๐ด ๐ข๐ฏ๐บ๐ต๐ฉ๐ช๐ฏ๐จ ๐ฆ๐ญ๐ด๐ฆ ๐โ๐ท๐ฆ ๐ฌ๐ฏ๐ฐ๐ธ๐ฏ. ๐๐ช๐ต๐ต๐ญ๐ฆ ๐ฑ๐ฐ๐ค๐ฌ๐ฆ๐ต๐ด ๐ฐ๐ง ๐ฑ๐ฆ๐ข๐ค๐ฆ, ๐ด๐ต๐ช๐ต๐ค๐ฉ๐ฆ๐ฅ ๐ต๐ฐ๐จ๐ฆ๐ต๐ฉ๐ฆ๐ณ ๐ธ๐ช๐ต๐ฉ ๐ญ๐ข๐ถ๐จ๐ฉ๐ต๐ฆ๐ณ ๐ข๐ฏ๐ฅ ๐ฅ๐ข๐บ๐ฅ๐ณ๐ฆ๐ข๐ฎ๐ด. ๐ ๐ฅ๐ฐ๐ฏโ๐ต ๐ฎ๐ช๐ด๐ด ๐ค๐ฉ๐ช๐ญ๐ฅ๐ฉ๐ฐ๐ฐ๐ฅ ๐ต๐ฉ๐ฐ๐ถ๐จ๐ฉ ๐ข๐ฏ๐ฅ ๐ ๐ฏ๐ฆ๐ท๐ฆ๐ณ ๐ธ๐ข๐ฏ๐ต ๐ต๐ฐ ๐ณ๐ฆ๐ญ๐ช๐ท๐ฆ ๐ช๐ต. ๐ ๐ญ๐ช๐ฌ๐ฆ ๐ฎ๐บ ๐ง๐ณ๐ฆ๐ฆ๐ฅ๐ฐ๐ฎ ๐ฏ๐ฐ๐ธ. ๐๐ฉ๐ข๐ต ๐ ๐ฎ๐ช๐ด๐ด, ๐ช๐ด ๐ต๐ฉ๐ฆ ๐ฃ๐ฐ๐ฏ๐ฅ ๐ ๐ด๐ฉ๐ข๐ณ๐ฆ๐ฅ ๐ธ๐ช๐ต๐ฉ ๐ฎ๐บ ๐ด๐ช๐ฃ๐ญ๐ช๐ฏ๐จ๐ด. ๐๐ฉ๐ฆ ๐ธ๐ข๐บ ๐ธ๐ฆ ๐ธ๐ฐ๐ท๐ฆ ๐ฐ๐ถ๐ณ ๐ช๐ฎ๐ข๐จ๐ช๐ฏ๐ข๐ต๐ช๐ฐ๐ฏ ๐ช๐ฏ๐ต๐ฐ ๐ฆ๐ท๐ฆ๐ณ๐บ๐ต๐ฉ๐ช๐ฏ๐จ, ๐ถ๐ด๐ช๐ฏ๐จ ๐ช๐ต ๐ต๐ฐ ๐ฅ๐ช๐ด๐ต๐ณ๐ข๐ค๐ต ๐ฐ๐ถ๐ณ๐ด๐ฆ๐ญ๐ท๐ฆ๐ด ๐ง๐ณ๐ฐ๐ฎ ๐ต๐ฉ๐ช๐ฏ๐จ๐ด ๐ธ๐ฆ ๐ค๐ฐ๐ถ๐ญ๐ฅ๐ฏโ๐ต ๐ถ๐ฏ๐ฅ๐ฆ๐ณ๐ด๐ต๐ข๐ฏ๐ฅ. ๐๐ฆ ๐ฎ๐ข๐ฅ๐ฆ ๐ฐ๐ถ๐ณ ๐ฐ๐ธ๐ฏ ๐ซ๐ฐ๐บ, ๐ธ๐ฉ๐ฆ๐ฏ ๐ซ๐ฐ๐บ ๐ธ๐ข๐ด๐ฏโ๐ต ๐ฉ๐ข๐ฏ๐ฅ๐ฆ๐ฅ ๐ต๐ฐ ๐ถ๐ด.
โA Lady and Her Quill, Journal of Wandering Thoughts
๐๐ฏ ๐ต๐ธ๐ช๐ญ๐ช๐จ๐ฉ๐ต'๐ด ๐ฎ๐ช๐ด๐ต, ๐ต๐ฉ๐ฆ๐บ ๐ธ๐ข๐ฏ๐ฅ๐ฆ๐ณ ๐ด๐ต๐ช๐ญ๐ญ, ๐๐ฉ๐ณ๐ฐ๐ถ๐จ๐ฉ ๐ด๐ฆ๐ค๐ณ๐ฆ๐ต ๐ธ๐ฐ๐ฐ๐ฅ๐ด, ๐ฐ'๐ฆ๐ณ ๐ฉ๐ช๐ฅ๐ฅ๐ฆ๐ฏ ๐ฉ๐ช๐ญ๐ญ, ๐ ๐ด๐ช๐ฏ๐จ๐ญ๐ฆ ๐ฉ๐ฐ๐ณ๐ฏ, ๐ข ๐จ๐ญ๐ฆ๐ข๐ฎ๐ช๐ฏ๐จ ๐ญ๐ช๐จ๐ฉ๐ต, ๐๐ฉ๐ฆ ๐ญ๐ข๐ด๐ต ๐ฐ๐ง ๐ฅ๐ณ๐ฆ๐ข๐ฎ๐ด, ๐ต๐ฉ๐ฆ ๐ด๐ฐ๐ถ๐ญ ๐ฐ๐ง ๐ฏ๐ช๐จ๐ฉ๐ต. ๐๐ฉ๐ฆ๐ช๐ณ ๐ฉ๐ฐ๐ฐ๐ท๐ฆ๐ด ๐ข๐ณ๐ฆ ๐ด๐ฐ๐ง๐ต ๐ฐ๐ฏ ๐ง๐ฐ๐ณ๐ฆ๐ด๐ต ๐ง๐ญ๐ฐ๐ฐ๐ณ, ๐ ๐ด๐ต๐ฆ๐ฑ, ๐ข ๐ฃ๐ณ๐ฆ๐ข๐ต๐ฉ, ๐ต๐ฉ๐ฆ๐ฏ ๐ด๐ฆ๐ฆ๐ฏ ๐ฏ๐ฐ ๐ฎ๐ฐ๐ณ๐ฆ.
โUnknown author, The Last Unicorn (inspired by Peter S. Beagleโs novel)
Golden child, Lion boy; Tell me what it's like to conquer. Fearless child, Broken boy; Tell me what it's like to burn.
โoh darling, even Rome fell //ย p.s.
โ๐๐ต๐ฒ๐ฌ๐ฎ ๐ฒ๐ท ๐ฆ๐ธ๐ท๐ญ๐ฎ๐ป๐ต๐ช๐ท๐ญ
"All I am is literature and I am not willing or able to be anything else"
โFranz Kafka
Dear Milena, I wish the world were ending tomorrow. Then I could take the next train, arrive at your doorstep in Vienna, and say: โCome with me, Milena. We are going to love each other without scruples or fear or restraint. Because the world is ending tomorrowโ. Perhaps we donโt love unreasonably because we think we have time, or have to reckon with time. But what if we donโt have time? Or what if time, as we know it, is irrelevant? Ah, if only the world were ending tomorrow. We could help each other very much.
โ Franz Kafka, Letters to Milena
If I cannot love you openly like I wish, if I cannot hold your hand when walking Or wrap you in my arms late at night. Then I will love you silently, in my mind and behind closed eyes For there, there is no rejection or heartbreak. And surely it is better to love silently than to not love at all?
โunknown
โโโโโโโโโโโโโโโโโโโโโโโโโโโโโโโโโโโโโโโโโโ
Hey ๐ธหหโ, so lately I've been thinking of ways to romanticize my college experience and decluttering and re-organizing my digital space with Notion has been helping with this.
What is your favorite kind of aesthetic for Notion.
I swear I don't lack skills to communicate, I'm simply too tired to engage..
โDonna Tartt, The Secret History
Today, I encountered a little black girl who looked frail and seemed timid, and it nearly brought me to tears. There was something in her eyes, a glint of quiet pain, of low self-esteem. She seemed afraid to speak, to take up space, to simply exist in the fullness of who she is. And in that moment, my mind instantly went to my younger sister. And of course, to my younger self. I see so much of myself in my little sister. I love her with everything in me, and I would do whatever it takes to shield her from the cruelty of the worldโfrom my father's rage, from societyโs judgment, from the harshness I was never protected from. I couldnโt save my younger self from all the things that broke me. The things that silenced me, made me shrink, made me feel like I wasnโt enough. So when I see little girls like thatโlike herโI feel this deep, aching need to protect them. I glanced at her multiple times today, and she mightโve thought I was judging her. I wish I couldโve told her I wasnโt. That I cared. That in a world where others might overlook her or treat her like sheโs invisible, I see her. I would be there for her. But I couldnโt say it. Because that would've scared her off. I hope I see her again. Sometimes, I wish I wasnโt this sensitive. I wish I could just numb myself just a little, so I wouldnโt have to feel so deeply all the time. But here I am, writing this with tears in my eyes. Empathy is starting to feel like a curse to me.
โA lady and Her Quill, Journal of wandering thoughts.
โ Albert Camus
"People. People. Endless noise. And I am so tired. And I would like to sleep under trees; red ones, blue ones, swirling passionate ones"
โย Alfred Stieglitz,ย My Faraway One: Selected Letters of Georgia O'Keeffe and Alfred Stieglitz
โJoan of Arc